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      1. Albums
      2. settings of heine - max lichtegg

      Settings of Heine

      Max LichteggMax Lichtegg
      • 1963
      • 19 tracks
      • 40 min
      • gregorian chant
      Settings of Heine - Max Lichtegg
      Settings of Heine - Max Lichtegg

      Album Details

      Dive into the enchanting world of classical song with "Settings of Heine," a captivating album by Max Lichtegg, released in 1963. This exquisite collection features Max Lichtegg's powerful vocals accompanied by the masterful piano playing of Theodor Lichtmann, offering a rich tapestry of musical interpretations of Heinrich Heine's poetry. The album spans a duration of 40 minutes and includes 19 tracks, each a unique exploration of Heine's evocative verses.

      "Settings of Heine" showcases a diverse range of compositions, from the hauntingly beautiful "Die Loreley" and "Schwanengesang" by Franz Schubert to the romantic ballads of Felix Mendelssohn and Robert Schumann. The album begins with Schubert's "Die Loreley," a poignant lament set to Heine's famous poem, followed by other notable pieces such as "Das Fischermädchen" and "Der arme Peter" from Schumann's "Romanzen und Balladen." The collection also includes lesser-known gems like Mendelssohn's "Neue Liebe" and "Gruss," adding depth and variety to the listening experience.

      Max Lichtegg's expressive vocals bring a profound sensitivity to each piece, while Theodor Lichtmann's piano accompaniment provides a solid and nuanced foundation. The album is a testament to the enduring appeal of Heine's poetry and the timeless beauty of classical song. Whether you're a seasoned enthusiast of classical music or a newcomer to the genre, "Settings of Heine" offers a compelling journey through some of the most beloved and influential works in the repertoire.

      January 1, 19631963 - BNF Collection 20141963 - BNF Collection 2014

      Tracks

      1. Die LoreleyFriedrich Silcher, Max Lichtegg, Theodor Lichtmann
        3:04
      2. Schwanengesang, D. 957: No. 11, Die StadtFranz Schubert, Max Lichtegg, Theodor Lichtmann
        2:20
      3. Schwanengesang, D. 957: No. 10, Das FischermädchenFranz Schubert, Max Lichtegg, Theodor Lichtmann
        2:22
      4. Romanzen und Balladen, Vol. 3, Op. 53, No. 3 Der arme Peter: Der Hans und die Grete tanzen herumRobert Schumann, Max Lichtegg, Theodor Lichtmann
        1:34
      5. Romanzen und Balladen, Vol. 3, Op. 53, No. 3 Der arme Peter: In meiner Brust, da sitzt ein WehRobert Schumann, Max Lichtegg, Theodor Lichtmann
        1:20
      6. Romanzen und Balladen, Vol. 3, Op. 53, No. 3 Der arme Peter: Der arme Peter wankt vorbeiRobert Schumann, Max Lichtegg, Theodor Lichtmann
        1:56
      7. Myrten, Op. 25: No. 7, Die LotosblumeRobert Schumann, Max Lichtegg, Theodor Lichtmann
        2:19
      8. 6 Gesänge, Op. 19a: No. 4, Neue Liebe, MWV K70Felix Mendelssohn, Max Lichtegg, Theodor Lichtmann
        1:55
      9. 6 Gesänge, Op. 19a: No. 5, Gruss, MWV K71Felix Mendelssohn, Max Lichtegg, Theodor Lichtmann
        1:40
      10. 6 Gesänge, Op. 34: No. 2, Auf Flügeln des Gesanges, MWV K86Felix Mendelssohn, Max Lichtegg, Theodor Lichtmann
        2:50
      11. Balladen, Romanzen und Lieder, Op. 7: No. 3, Der TänzerJohann Vesque von Püttlingen, Max Lichtegg, Theodor Lichtmann
        2:18
      12. 7 Gedichte aus dem "Neuen Frühling", Op. 46: No. 6, Königin und PageJohann Vesque von Püttlingen, Max Lichtegg, Theodor Lichtmann
        2:48
      13. Am TeetischJohann Vesque von Püttlingen, Max Lichtegg, Theodor Lichtmann
        2:44
      14. 88 Gedichte aus Heine's Reisebildern "Die Heimkehr": No. 80, Auf den Wällen SalamankasJohann Vesque von Püttlingen, Max Lichtegg, Theodor Lichtmann
        2:42
      15. 4 Lieder, Op. 96: No. 3, Es schauen die BlumeJohannes Brahms, Max Lichtegg, Theodor Lichtmann
        1:02
      16. 4 Lieder, Op. 96: No. 1, Der Tod, das ist die kühle NachtJohannes Brahms, Max Lichtegg, Theodor Lichtmann
        3:10
      17. 7 Gedichte aus dem "Buch der Lieder" "Liederstrauss": No. 1, Sie haben heut'Abend GesellschaftHugo Wolf, Max Lichtegg, Theodor Lichtmann
        2:11
      18. 7 Gedichte aus dem "Buch der Lieder" "Liederstrauss": No. 4, Aus meinen grossen SchmerzenHugo Wolf, Max Lichtegg, Theodor Lichtmann
        1:21
      19. 7 Gedichte aus dem "Buch der Lieder" "Liederstrauss": No. 7, Es blasen die blauen HusarenHugo Wolf, Max Lichtegg, Theodor Lichtmann
        1:00
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      About Max Lichtegg

      Max Lichtegg, born Munio Lichtmann, was a celebrated opera tenor whose career spanned over five decades, leaving an indelible mark on the classical music scene, particularly in Switzerland. Born in 1910 in Buczacz, now part of Ukraine, Lichtegg lost his parents at a young age and was raised by an uncle in Vienna. His musical journey began early, performing as a boy soprano before studying history at the University of Vienna and voice at the New Conservatory in Vienna and Bern.

      Lichtegg's professional debut came in 1936 at the Stadttheater Bern, where he quickly gained fame as an operetta star. His rich, lyrical voice with a distinctive timbre captivated audiences, making him one of the most popular tenors in Switzerland during his prime. His repertoire included iconic roles in operas by Mozart, Rossini, and Lehár, among others. Lichtegg's career flourished during and after World War II, with notable performances and recordings that showcased his vocal prowess and stage presence.

      Throughout his career, Lichtegg performed in prestigious venues and collaborated with renowned artists, including pianist Georg Solti. His ability to preserve his voice over an unusually long period allowed him to celebrate his 50th anniversary as a stage artist with a gala concert in 1987. Lichtegg's legacy endures through his recordings, which continue to be cherished by classical music enthusiasts worldwide. He passed away in Zurich in 1992, leaving behind a rich musical heritage that continues to inspire.

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      Max Lichtegg

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