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      1. Albums
      2. sammartini: sacred cantatas - giovanni battista sammartini

      Sammartini: Sacred Cantatas

      Giovanni Battista SammartiniGiovanni Battista Sammartini
      • 2006
      • 18 tracks
      • 1 uur, 12 min
      • classical
      Sammartini: Sacred Cantatas - Giovanni Battista Sammartini
      Sammartini: Sacred Cantatas - Giovanni Battista Sammartini

      Album Details

      Immerse yourself in the sacred and profound with Giovanni Battista Sammartini's "Sacred Cantatas," a masterful collection of Baroque vocal works that showcase the composer's deep spiritual insight and musical brilliance. Released in 2006 by Naxos, this album features two of Sammartini's most powerful cantatas: "Della Passione di Gesu Cristo" (On Jesus Christ's Passion) and "L'addolorata Divina Madre" (The Sorrowing Divine Mother). These works, performed by a stellar cast including Daniele Ferrari, Giorgio Tiboni, and Silvia Mapelli, offer a rich tapestry of recitatives and arias that explore themes of faith, suffering, and divine love.

      The album opens with the stirring "Della Passione di Gesu Cristo," a cantata that delves into the passion of Christ, featuring a mix of solo and trio performances that highlight the drama and devotion of the narrative. The second cantata, "L'addolorata Divina Madre," pays homage to the sorrowful divine mother, with poignant arias and recitatives that evoke a sense of deep compassion and reflection. Each track is meticulously performed, with the vocalists and accompanists bringing out the intricate details and expressive depth of Sammartini's compositions.

      Giovanni Battista Sammartini, a pivotal figure in the development of the classical symphony, demonstrates his mastery of vocal writing in these sacred cantatas. The album's duration of 1 hour and 12 minutes allows for a comprehensive exploration of Sammartini's sacred themes, making it an essential addition to any classical music collection. Whether you are a devotee of Baroque music or a newcomer to the genre, "Sacred Cantatas" offers a rich and rewarding listening experience.

      October 21, 20062006 Naxos2006 Naxos

      Tracks

      1. Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Introduction: SinfoniaGiovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        2:19
      2. Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Recitative I: Oh portenti, oh stupor! (Oh wonders, oh amazement!) (Soprano)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        1:13
      3. Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Aria: S'alma illustre si nasconde (If a divine soul conceals himself) (Soprano)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        8:32
      4. Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Recitative II: Tutto questo m'e noto (All of this I know well) (Alto)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        1:30
      5. Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Aria: So che nel cor volgea (I know that in its heart) (Alto)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        7:48
      6. Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Recitative III: Di cosi ingrati cori (If you want further proof) (Tenor)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        1:26
      7. Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Aria: D'iniqua mente (He who has an evil mind) (Tenor)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        5:41
      8. Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Recitative IV: Chi mai pensar potea (Who could imagine) (Soprano)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        0:34
      9. Della Passione di Gesu Cristo (On Jesus Christ's Passion), J-C 124: Finale: Chorus: Chi si colma il sen d'amore / He whose heart is full of love (Trio)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        3:40
      10. L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Introduction: SinfoniaGiovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        2:15
      11. L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Recitative I: Quanta pieta per le sventure altrui (However much compassion for others' misfortunes) (Tenor)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        1:15
      12. L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Aria: Non basto l'immenso affanno (More than the immense pain) (Tenor)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        7:27
      13. L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Recitative II: Oh qual da lunghi stenti amaro frutto (Oh, after the long years of toil) (Soprano)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        0:56
      14. L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Aria: Ben lo predisse (How true was the prediction) (Soprano)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        13:15
      15. L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Recitative III: E pur di qual Alma forte (And yet, whose spirit would have been so strong) (Alto)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        1:34
      16. L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Aria: Non cosi d'Alpe in cima (Not even an ancient oak on an Alpine peak) (Alto)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        8:20
      17. L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Recitative IV: Tronchiam gl'indugi (Let us now delay no more) (Trio)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        1:18
      18. L'addolorata Divina Madre (The Sorrowing Divine Mother), J-C 123: Finale: Madre purissima, Fonte d'Amore (Purest of Mothers, Fount of Love) (Trio)Giovanni Battista Sammartini, Silvia Mapelli, Miroslava Yordanova, Giorgio Tiboni, Massimo Tannoia, Filippo Ravizza, Symphonica Ensemble, Daniele Ferrari
        3:31
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      About Giovanni Battista Sammartini

      Giovanni Battista Sammartini, born around 1700 in Milan, was a multifaceted Italian musician and composer whose influence resonated deeply within the classical music world. As a violinist, organist, choirmaster, and teacher, Sammartini's impact extended beyond his own performances, shaping the careers of notable students like Christoph Willibald Gluck and earning the respect of younger composers such as Johann Christian Bach. His contributions to the development of the symphony were pivotal, transitioning from the brief opera-overture style to a more serious and thematically developed form that foreshadowed the works of Haydn and Mozart. Sammartini's compositions, often characterized by a galant style reflective of Enlightenment ideals, played a crucial role in the evolution of classical music, making him a key figure in the pre-Classical era. His legacy endures, celebrated for his innovative approach and enduring influence on the symphonic form.

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