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      1. Albums
      2. schütz: madrigale & hochzeitsmusiken - heinrich schütz

      Schütz: Madrigale & Hochzeitsmusiken

      Heinrich SchützHeinrich Schütz
      • 2018
      • 15 tracks
      • 1 uur, 18 min
      Schütz: Madrigale & Hochzeitsmusiken - Heinrich Schütz
      Schütz: Madrigale & Hochzeitsmusiken - Heinrich Schütz

      Album Details

      Immerse yourself in the rich tapestry of Heinrich Schütz's "Madrigale & Hochzeitsmusiken," a captivating collection of sacred and secular vocal works that showcase the composer's mastery of the madrigal form and his contributions to wedding music. Released on December 13, 2018, under the Carus label, this album spans a generous 78 minutes, offering a comprehensive journey through Schütz's diverse musical expressions.

      The album features a stunning array of pieces, including the enchanting "Siehe, wie fein und lieblich ist's" and the dramatic "Ach, wie soll ich doch in Freuden leben." Each track is a testament to Schütz's ability to blend intricate polyphony with profound emotional depth, making this album a treasure trove for both scholars and enthusiasts of early Baroque music.

      Heinrich Schütz, a pivotal figure in German music history, brings his unique voice to this collection, blending Italian madrigal influences with German wedding traditions. The result is a harmonious fusion of styles that resonates with timeless beauty and sophistication. Whether you're a seasoned classical music aficionado or a curious newcomer, this album promises an enriching and delightful listening experience.

      December 13, 2018© 2018 Carus℗ 2018 Carus

      Tracks

      1. Siehe, wie fein und lieblich ist's, SWV 48Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Felix Schwandtke, Margret Baumgartl, Matthias Müller, Andreas Arend, Friederike Otto, Clemens Schlemmer, Beate Röllecke, Dresdner Kammerchor, Hans-Christoph Rademann
        6:54
      2. Saget den Gästen, SWV 459Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Jonathan Mayenschein, Claudius Pobbig, Georg Poplutz, Felix Schwandtke, Georg Preißler, Margret Baumgartl, Wolfgang von Kessinger, Andreas Arend, Clemens Schlemmer, Beate Röllecke, Hans-Christoph Rademann
        6:31
      3. Itzt blicken durch des Himmels Saal, SWV 460Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Felix Schwandtke, Margret Baumgartl, Wolfgang von Kessinger, Matthias Müller, Andreas Arend, Beate Röllecke, Dresdner Kammerchor, Hans-Christoph Rademann
        7:31
      4. Nachdem ich lag in meinem öden Bette, SWV 451Heinrich Schütz, Dorothee Mields, Felix Schwandtke, Margret Baumgartl, Matthias Müller, Sarah Perl, Juliane Laake, Frauke Hess, Beate Röllecke, Hans-Christoph Rademann
        5:02
      5. Lässt Salomon sein Bette nicht umgeben, SWV 452Heinrich Schütz, Dorothee Mields, Felix Schwandtke, Margret Baumgartl, Matthias Müller, Sarah Perl, Frauke Hess, Juliane Laake, Andreas Arend, Beate Röllecke, Hans-Christoph Rademann
        5:58
      6. Ich beschwöre euch, ihr Töchter zu Jerusalem, SWV 339Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, Sandra Bernhardt, Maria Stosiek, David Erler, Tobias Mathger, Felix Schwandtke, Matthias Müller, Andreas Arend, Beate Röllecke, Hans-Christoph Rademann
        7:27
      7. Ach, wie soll ich doch in Freuden leben, SWV 474Heinrich Schütz, Georg Poplutz, Tobias Mathger, Felix Schwandtke, Margret Baumgartl, Matthias Müller, Juliane Laake, Frauke Hess, Sarah Perl, Sebastian Krause, Julia Nagel, Masafumi Sakamoto, Friederike Otto, Beate Röllecke, Dresdner Kammerchor, Hans-Christoph Rademann
        3:47
      8. Die Erde trinkt für sich, SWV 438Heinrich Schütz, David Erler, Tobias Mathger, Matthias Müller, Beate Röllecke, Hans-Christoph Rademann
        2:03
      9. Liebster, sagt in süßem Schmerzen, SWV 441Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, Margret Baumgartl, Wolfgang von Kessinger, Matthias Müller, Andreas Arend, Beate Röllecke, Hans-Christoph Rademann
        4:11
      10. Stehe auf, meine Freundin, SWV 498Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, David Erler, Jonathan Mayenschein, Maria Stosiek, Tobias Mathger, Georg Poplutz, Felix Schwandtke, Philipp Schreyer, Matthias Müller, Andreas Arend, Clemens Schlemmer, Beate Röllecke, Dresdner Kammerchor, Hans-Christoph Rademann
        7:49
      11. Wohl dem, der ein tugendsam Weib hat, SWV 20Heinrich Schütz, Dorothee Mields, David Erler, Georg Poplutz, Tobias Mathger, Felix Schwandtke, Matthias Müller, Andreas Arend, Friederike Otto, Anna Schall, Thomas Friedlaender, Beate Röllecke, Hans-Christoph Rademann
        6:38
      12. Haus und Güter erbet man von Eltern, SWV 21Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, Georg Poplutz, Tobias Mathger, Felix Schwandtke, Matthias Müller, Friederike Otto, Anna Schall, Thomas Friedlaender, Sebastian Krause, Julia Nagel, Masafumi Sakamoto, Andreas Arend, Stephan Rath, Magnus Andersson, Beate Röllecke, Dresdner Kammerchor, Hans-Christoph Rademann
        4:37
      13. Glück zu dem Helikon, SWV 96Heinrich Schütz, David Erler, Georg Poplutz, Matthias Müller, Andreas Arend, Beate Röllecke, Hans-Christoph Rademann
        2:32
      14. Wie wenn der Adler sich aus seiner Klippe schwingt, SWV 434Heinrich Schütz, Dorothee Mields, Matthias Müller, Andreas Arend, Beate Röllecke, Hans-Christoph Rademann
        3:21
      15. Freue dich des Weibes deiner Jugend, SWV 453Heinrich Schütz, Isabel Schicketanz, David Erler, Tobias Mathger, Felix Schwandtke, Matthias Müller, Andreas Arend, Friederike Otto, Anna Schall, Masafumi Sakamoto, Sebastian Krause, Julia Nagel, Beate Röllecke, Dresdner Kammerchor, Hans-Christoph Rademann
        4:12
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      About Heinrich Schütz

      Heinrich Schütz, born in 1585, stands as one of the most influential German composers of the early Baroque period, often hailed as the most significant German composer before Johann Sebastian Bach. His prolific career spanned over five centuries of music, leaving behind a legacy of more than 500 surviving works, predominantly sacred music composed for the Lutheran church. Schütz is renowned for introducing the Italian Baroque style to Germany, evolving it from the Renaissance into the early Baroque era. His compositions, including the celebrated German Requiem, have become staples of 17th-century German sacred music, showcasing his mastery and innovation. Schütz's contributions to the musical landscape of his time are immense, making him a pivotal figure in the development of German music.

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      Heinrich Schütz

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