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      1. Albums
      2. schreker: die gezeichneten - franz schreker

      Schreker: Die Gezeichneten

      Franz SchrekerFranz Schreker
      • 2013
      • 32 tracks
      • 2 uur, 50 min
      Schreker: Die Gezeichneten - Franz Schreker
      Schreker: Die Gezeichneten - Franz Schreker

      Album Details

      Immerse yourself in the captivating world of Franz Schreker's "Die Gezeichneten," a gripping opera that spans nearly three hours of intense drama and rich musical tapestry. Released on November 19, 2013, under the Walhall Eternity Series label, this album is a testament to Schreker's mastery of orchestration and storytelling.

      "Die Gezeichneten" is a complex and intriguing work, filled with intricate characters and a plot that weaves through themes of love, betrayal, and societal intrigue. The opera is divided into three acts, each brimming with arias and ensembles that showcase Schreker's unique compositional style, blending lush romanticism with early modernist innovations.

      The album features a stellar cast of vocalists who bring Schreker's characters to life with passion and precision. From the hauntingly beautiful arias of Carlotta to the dramatic confrontations between Alviano and Tamare, each performance is a testament to the power of Schreker's music.

      The orchestral arrangements are particularly noteworthy, with Schreker's use of leitmotifs and rich harmonies creating a deeply immersive soundscape. The orchestral preludes that open each act are especially striking, setting the tone for the dramatic scenes that follow.

      Franz Schreker, an Austrian composer and conductor, was known for his innovative approach to opera, and "Die Gezeichneten" is a prime example of his ability to blend psychological depth with musical brilliance. This album is a must-listen for fans of opera, classical music, and those seeking a rich, dramatic listening experience.

      November 19, 20132013 Walhall Eternity Series2013 Walhall Eternity Series

      Tracks

      1. Die Gezeichneten: OrchestervorspielFranz Schreker, Winfried Zillig, NDR-Sinfonieorchester
        9:48
      2. Die Gezeichneten, Act I: Laßt! - Genug - ! (Alviano, Edle)Franz Schreker, Winfried Zillig, Helmut Krebs, NDR-Sinfonieorchester
        11:43
      3. Die Gezeichneten, Act I: Ist das nicht - Tamare? (Edle, Tamare)Franz Schreker, Winfried Zillig, Thomas Stewart, NDR-Sinfonieorchester
        2:00
      4. Die Gezeichneten, Act I: Meinen Gruß, Signori (Alviano, Podestà)Franz Schreker, Winfried Zillig, Ernst Wiemann, Helmut Krebs, NDR-Sinfonieorchester
        3:59
      5. Die Gezeichneten, Act I: Signor Podestà, es gäb zu (Senatoren, Podestà, Edle, Tamare, Carlotta, Alviano)Franz Schreker, Winfried Zillig, Thomas Stewart, Ernst Wiemann, Evelyn Lear, Helmut Krebs, Julius Katona, Erich Wenk, NDR-Sinfonieorchester
        5:49
      6. Die Gezeichneten, Act I: Holde Martuccia! (Pietro, Martuccia)Franz Schreker, Winfried Zillig, Donald Grobe, Mária von Ilosvay, NDR-Sinfonieorchester
        3:23
      7. Die Gezeichneten, Act I: Ihr seid köstlich, Signor Alviano (Carlotta, Alviano)Franz Schreker, Winfried Zillig, Evelyn Lear, Helmut Krebs, NDR-Sinfonieorchester
        5:55
      8. Die Gezeichneten, Act I: Dort, wo die Stadt weit wird (Carlotta)Franz Schreker, Winfried Zillig, Evelyn Lear, NDR-Sinfonieorchester
        4:48
      9. Die Gezeichneten, Act I: Ich bin beschämt (Alviano, Carlotta)Franz Schreker, Winfried Zillig, Evelyn Lear, Helmut Krebs, NDR-Sinfonieorchester
        2:12
      10. Die Gezeichneten, Act II: Er spielt mit uns (Podestà, Senatoren)Franz Schreker, Winfried Zillig, Julius Katona, Erich Wenk, NDR-Sinfonieorchester
        3:27
      11. Die Gezeichneten, Act II: Hast du’s gehört? (Adorno, Tamare)Franz Schreker, Franz Crass, Winfried Zillig, Thomas Stewart, NDR-Sinfonieorchester
        6:23
      12. Die Gezeichneten, Act II: Ah! Ein großer Maler nannte mir (Adorno, Tamare)Franz Schreker, Franz Crass, Winfried Zillig, Thomas Stewart, NDR-Sinfonieorchester
        4:26
      13. Die Gezeichneten, Act II: Herrliche unterirdische Räume (Tamare, Adorno)Franz Schreker, Franz Crass, Winfried Zillig, Thomas Stewart, NDR-Sinfonieorchester
        5:29
      14. Die Gezeichneten, Act II: ZwischenspielFranz Schreker, Winfried Zillig, NDR-Sinfonieorchester
        2:37
      15. Die Gezeichneten, Act II: Uns’re Zeit ist voll seltsamer Dinge (Carlotta)Franz Schreker, Winfried Zillig, Evelyn Lear, NDR-Sinfonieorchester
        4:30
      16. Die Gezeichneten, Act II: Wollt Ihr, Signor, (Carlotta, Alviano)Franz Schreker, Winfried Zillig, Thomas Stewart, Evelyn Lear, NDR-Sinfonieorchester
        8:36
      17. Die Gezeichneten, Act II: Doch Signor, Euch zu malen (Carlotta, Alviano)Franz Schreker, Winfried Zillig, Evelyn Lear, Helmut Krebs, NDR-Sinfonieorchester
        11:59
      18. Die Gezeichneten, Act II: Und wenns mehr wäre (Carlotta, Alviano)Franz Schreker, Winfried Zillig, Evelyn Lear, Helmut Krebs, NDR-Sinfonieorchester
        0:52
      19. Die Gezeichneten, Act III: OrchestervorspielFranz Schreker, Winfried Zillig, NDR-Sinfonieorchester
        5:47
      20. Die Gezeichneten, Act III: Bei den Gebeinen des heil'gen (Bürger, Bub, Vater, Mutter, Jüngling, Martuccia, Pietro)Franz Schreker, Winfried Zillig, Julius Katona, Erich Wenk, Donald Grobe, Mária von Ilosvay, NDR-Sinfonieorchester
        6:17
      21. Die Gezeichneten, Act III: War mir doch - (Alviano, Podestà)Franz Schreker, Winfried Zillig, Ernst Wiemann, Helmut Krebs, NDR-Sinfonieorchester
        6:42
      22. Die Gezeichneten, Act III: Höret Ihr nicht? (Adorno, Carlotta, Gonsalvo, Guidobald, Michelotto, Julian, Menaldo)Franz Schreker, Winfried Zillig, Franz Crass, Evelyn Lear, Julius Katona, Manfred Schmidt, Walter Hauck, Hans Herbert, Herbert Klomser, NDR-Sinfonieorchester
        9:07
      23. Die Gezeichneten, Act III: Ah, welche Nacht! (Carlotta, Mutter, Vater, Senatoren, Jüngling, Mädchen, Choir)Franz Schreker, Winfried Zillig, Evelyn Lear, Julius Katona, Erich Wenk, NDR Chor, NDR-Sinfonieorchester
        5:28
      24. Die Gezeichneten, Act III: Was fliehst Du vor mir? (Tamare, Carlotta)Franz Schreker, Winfried Zillig, Thomas Stewart, Evelyn Lear, NDR-Sinfonieorchester
        5:39
      25. Die Gezeichneten, Act III: Ihre Stimme hör’ ich! (Alviano, Podestà, Choir)Franz Schreker, Winfried Zillig, Ernst Wiemann, Helmut Krebs, NDR Chor, NDR-Sinfonieorchester
        3:42
      26. Die Gezeichneten, Act III: Haltet ein, genuesisches Volk! (Capitaneo, Choir, Alviano)Franz Schreker, Winfried Zillig, Franz Crass, Helmut Krebs, NDR Chor, NDR-Sinfonieorchester
        3:07
      27. Die Gezeichneten, Act III: Hört Ihr denn nicht? (Alviano, Capitaneo, Podestà, Bürger, Julian, Ginevra, Choir)Franz Schreker, Winfried Zillig, Franz Crass, Ernst Wiemann, Helmut Krebs, Herbert Klomser, NDR Chor, NDR-Sinfonieorchester
        5:29
      28. Die Gezeichneten, Act III: Kommt, ich führe Euch! (Alviano, Choir)Franz Schreker, Winfried Zillig, Helmut Krebs, NDR Chor, NDR-Sinfonieorchester
        3:43
      29. Die Gezeichneten, Act III: Du lügst! (Alviano)Franz Schreker, Winfried Zillig, Helmut Krebs, NDR-Sinfonieorchester
        4:21
      30. Die Gezeichneten, Act III: Und wenn Du mich mordest - (Tamare, Alviano, Choir)Franz Schreker, Winfried Zillig, Thomas Stewart, Helmut Krebs, NDR Chor, NDR-Sinfonieorchester
        6:15
      31. Die Gezeichneten, Act III: Auf einer Kirchweih' (Tamare)Franz Schreker, Winfried Zillig, Thomas Stewart, NDR-Sinfonieorchester
        1:50
      32. Die Gezeichneten, Act III: Wer schrie da? (Carlotta, Alviano)Franz Schreker, Winfried Zillig, Evelyn Lear, Helmut Krebs, NDR-Sinfonieorchester
        5:25
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      About Franz Schreker

      Franz Schreker, born in Monaco in 1878, was an Austrian composer and conductor whose innovative operas and orchestral works left an indelible mark on 20th-century music. His compositions are renowned for their aesthetic diversity, experimental use of timbre, and extended tonalities, creating a unique and captivating sound world. Schreker's operatic narratives are deeply integrated with his musical language, embodying his vision of total music theatre. A contemporary and friend of Arnold Schoenberg, Schreker's rich lyricism and orchestral palette are evident in his works, which continue to captivate audiences and inspire musicians today. His legacy endures through his influential compositions and his role as a teacher and administrator in the music world.

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