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      1. Albums
      2. spohr: the last judgment - louis spohr

      Spohr: The Last Judgment

      Louis SpohrLouis Spohr
      • 2012
      • 19 tracks
      • 1 uur, 6 min
      • classical
      Spohr: The Last Judgment - Louis Spohr
      Spohr: The Last Judgment - Louis Spohr

      Album Details

      Immerse yourself in the profound and dramatic world of Louis Spohr's "The Last Judgment," a powerful oratorio that delves into the apocalyptic themes of the Book of Revelation. Composed by the renowned German violinist and composer Louis Spohr, this masterpiece was first performed in 1830 and has since captivated audiences with its intense and moving portrayal of the final reckoning.

      The album, released in 2012 by the American Symphony Orchestra under the direction of Leon Botstein, is a testament to Spohr's musical genius and his ability to convey deep spiritual and emotional themes through his compositions. The oratorio is divided into two parts, each exploring different aspects of the Last Judgment, from the majestic and awe-inspiring to the intimate and personal.

      The first part of the oratorio sets the stage with a grand overture, followed by a series of recitatives and choruses that depict the final judgment and the fall of Babylon. The second part delves deeper into the personal and spiritual aspects of the judgment, with solos and duets that express the individual's search for redemption and the hope of eternal life.

      Throughout the album, Spohr's rich and varied orchestration, combined with the powerful vocals of the soloists and chorus, creates a deeply moving and immersive listening experience. The American Symphony Orchestra's performance is a standout, bringing Spohr's music to life with precision and passion.

      "Das Lamm, das erwürget ist" is a particularly striking piece, with its haunting melody and powerful lyrics that evoke a sense of reverence and awe. The duet "Sei mir nicht schrecklich in der Not" is another highlight, showcasing the beautiful harmonies and emotional depth of Spohr's writing.

      Whether you are a fan of classical music or simply looking to explore new and meaningful works, "The Last Judgment" is an album that is sure to leave a lasting impression. With its powerful themes, rich orchestration, and moving performances, it is a true masterpiece of the oratorio genre.

      March 16, 20122012 American Symphony Orchestra2012 American Symphony Orchestra

      Tracks

      1. The Last Judgment: OvertureLouis Spohr, American Symphony Orchestra, Leon Botstein
        7:22
      2. The Last Judgment: Part I, "Preis und Ehre ihm"Louis Spohr, American Symphony Orchestra, Heather Buck, Philip Horst, Leon Botstein
        5:59
      3. The Last Judgment: Part I, "Steige Herauf" (Recitative)Louis Spohr, American Symphony Orchestra, Brian Stucki, Philip Horst, Leon Botstein
        1:36
      4. The Last Judgment: Part I, "Heilig, heilig"Louis Spohr, American Symphony Orchestra, Brian Stucki, Leon Botstein
        1:29
      5. The Last Judgment: Part I, "Und siehe, ein Lamm, das war verwundert" (Recitative)Louis Spohr, American Symphony Orchestra, Heather Buck, Brian Stucki, Leon Botstein
        2:06
      6. The Last Judgment: Part I, "Das Lamm, das erwürget ist"Louis Spohr, American Symphony Orchestra, Heather Buck, Leon Botstein
        1:26
      7. The Last Judgment: Part I, "Und alle Kreatur - Betet an" (Recitative)Louis Spohr, American Symphony Orchestra, Brian Stucki, Leon Botstein
        3:12
      8. The Last Judgment: Part I, "Und siehe, eine große Schar" (Recitative)Louis Spohr, American Symphony Orchestra, Cynthia Hanna, Brian Stucki, Leon Botstein
        3:03
      9. The Last Judgment: Part I, "Heil, dem Erbarmer"Louis Spohr, American Symphony Orchestra, Heather Buck, Cynthia Hanna, Brian Stucki, Philip Horst, Leon Botstein
        2:50
      10. The Last Judgment: Part I, SinfoniaLouis Spohr, American Symphony Orchestra, Leon Botstein
        7:38
      11. The Last Judgment: Part II, "So spricht der Herr" (Recitative)Louis Spohr, American Symphony Orchestra, Philip Horst, Leon Botstein
        4:55
      12. The Last Judgment: Part II, "Sei mir nicht schrecklich in der Not" (Duet)Louis Spohr, American Symphony Orchestra, Heather Buck, Brian Stucki, Leon Botstein
        4:37
      13. The Last Judgment: Part II, "So ihr mich von ganzem Herzen suchet"Louis Spohr, American Symphony Orchestra, Leon Botstein
        1:52
      14. The Last Judgment: Part II, "Die Stunde des Gerichts" (Recitative)Louis Spohr, American Symphony Orchestra, Brian Stucki, Leon Botstein
        0:51
      15. The Last Judgment: Part II, "Gefallen ist Babylon"Louis Spohr, American Symphony Orchestra, Leon Botstein
        6:06
      16. The Last Judgment: Part II, "Selig sind die Toten"Louis Spohr, American Symphony Orchestra, Heather Buck, Cynthia Hanna, Brian Stucki, Philip Horst, Leon Botstein
        2:45
      17. The Last Judgment: Part II, "Sieh, einen neuen Himmel" (Recitative)Louis Spohr, American Symphony Orchestra, Heather Buck, Cynthia Hanna, Leon Botstein
        1:54
      18. The Last Judgment: Part II, "Und siehe, ich komme bald" (Recitative & Quartet)Louis Spohr, American Symphony Orchestra, Brian Stucki, Leon Botstein
        1:05
      19. The Last Judgment: Part II, "Groß und wunderbarlich sind deine Werke"Philip Horst, Louis Spohr, American Symphony Orchestra, Heather Buck, Cynthia Hanna, Brian Stucki, Leon Botstein
        6:02
      PLAY ON SPOTIFY

      About Louis Spohr

      Louis Spohr, born Ludwig Spohr, was a prolific and innovative figure in the early Romantic period, renowned for his contributions as a composer, violinist, and conductor. Born in Brunswick, Germany, in 1784, Spohr's musical journey began at a young age, showcasing his talent on the violin. By the age of 18, he had already made significant strides, joining the ducal orchestra and later establishing himself as a virtuoso violinist. Spohr's compositions span a wide range of genres, including ten symphonies, ten operas, eighteen violin concerti, and numerous chamber works. His innovative spirit led him to invent the violin chinrest and the orchestral rehearsal mark, revolutionizing violin technique and teaching in the 19th century. Despite his extensive output, only a few of his works, such as the Octet Op. 32 and the Nonet Op. 31, are frequently performed today. Spohr's legacy endures through his meticulously crafted music and his enduring influence on the development of nineteenth-century music.

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      Louis Spohr

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