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      1. Albums
      2. schmidt: notre dame - franz schmidt

      Schmidt: Notre Dame

      Franz SchmidtFranz Schmidt
      • 2013
      • 27 tracks
      • 2 uur, 5 min
      • chamber music
      Schmidt: Notre Dame - Franz Schmidt
      Schmidt: Notre Dame - Franz Schmidt

      Album Details

      Immerse yourself in the captivating world of Franz Schmidt's "Notre Dame," a remarkable chamber music album released on July 30, 2013, under the Capriccio label. This two-hour masterpiece is a testament to Schmidt's compositional prowess, offering a rich and intricate exploration of the human experience through the lens of Victor Hugo's timeless tale.

      The album is a complete recording of Schmidt's opera "Notre Dame," featuring a compelling narrative that unfolds through 27 tracks. Each scene is meticulously crafted, drawing the audience into a dramatic journey filled with passion, conflict, and redemption. The opera's libretto, based on Hugo's novel, is brought to life through Schmidt's evocative music, creating a powerful and immersive experience.

      Franz Schmidt, an Austrian composer, conductor, and violinist, showcases his versatility and depth in this work. His ability to blend orchestral and choral elements with chamber music sensibilities results in a sound that is both intimate and grand. Schmidt's "Notre Dame" is not just a retelling of a classic story; it is a profound exploration of the characters and their struggles, set against the backdrop of medieval Paris.

      The album's duration of two hours and five minutes allows for a comprehensive experience, giving each character and scene the time and space they need to develop fully. From the hauntingly beautiful preludes to the dramatic finales, Schmidt's music is a feast for the ears, offering a rich tapestry of emotions and themes.

      Whether you are a seasoned classical music enthusiast or a newcomer to the genre, Franz Schmidt's "Notre Dame" is an album that promises to engage and captivate. Its blend of narrative depth, musical complexity, and emotional resonance makes it a standout work in the chamber music repertoire. Dive into this extraordinary album and discover the timeless power of Schmidt's music.

      July 30, 2013(C) 2013 Capriccio(P) 2013 Capriccio

      Tracks

      1. Notre Dame, Op. 2, Act I: PreludeFranz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        3:40
      2. Notre Dame, Op. 2, Act I Scene 1: Warum entfliehst du dem bunten Spiel (Phoebus, Gringoire, Officer)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        5:03
      3. Notre Dame, Op. 2, Act I Scene 1: In holder Anmut (Phoebus)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        2:25
      4. Notre Dame, Op. 2, Act I Scene 1: Halt! Nicht weiter! (Archdeacon, Quasimodo, Phoebus, Gringoire, Esmeralda, Officer, Chorus)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        6:54
      5. Notre Dame, Op. 2, Act I Scene 1: Was treibst du hier? (Archdeacon, Phoebus, Gringoire, Esmeralda, Chorus)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        7:11
      6. Notre Dame, Op. 2, Act I Scene 2: Holle! Tod! (Gringoire)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        2:49
      7. Notre Dame, Op. 2, Act I Scene 2: Du bist es wirklich, Gringoire? (Archdeacon, Gringoire, Esmeralda)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        4:08
      8. Notre Dame, Op. 2, Act I Scene 2: Einst aber folgte ich im Abenddunkel (Gringoire, Archdeacon, Esmeralda)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        9:51
      9. Notre Dame, Op. 2, Act I Scene 2: Ihr seid noch hier? (Gringoire, Chorus)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        2:41
      10. Notre Dame, Op. 2, Act I Scene 2: IntermezzoFranz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        6:21
      11. Notre Dame, Op. 2, Act I Scene 3: Niemand hier! (Gringoire)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        3:03
      12. Notre Dame, Op. 2, Act I Scene 3: Was hor' ich? (Gringoire, Phoebus, Falourdel, Esmeralda)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        2:43
      13. Notre Dame, Op. 2, Act I Scene 3: Geliebte! Endlich allein mit dir (Phoebus, Esmeralda)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        4:10
      14. Notre Dame, Op. 2, Act I Scene 3: Wehe mir! Vergessen hab' ich mein Gelubde (Esmeralda, Phoebus)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        8:00
      15. Notre Dame, Op. 2, Act I Scene 3: Ha, Elender! (Phoebus, Gringoire, Esmeralda, Falourdel)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        1:24
      16. Notre Dame, Op. 2, Act II: PreludeFranz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        3:06
      17. Notre Dame, Op. 2, Act II Scene 1: So sanft und friedlich (Archdeacon)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        6:13
      18. Notre Dame, Op. 2, Act II Scene 1: Ach, es ist der Priester! (Archdeacon, Esmeralda)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        10:16
      19. Notre Dame, Op. 2, Act II Scene 1: IntermezzoFranz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        3:04
      20. Notre Dame, Op. 2, Act II Scene 2: De ventre inferi clamavi (Archdeacon, Quasimodo, Esmeralda, Chorus)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        4:41
      21. Notre Dame, Op. 2, Act II Scene 2: Asyl! Asyl! (Quasimodo, Chorus)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        2:13
      22. Notre Dame, Op. 2, Act II Scene 2: IntermezzoFranz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        2:09
      23. Notre Dame, Op. 2, Act II Final Scene: Es flieht der Schlummer meine Augen (Esmeralda)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        5:15
      24. Notre Dame, Op. 2, Act II Final Scene: Ihr schlafet nicht? (Quasimodo, Esmeralda)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        4:19
      25. Notre Dame, Op. 2, Act II Final Scene: Da ist sie, die ihr suchet! (Archdeacon, Quasimodo)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        3:48
      26. Notre Dame, Op. 2, Act II Final Scene: Da ist sie! (Quasimodo, Chorus)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        3:14
      27. Notre Dame, Op. 2, Act II Final Scene: Du bist gerettet, meine Seele (Archdeacon, Quasimodo, Chorus)Franz Schmidt, Gwyneth Jones, James King, Horst Rüdiger Laubenthal, Hartmut Welker, Kurt Moll, Hans Helm, Kaja Borris, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Rundfunk-Sinfonieorchester Berlin, Andreas Juffinger, Christof Perick
        6:59
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      About Franz Schmidt

      Franz Schmidt, born in Bratislava in 1874, was an Austrian composer, cellist, and pianist whose life and work bridged the Austro-Hungarian Empire and the early 20th century. A pupil of the renowned Leschetizky and Bruckner, Schmidt's musical journey began as a cellist in the Vienna Court Opera. His compositions, deeply rooted in chamber music, reflect his profound understanding of both performance and composition. Schmidt's Symphony No. 2, premiered in 1913, remains a staple in the Vienna Philharmonic's repertoire, showcasing his enduring influence. As Director and later Rector of the Vienna Conservatory from 1925 to 1937, Schmidt's legacy extends beyond his compositions to his significant contributions to music education. His work offers a rich, immersive experience, inviting audiences to explore the depths of his musical vision.

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