September Man

"September Man" is a captivating jazz album by Belgian guitarist Philip Catherine, released on October 6, 1974, under the Warner label in France. This concise yet impactful collection spans just over 41 minutes, featuring seven tracks that showcase Catherine's virtuosic guitar work and his ability to blend various jazz styles seamlessly. The album opens with "Nairam" and closes with "Monday 13," framing a journey through intricate compositions like "Nineteen Seventy Fourths" and the titular "September Man." Catherine's playing is both sensitive and dynamic, highlighting his technical prowess and emotional depth. The album also includes a three-part suite, "When It Is," which demonstrates his compositional skills and ability to craft a compelling narrative within a jazz context. "September Man" is a testament to Philip Catherine's artistry, offering a rich and engaging listening experience for jazz enthusiasts and music lovers alike.

Philip Catherine, the Belgian jazz-rock guitarist, is a name that resonates with warmth and lyricism, often drawing comparisons to the legendary Pat Metheny. Born in London but deeply rooted in the European jazz scene since the 1960s, Catherine has carved out a unique niche for himself with his fat, overdriven tone and a harmonic approach that harks back to the bop era. Nicknamed 'Young Django' by the legendary Charles Mingus, Catherine's career is a testament to his enduring talent and creativity. His discography is a treasure trove of musical gems, from his explorations of Cole Porter's songs to his more recent studio albums. Whether he's playing with a young quartet or paying tribute to jazz greats, Catherine's music is a journey through the rich tapestry of jazz history, infused with his own distinctive style.

September Man

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