Schütz: 12 geistliche Gesänge, Op. 13 - Heinrich Schütz - Vinyl LP

Schütz: 12 geistliche Gesänge, Op. 13 - Heinrich Schütz

Album Details

Immerse yourself in the sacred vocal works of Heinrich Schütz, the most significant German composer of the early Baroque period. This album, "Schütz: 12 geistliche Gesänge, Op. 13," presents a collection of twelve motets composed for liturgical use, originally published in 1657. These pieces, performed by the renowned Dresdner Kammerchor under the direction of Hans-Christoph Rademann, offer a profound exploration of Schütz's mastery of sacred choral music.

The album spans a total duration of one hour, featuring works such as "Kyrie, Gott Vater in Ewigkeit" (SWV 420), "All Ehr und Lob soll Gottes sein" (SWV 421), and "Ich gläube an einen einigen Gott" (SWV 422), among others. Each piece showcases Schütz's unique blend of German and Italian musical influences, creating a rich tapestry of sound that is both contemplative and uplifting.

This recording is part of the complete works of Heinrich Schütz series by Carus, offering a comprehensive look into the composer's contributions to sacred music. Whether you are a seasoned enthusiast of early Baroque music or a newcomer to the genre, this album provides an enriching and spiritually resonant listening experience.

1 januari 2012© 2012 Carus℗ 2012 Carus

Tracks

12 Geistliche Gesänge, Op. 13: I. Kyrie, Gott Vater in Ewigkeit, SWV 420Heinrich Schütz, Irene Klein, Stefan Maass, Andreas Wolf, Cornelius Uhle, Felix Schwandtke, Sebastian Knebel, Dresdner Kammerchor, Hans-Christoph Rademann, Ludger Rémy
4:55
12 Geistliche Gesänge, Op. 13: II. All Ehr und Lob soll Gottes sein, SWV 421Heinrich Schütz, Dorothee Mields, Ulrike Hofbauer, Georg Poplutz, David Erler, Matthias Müller, Irene Klein, Stefan Maass, Andreas Wolf, Sebastian Knebel, Dresdner Kammerchor, Hans-Christoph Rademann, Ludger Rémy
5:38
12 Geistliche Gesänge, Op. 13: III. Ich gläube an einen einigen Gott, SWV 422Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, David Erler, Georg Poplutz, Tobias Mathger, Irene Klein, Sebastian Knebel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
5:25
12 Geistliche Gesänge, Op. 13: IV. Unser Herr Jesus Christus, in der Nacht, SWV 423Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, David Erler, Georg Poplutz, Tobias Mathger, Irene Klein, Sebastian Knebel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
4:56
12 Geistliche Gesänge, Op. 13: V. Ich danke dem Herrn von ganzem Herzen, SWV 424Heinrich Schütz, Ulrike Hofbauer, David Erler, Georg Poplutz, Tobias Mathger, Irene Klein, Felix Schwandtke, Sebastian Knebel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
4:17
12 Geistliche Gesänge, Op. 13: IV. Danksagen wir alle Gott, SWV 425Heinrich Schütz, Irene Klein, Sebastian Knebel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
1:26
12 Geistliche Gesänge, Op. 13: VII. Meine Seele erhebt den Herren, SWV 426Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, David Erler, Stefan Kunath, Tobias Mathger, Georg Poplutz, Irene Klein, Sebastian Knebel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
6:44
12 Geistliche Gesänge, Op. 13: VIII. O süsser Jesu Christ, SWV 427Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, David Erler, Georg Poplutz, Tobias Mathger, Irene Klein, Sebastian Knebel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
3:52
12 Geistliche Gesänge, Op. 13: IX. Kyrie eleison, Christe eleison, SWV 428Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, David Erler, Stefan Kunath, Tobias Mathger, Georg Poplutz, Irene Klein, Sebastian Knebel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
10:19
12 Geistliche Gesänge, Op. 13: X. Aller Augen warten auf dich, SWV 429Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, David Erler, Georg Poplutz, Tobias Mathger, Irene Klein, Felix Schwandtke, Sebastian Knebel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
3:47
12 Geistliche Gesänge, Op. 13: XI. Danket dem Herren, denn er ist freundlich, SWV 430Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, David Erler, Stefan Kunath, Tobias Mathger, Georg Poplutz, Irene Klein, Sebastian Knebel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
4:32
12 Geistliche Gesänge, Op. 13: XII. Christe fac ut sapiam, SWV 431Heinrich Schütz, Dorothee Mields, David Erler, Georg Poplutz, Irene Klein, Stephan Mac Leod, Sebastian Knebel, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
4:04

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About Heinrich Schütz

Heinrich Schütz, born in 1585, stands as one of the most influential German composers of the early Baroque period, often hailed as the most significant German composer before Johann Sebastian Bach. His prolific career spanned over five centuries of music, leaving behind a legacy of more than 500 surviving works, predominantly sacred music composed for the Lutheran church. Schütz is renowned for introducing the Italian Baroque style to Germany, evolving it from the Renaissance into the early Baroque era. His compositions, including the celebrated German Requiem, have become staples of 17th-century German sacred music, showcasing his mastery and innovation. Schütz's contributions to the musical landscape of his time are immense, making him a pivotal figure in the development of German music.