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      1. Albums
      2. schmitt - sonate libre pour violon et piano-ombres - florent schmitt

      Schmitt - Sonate libre pour violon et piano-Ombres

      Florent SchmittFlorent Schmitt
      • 2001
      • 5 tracks
      • 55 min
      Schmitt - Sonate libre pour violon et piano-Ombres - Florent Schmitt
      Schmitt - Sonate libre pour violon et piano-Ombres - Florent Schmitt

      Album Details

      Immerse yourself in the captivating world of Florent Schmitt's "Schmitt - Sonate libre pour violon et piano-Ombres," a classical masterpiece released in 2001 under Universal Music Division Decca Records France. This album is a testament to Schmitt's compositional prowess, featuring a blend of intricate violin and piano works that showcase his unique style and innovative approach to classical music.

      The album opens with the "Sonate libre en deux parties enchaînées pour violon et piano," a two-movement sonata composed in 1919. This piece is a standout, demonstrating Schmitt's ability to create a dialogue between the violin and piano that is both harmonious and dynamic. The sonata's title, which translates to "Free Sonata in Two Interlinked Parts," hints at the fluid and interconnected nature of the music, making it a compelling listen from start to finish.

      Following the sonata, the album delves into Schmitt's "Ombres pour piano, Op. 64," a collection of three piano pieces that evoke a sense of mystery and introspection. Each piece, "J'entends dans le lointain," "Mauresque," and "Cette ombre mon visage," offers a different shade of Schmitt's musical palette, showcasing his ability to convey a range of emotions through the piano.

      Performed by the talented trio of Werner Bärtschi, Ginette Doyen, and Jean Fournier, this album is a must-listen for any classical music enthusiast. Their interpretations bring Schmitt's compositions to life, highlighting the intricate details and nuances that make his work so compelling. With a total runtime of 55 minutes, this album is a perfect addition to any classical music collection, offering a rich and rewarding listening experience.

      1 januari 2001© 2001 Universal Classics France℗ 2001 Decca Records France

      Tracks

      1. Sonate libre en deux parties enchaînées pour violon et piano: 1er mouvementFlorent Schmitt, Jean Fournier, Ginette Doyen
        11:29
      2. Sonate libre en deux parties enchaînées pour violon et piano: 2e mouvementFlorent Schmitt, Jean Fournier, Ginette Doyen
        17:06
      3. Ombres pour piano, Op. 64: J'entends dans le lointainFlorent Schmitt, Werner Bartschi
        12:21
      4. Ombres pour piano, Op. 64: MauresqueFlorent Schmitt, Werner Bartschi
        5:25
      5. Ombres pour piano, Op. 64: Cette ombre mon visageFlorent Schmitt, Werner Bartschi
        8:46
      PLAY ON SPOTIFY

      About Florent Schmitt

      Florent Schmitt, a captivating French composer, left an indelible mark on the classical music landscape with his unique and influential compositions. Born in the quaint town of Blâmont in 1870, Schmitt's musical journey took him to the prestigious Paris Conservatoire, where he studied under the tutelage of Massenet and Fauré. His early success was marked by winning the prestigious Prix de Rome in 1900, setting the stage for a prolific career that spanned the late 19th and 20th centuries.

      Schmitt's most renowned works, "La tragédie de Salomé" and "Psaume XLVII," showcase his distinctive style and have earned him a place among the most original composers of his time, standing alongside greats like Debussy and Ravel. "La tragédie de Salomé," in particular, is a standout piece that has captivated audiences with its exotic and dramatic orchestration. Schmitt's choral works, including settings of La Fontaine's fables and liturgical music, further demonstrate his versatility and depth as a composer. For those eager to explore the rich and individualistic music of Florent Schmitt, his discography offers a compelling journey through the sounds of a truly innovative composer.

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      Florent Schmitt

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