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      1. Albums
      2. schoenberg: guerre-lieder - arnold schoenberg

      Schoenberg: Guerre-Lieder

      Arnold SchoenbergArnold Schoenberg
      • 2016
      • 26 tracks
      • 1 uur, 42 min
      • classical
      Schoenberg: Guerre-Lieder - Arnold Schoenberg
      Schoenberg: Guerre-Lieder - Arnold Schoenberg

      Album Details

      Dive into the dramatic and sweeping world of Arnold Schoenberg's "Gurre-Lieder," a monumental work that stands as a testament to the composer's early romantic period. Originally composed between 1900 and 1903, this cantata is a grand symphonic poem that demands an immense vocal and orchestral ensemble, reflecting the grandeur of Richard Wagner's operas.

      This album, released by Chandos in 2016, features the Bergen Philharmonic Orchestra and Choirs under the direction of Edward Gardner, delivering a powerful performance that captures the essence of Schoenberg's vision. The work is based on an early song cycle and is set to a libretto by Jens Peter Jacobsen, translated from Danish to German by Robert Franz Arnold. Despite Schoenberg's later break from tonal harmony, "Gurre-Lieder" remains deeply rooted in late-romantic style and sentiment, weaving a tale of knights and maidens with a rich, dramatic narrative.

      The album spans over an hour and forty-two minutes, divided into three parts, each offering a unique blend of orchestral and choral arrangements. From the hauntingly beautiful orchestral preludes to the powerful choral sections, every track is a masterclass in orchestration and vocal prowess. Highlights include the evocative "Nun dämpft die Dämm'rung jeden Ton" and the dramatic "Deckel des Sarges klappert und klappt," showcasing the full range of the orchestra and choirs.

      "Gurre-Lieder" is not just a collection of songs but a sprawling, epic work that demands attention and rewards repeated listening. Whether you're a seasoned classical enthusiast or a newcomer to Schoenberg's music, this album offers a rich and rewarding experience. The intricate layers of orchestration, the powerful vocal performances, and the dramatic storytelling make this a standout piece in Schoenberg's repertoire.

      September 1, 20162016 Chandos Records2016 Chandos Records

      Tracks

      1. Gurre-Lieder, First Part: I. Orchestral PreludeArnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra
        6:10
      2. Gurre-Lieder, First Part: II. Nun dämpft die Dämm'rung jeden Ton (Waldemar)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton
        3:38
      3. Gurre-Lieder, First Part: III. Oh, wenn des Mondes Strahlen leise gleiten (Tove)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Alwyn Mellor
        2:50
      4. Gurre-Lieder, First Part: IV. Ross! Mein Ross! Was schleichst du so träg? (Waldemar)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton
        2:51
      5. Gurre-Lieder, First Part: V. Sterne jubeln, das Meer, es leuchtet (Tove)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Alwyn Mellor
        2:09
      6. Gurre-Lieder, First Part: VI. So tanzen die Engel vor Gottes Thron nicht (Waldemar)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton
        2:06
      7. Gurre-Lieder, First Part: VII. Nun sag ich dir zum ersten Mal (Tove)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Alwyn Mellor
        3:38
      8. Gurre-Lieder, First Part: VIII. Es ist Mitternachtszeit (Waldemar)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton
        5:57
      9. Gurre-Lieder, First Part: IX. Du sendest mir einem Liebesblick (Tove)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Alwyn Mellor
        5:20
      10. Gurre-Lieder, First Part: X. Du wunderliche Tove! (Waldemar)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton
        4:01
      11. Gurre-Lieder, First Part: XII. Orchestral InterludeArnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra
        5:38
      12. Gurre-Lieder, First Part: XIII. Tauben von Gurre! Sorge quält mich (Stimme der Waldtaube)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Anna Larsson
        4:38
      13. Gurre-Lieder, First Part: XIV. Den Sarg sah ich auf Königs Schulter (Stimme der Waldtaube)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Anna Larsson
        7:04
      14. Gurre-Lieder, Second Part: Herrgott, weißt du, was du tatest (Waldemar)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton
        4:30
      15. Gurre-Lieder, Third Part: I. Erwacht, König Waldemars Mannen wert! (Waldemar)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton
        2:36
      16. Gurre-Lieder, Third Part: II. Deckel des Sarges klappert und klappt (Bauer)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, James Creswell
        3:14
      17. Gurre-Lieder, Third Part: III. Gegrüßt, o König, an Gurree-Seestrand! (Waldemars Mannen)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Orphei Drängar, Students from the Royal Northern College of Music
        3:39
      18. Gurre-Lieder, Third Part: IV. Orchestral InterludeArnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra
        1:36
      19. Gurre-Lieder, Third Part: V. Mit Toves flüstert der Wald (Waldemar)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton
        3:18
      20. Gurre-Lieder, Third Part: VI. Ein seltsamer Vogel ist son'n Aal (Klaus-Narr)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Woldgand Ablinger-Sperhacke
        6:42
      21. Gurre-Lieder, Third Part: VII. strenger Richter droben (Waldemar)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton
        2:29
      22. Gurre-Lieder, Third Part: VIII. Der Hahn erhebt den Kopf zur Kraht (Waldemars Mannen)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Orphei Drängar, Students from the Royal Northern College of Music
        5:43
      23. Gurre-Lieder, Third Part: IX. Orchestral PreludeArnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra
        2:37
      24. Gurre-Lieder, Third Part: X. Herr Gänsefuß, Frau Gansekraut, nun duckt euch nur geschwind (Sprecher)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Thomas Allen
        1:57
      25. Gurre-Lieder, Third Part: XI. Still! Was mag der Wind nur Wollen? (Sprecher)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Thomas Allen
        3:19
      26. Gurre-Lieder, Third Part: XII. Seht die Sonne (Mixed Chorus)Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Orphei Drängar, Students from the Royal Northern College of Music
        4:56
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      About Arnold Schoenberg

      Arnold Schoenberg, born in Vienna in 1874, was a revolutionary figure in 20th-century classical music, renowned for his groundbreaking compositions and theoretical innovations. As a composer, Schoenberg was among the first to challenge traditional harmony, pioneering atonality and developing the twelve-tone technique, which uses a specific order of all twelve pitches in the chromatic scale. This method, also known as serialism, had a profound impact on the course of modern music.

      Schoenberg's music is characterized by its use of motives to create coherence and his exploration of dissonance. He was also a prolific writer and teacher, influencing generations of composers, including Alban Berg and Anton Webern. Beyond music, Schoenberg was a multifaceted artist who also painted and invented. His legacy extends far beyond his compositions, encompassing his influential teachings and writings that continue to shape the way we understand and create music today. Schoenberg's journey from his early works to his atonal innovations and twelve-tone technique is a testament to his enduring influence on classical music.

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