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      1. Albums
      2. schütz: symphoniae sacrae iii, op. 12 - heinrich schütz

      Schütz: Symphoniae Sacrae III, Op. 12

      Heinrich SchützHeinrich Schütz
      • 2015
      • 21 tracks
      • 1 uur, 59 min
      Schütz: Symphoniae Sacrae III, Op. 12 - Heinrich Schütz
      Schütz: Symphoniae Sacrae III, Op. 12 - Heinrich Schütz

      Album Details

      Immerse yourself in the sacred and profound compositions of Heinrich Schütz with the release of "Symphoniae Sacrae III, Op. 12." This album, released on September 1, 2015, under the Carus label, is a testament to Schütz's mastery of sacred vocal music. Spanning nearly two hours, this collection features 21 intricate and spiritually uplifting pieces, each meticulously crafted to evoke deep reverence and contemplation.

      Heinrich Schütz, a pivotal figure in the transition from Renaissance to Baroque music, brings his distinctive style to this opus. The album includes renowned works such as "Der Herr ist mein Hirt" and "O Jesu süß," showcasing Schütz's ability to blend rich harmonies with profound theological texts. The performances by the Dresdner Kammerchor and Dresdner Barockorchester, under the direction of Hans-Christoph Rademann, are nothing short of exquisite, capturing the essence of Schütz's vision with precision and passion.

      Whether you are a seasoned enthusiast of early music or a newcomer to the genre, "Symphoniae Sacrae III, Op. 12" offers a rich and rewarding listening experience. This album is not just a collection of songs but a journey through the sacred and the sublime, highlighting the enduring legacy of Heinrich Schütz in the world of classical music.

      September 1, 2015© 2015 Carus℗ 2015 Carus

      Tracks

      1. Symphoniae Sacrae III, Op. 12: No. 1, Der Herr ist mein Hirt, SWV 398Heinrich Schütz, Ulrike Hofbauer, David Erler, Georg Poplutz, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        5:20
      2. Symphoniae Sacrae III, Op. 12: No. 2, Ich hebe meine Augen auf zu den Bergen, SWV 399Heinrich Schütz, David Erler, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        4:36
      3. Symphoniae Sacrae III, Op. 12: No. 3, Wo der Herr nicht das Haus bauet, SWV 400Heinrich Schütz, Isabel Schicketanz, Ulrike Hofbauer, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        6:31
      4. Symphoniae Sacrae III, Op. 12: No. 4, Mein Sohn, warum hast du uns das getan, SWV 401Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, Maria Stosiek, Ulrike Hofbauer, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        6:27
      5. Symphoniae Sacrae III, Op. 12: No. 5, O Herr, hilf, o Herr laß wohl gelingen, SWV 402Heinrich Schütz, Isabel Schicketanz, Ulrike Hofbauer, Georg Poplutz, Dresdner Barockorchester, Hans-Christoph Rademann
        2:25
      6. Symphoniae Sacrae III, Op. 12: No. 6, Siehe, es erschien der Engel des Herren, SWV 403Heinrich Schütz, Ulrike Hofbauer, Tobias Mathger, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        4:19
      7. Symphoniae Sacrae III, Op. 12: No. 7, Feget den alten Sauerteig aus, SWV 404Heinrich Schütz, Ulrike Hofbauer, David Erler, Tobias Mathger, Felix Schwandtke, Dresdner Barockorchester, Hans-Christoph Rademann
        5:32
      8. Symphoniae Sacrae III, Op. 12: No. 8, O süsser Jesu Christ, SWV 405Heinrich Schütz, Dorothee Mields, Ulrike Hofbauer, David Erler, Georg Poplutz, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        6:33
      9. Symphoniae Sacrae III, Op. 12: No. 9, O Jesu süß, wer dein gedenkt, SWV 406Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, Georg Poplutz, Tobias Mathger, Dresdner Barockorchester, Hans-Christoph Rademann
        3:35
      10. Symphoniae Sacrae III, Op. 12: No. 10, Lasset uns doch den Herren, unsern Gott, loben, SWV 407Heinrich Schütz, Isabel Schicketanz, Ulrike Hofbauer, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        7:14
      11. Symphoniae Sacrae III, Op. 12: No. 11, Es ging ein Sämann aus zu säen, SWV 408Heinrich Schütz, Dorothee Mields, David Erler, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        9:22
      12. Symphoniae Sacrae III, Op. 12: No. 12, Seid barmherzig, wie euch euer Vater auch barmherzig ist, SWV 409Heinrich Schütz, Maria Stosiek, David Erler, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        7:33
      13. Symphoniae Sacrae III, Op. 12: No. 13, Siehe, dieser wird gesetzt zu einem Fall, SWV 410Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Hans-Christoph Rademann
        5:44
      14. Symphoniae Sacrae III, Op. 12: No. 14, Vater unser, der du bist im Himmel, SWV 411Heinrich Schütz, Ulrike Hofbauer, Stefan Kunath, Tobias Mathger, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        5:13
      15. Symphoniae Sacrae III, Op. 12: No. 15, Siehe, wie fein und lieblich ist, SWV 412Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Hans-Christoph Rademann
        6:16
      16. Symphoniae Sacrae III, Op. 12: No. 16, Hütet euch, dass eure Herzen nicht beschweret, SWV 413Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Tobias Mathger, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Hans-Christoph Rademann
        6:03
      17. Symphoniae Sacrae III, Op. 12: No. 17, Meister, wir wissen, dass du wahrhaftig bis, SWV 414Heinrich Schütz, Isabel Schicketanz, Maria Stosiek, David Erler, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        5:16
      18. Symphoniae Sacrae III, Op. 12: No. 18, Saul, was verfolgst du mich, SWV 415Heinrich Schütz, Isabel Schicketanz, Ulrike Hofbauer, David Erler, Georg Poplutz, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        2:41
      19. Symphoniae Sacrae III, Op. 12: No. 19, Herr, wie lang willt du mein so gar vergessen, SWV 416Heinrich Schütz, Isabel Schicketanz, Maria Stosiek, Stefan Kunath, Georg Poplutz, Tobias Mathger, Felix Schwandtke, Dresdner Barockorchester, Hans-Christoph Rademann
        6:44
      20. Symphoniae Sacrae III, Op. 12: No. 20, Komm, heiliger Geist, SWV 417Heinrich Schütz, Dorothee Mields, David Erler, Georg Poplutz, Tobias Mathger, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        6:16
      21. Symphoniae Sacrae III, Op. 12: No. 21, Nun danket alle Gott, SWV 418Heinrich Schütz, Ulrike Hofbauer, Isabel Schicketanz, David Erler, Georg Poplutz, Tobias Mathger, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
        5:37
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      About Heinrich Schütz

      Heinrich Schütz, born in 1585, stands as one of the most influential German composers of the early Baroque period, often hailed as the most significant German composer before Johann Sebastian Bach. His prolific career spanned over five centuries of music, leaving behind a legacy of more than 500 surviving works, predominantly sacred music composed for the Lutheran church. Schütz is renowned for introducing the Italian Baroque style to Germany, evolving it from the Renaissance into the early Baroque era. His compositions, including the celebrated German Requiem, have become staples of 17th-century German sacred music, showcasing his mastery and innovation. Schütz's contributions to the musical landscape of his time are immense, making him a pivotal figure in the development of German music.

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