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      1. Albums
      2. sammartini: maria addolorata / il pianto di san pietro - giovanni battista sammartini

      Sammartini: Maria Addolorata / Il Pianto Di San Pietro

      Giovanni Battista SammartiniGiovanni Battista Sammartini
      • 2005
      • 18 tracks
      • 1 uur, 18 min
      • classical
      Sammartini: Maria Addolorata / Il Pianto Di San Pietro - Giovanni Battista Sammartini
      Sammartini: Maria Addolorata / Il Pianto Di San Pietro - Giovanni Battista Sammartini

      Album Details

      Dive into the rich tapestry of Baroque music with Giovanni Battista Sammartini's "Maria Addolorata / Il Pianto Di San Pietro," a captivating collection of sacred cantatas that showcase the composer's mastery of the genre. Released in 2005 by Naxos, this album features two of Sammartini's most profound works, each exploring themes of sorrow, redemption, and divine intervention.

      The album opens with "Maria Addolorata (The Sorrowing Mary)," a poignant cantata that delves into the grief of the Virgin Mary. The work is structured with a mix of recitatives and arias, providing a dynamic listening experience that highlights the expressive range of the vocalists. The cantata features a trio of soloists—a soprano, contralto, and tenor—each bringing their unique timbre to the narrative, supported by a full orchestra.

      Following this is "Il Pianto di San Pietro (The Tears of Saint Peter)," a cantata that explores the remorse and redemption of Saint Peter. This work, too, is a blend of recitatives and arias, culminating in a powerful final chorus that underscores the themes of repentance and forgiveness. The interplay between the soloists and the orchestra creates a rich, textured soundscape that immerses the listener in the dramatic narrative.

      With a duration of just over an hour and eighteen minutes, this album is a comprehensive exploration of Sammartini's sacred cantatas. The performances are meticulously crafted, with each vocalist and instrumentalist bringing their best to the table. The album is a testament to Sammartini's skill in composing music that is both technically impressive and deeply moving. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rewarding listening experience that highlights the enduring appeal of Baroque music.

      1 februari 20052005 Naxos2005 Naxos

      Tracks

      1. Maria Addolorata (The Sorrowing Mary), J-C 121: Introduzione (Sinfonia)Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        2:53
      2. Maria Addolorata (The Sorrowing Mary), J-C 121: Recitativo: Figlio, ah Figlio ove sei?Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        2:37
      3. Maria Addolorata (The Sorrowing Mary), J-C 121: Aria di Cleofe: Almen potesse chiudere (Contralto)Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        12:14
      4. Maria Addolorata (The Sorrowing Mary), J-C 121: Recitativo: Forse Cleofe crediGiovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        1:42
      5. Maria Addolorata (The Sorrowing Mary), J-C 121: Aria di Giovanni: Rupe in mar, se irato frema (Tenor)Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        10:00
      6. Maria Addolorata (The Sorrowing Mary), J-C 121: Recitativo: Cleofe, Giovanni, ah voi...Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        1:06
      7. Maria Addolorata (The Sorrowing Mary), J-C 121: Aria della Beata Vergine: Il caro suo pegno (Soprano)Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        4:51
      8. Maria Addolorata (The Sorrowing Mary), J-C 121: Recitativo: L'Uomo, te stessa, e 'l Ciel Madre rimiraGiovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        0:28
      9. Maria Addolorata (The Sorrowing Mary), J-C 121: Coro finale: Col magnanimo Consiglio (Terzetto)Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        3:42
      10. Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Introduzione (Sinfonia)Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        3:02
      11. Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Recitativo: Potessi almen col sangueGiovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        2:57
      12. Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Aria di Giacomo: N'empie d'orrore (Contralto)Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        8:13
      13. Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Recitativo: O voi felici nel dolore!Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        1:56
      14. Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Aria di Pietro: Porto il rimorso al fianco (Tenor)Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        9:32
      15. Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Recitativo: Infelice! Che ascolto?Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        1:26
      16. Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Aria di Giovanni: Da tenebroso velo (Soprano)Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        7:43
      17. Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Recitativo: Dunque giova sperar?Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        0:30
      18. Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Coro finale: Perche buon Dio t'involi? (Terzetto)Giovanni Battista Sammartini, Silvia Mapelli, Sonia Prina, Mirko Guadagnini, Filippo Ravizza, Capriccio Italiano Ensemble, Daniele Ferrari
        3:01
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      About Giovanni Battista Sammartini

      Giovanni Battista Sammartini, born around 1700 in Milan, was a multifaceted Italian musician and composer whose influence resonated deeply within the classical music world. As a violinist, organist, choirmaster, and teacher, Sammartini's impact extended beyond his own performances, shaping the careers of notable students like Christoph Willibald Gluck and earning the respect of younger composers such as Johann Christian Bach. His contributions to the development of the symphony were pivotal, transitioning from the brief opera-overture style to a more serious and thematically developed form that foreshadowed the works of Haydn and Mozart. Sammartini's compositions, often characterized by a galant style reflective of Enlightenment ideals, played a crucial role in the evolution of classical music, making him a key figure in the pre-Classical era. His legacy endures, celebrated for his innovative approach and enduring influence on the symphonic form.

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