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      1. Albums
      2. schütz: st. john passion - heinrich schütz

      Schütz: St. John Passion

      Heinrich SchützHeinrich Schütz
      • 1973
      • 20 tracks
      • 57 min
      Schütz: St. John Passion - Heinrich Schütz
      Schütz: St. John Passion - Heinrich Schütz

      Album Details

      Immerse yourself in the profound and sacred music of Heinrich Schütz with the album "Schütz: St. John Passion." Released on January 1, 1973, this timeless collection showcases Schütz's mastery of Baroque composition, offering a deeply moving interpretation of the Passion narrative according to St. John. The album features the renowned Dresdner Kreuzchor, conducted by Martin Flämig, delivering a performance of unparalleled beauty and spiritual depth.

      Spanning 57 minutes, the album includes the complete "Johannes-Passion, SWV 481," a work that explores the suffering and crucifixion of Jesus Christ through a series of powerful choral and solo pieces. Each track is a testament to Schütz's ability to evoke profound emotion and reverence, making this album a cornerstone of Baroque sacred music.

      In addition to the Passion, the album also includes selections from "Psalmen Davids sampt etlichen Moteten und Concerten, Op. 2, SWV 22-47," further showcasing Schütz's versatility and depth as a composer. Tracks like "Ist nicht Ephraim mein teurer Sohn, SWV 40" and "Wohl dem, der den Herren fürchtet, SWV 44" highlight his ability to blend sacred texts with intricate musical compositions.

      Recorded by Eterna, this album is a must-listen for anyone interested in the rich history and enduring beauty of Baroque music. Heinrich Schütz's "St. John Passion" is not just a collection of songs; it is a profound exploration of faith, suffering, and redemption, brought to life through the extraordinary talents of the Dresdner Kreuzchor.

      1 januari 19731973 Eterna/Edel Germany GmbH1973 Eterna/Edel Germany GmbH

      Tracks

      1. Johannes-Passion, SWV 481: Introitus: "Das Leiden unsers Herren Jesu"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Martin Flämig
        2:35
      2. Johannes-Passion, SWV 481: "Wen suchet ihr?"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Peter-Volker Springborn, Martin Flämig
        1:30
      3. Johannes-Passion, SWV 481: "Jesus antwortet"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Peter-Volker Springborn, Martin Flämig
        2:43
      4. Johannes-Passion, SWV 481: "Bist du nicht auch dieses Menschen Jünger einer?"Heinrich Schütz, Dresdner Kreuzchor, Martin Flämig
        3:13
      5. Johannes-Passion, SWV 481: "Bist du nicht seiner Jünger einer?"Heinrich Schütz, Dresdner Kreuzchor, Martin Flämig
        1:35
      6. Johannes-Passion, SWV 481: "Wäre dieser nicht ein Übeltäter"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Hans-Joachim Rotzsch, Martin Flämig
        1:17
      7. Johannes-Passion, SWV 481: "Auf daß erfüllet würde das Wort Jesu"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Hans-Joachim Rotzsch, Peter-Volker Springborn, Martin Flämig
        3:55
      8. Johannes-Passion, SWV 481: "Da schrieen sie wieder allesamt"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Martin Flämig
        1:12
      9. Johannes-Passion, SWV 481: "Sei gegrüßet, lieber Judenkönig"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Hans-Joachim Rotzsch, Martin Flämig
        1:35
      10. Johannes-Passion, SWV 481: "Kreuzige ihn"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Hans-Joachim Rotzsch, Martin Flämig
        0:45
      11. Johannes-Passion, SWV 481: "Die Juden antworteten ihm"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Hans-Joachim Rotzsch, Peter-Volker Springborn, Martin Flämig
        2:04
      12. Johannes-Passion, SWV 481: "Von dem an trachtete Pilatus"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Hans-Joachim Rotzsch, Martin Flämig
        2:26
      13. Johannes-Passion, SWV 481: "Die Hohenpriester antworteten"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Martin Flämig
        2:31
      14. Johannes-Passion, SWV 481: "Da sprachen die Hohenpriester - Schreibe nicht: Der Judenkönig"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Hans-Joachim Rotzsch, Martin Flämig
        2:20
      15. Johannes-Passion, SWV 481: "Auf daß erfüllet würde die Schrift"Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Peter-Volker Springborn, Martin Flämig
        3:49
      16. Johannes-Passion, SWV 481: "O hilf, Christe, Gottes Sohn"Heinrich Schütz, Dresdner Kreuzchor, Martin Flämig
        2:05
      17. Psalmen Davids sampt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Ist nicht Ephraim mein teurer Sohn, SWV 40Heinrich Schütz, Dresdner Kreuzchor, Capella fidicinia Leipzig, Martin Flämig
        5:08
      18. Psalmen Davids sampt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Nicht uns, Herr, sondern deinem Namen gib Ehre, SWV 43Heinrich Schütz, Dresdner Kreuzchor, Capella fidicinia Leipzig, Martin Flämig
        7:00
      19. Psalmen Davids sampt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Die mit Tränen säen, SWV 42Heinrich Schütz, Dresdner Kreuzchor, Capella fidicinia Leipzig, Martin Flämig
        5:05
      20. Psalmen Davids sampt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Wohl dem, der den Herren fürchtet, SWV 44Heinrich Schütz, Dresdner Kreuzchor, Capella fidicinia Leipzig, Martin Flämig
        4:16
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      About Heinrich Schütz

      Heinrich Schütz, born in 1585, stands as one of the most influential German composers of the early Baroque period, often hailed as the most significant German composer before Johann Sebastian Bach. His prolific career spanned over five centuries of music, leaving behind a legacy of more than 500 surviving works, predominantly sacred music composed for the Lutheran church. Schütz is renowned for introducing the Italian Baroque style to Germany, evolving it from the Renaissance into the early Baroque era. His compositions, including the celebrated German Requiem, have become staples of 17th-century German sacred music, showcasing his mastery and innovation. Schütz's contributions to the musical landscape of his time are immense, making him a pivotal figure in the development of German music.

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      Heinrich Schütz

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