Schütz: Motets and Concertos

Immerse yourself in the sacred and profound compositions of Heinrich Schütz, a pivotal figure in the transition from Renaissance to Baroque music. This album, "Schütz: Motets and Concertos," released in 1988 under Archiv Produktion, offers a captivating journey through seven of Schütz's most revered works, spanning a total of 50 minutes. Conducted by the esteemed John Eliot Gardiner, this collection showcases the Monteverdi Choir's exceptional artistry, delivering a performance that is both historically informed and deeply moving.

The album opens with "Freue dich des Weibes deiner Jugend," a motet that exudes joy and devotion, followed by the introspective "Motet: Ist nicht Ephraim mein teurer Sohn." The dramatic "Concert: Saul, Saul, was verfolgst du mich?" and the poignant "Motet: Auf dem Gebirge hat man ein Geschrei gehöret" further highlight Schütz's mastery of emotional expression. The centerpiece of the album is the "Musikalische Exequien," a three-part funeral motet that exemplifies Schütz's ability to convey profound sorrow and spiritual solace. This work, divided into "Concert in Form einer teutschen Begräbnis-Missa," "Motet: Herr, wenn ich nur dich habe," and "Canticum Simeonis," is a testament to Schütz's deep faith and musical genius.

Heinrich Schütz, often regarded as the father of German choral music, composed nearly 500 known works, and this album offers a glimpse into his extraordinary repertoire. Whether you are a seasoned enthusiast of early music or a newcomer to the genre, this recording provides an enriching and enlightening experience, showcasing the timeless beauty and spiritual depth of Schütz's compositions.