Stereolab's seventh studio album, Sound-Dust, is a mesmerising blend of art pop, krautrock, and post-rock elements, released on 28 August 2001. This captivating record marks the final appearance of singer and guitarist Mary Hansen, making it a poignant farewell to an era of the band. Produced by John McEntire and Jim O'Rourke, and recorded at McEntire's Chicago studio Soma, Sound-Dust is a testament to Stereolab's innovative and eclectic approach to music.
The album's 13 tracks, including 'Black Ants in Sound-Dust', 'Space Moth', and 'Captain Easychord', showcase the band's ability to craft intricate, atmospheric soundscapes and infectious melodies. With its unique blend of electronic and organic elements, Sound-Dust is an album that rewards close listening and exploration. From the opening notes of 'Black Ants in Sound-Dust' to the closing strains of 'Les Bon Bons Des Raisons', Stereolab's Sound-Dust is a rich and immersive listening experience that will appeal to fans of progressive pop, neo-psychedelia, and chamber pop.
With a duration of 1 hour and 24 minutes, Sound-Dust is a substantial and satisfying album that showcases Stereolab's mastery of their craft. Released on Duophonic Records, this album is a must-listen for anyone interested in exploring the boundaries of art pop and experimental music. Sound-Dust has been well-received by critics and fans alike, and its influence can still be felt in the music world today. As a significant milestone in Stereolab's discography, Sound-Dust remains an essential listening experience for anyone interested in the band's unique sound and style.
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