Camille Thomas, the acclaimed cellist, invites you into the enchanting world of French romantic and post-romantic music with her debut album, "Saint-Saëns, Offenbach." Released on October 6, 2017, under the prestigious Deutsche Grammophon label, this album is a testament to Thomas' virtuosity and her deep connection with the music of Camille Saint-Saëns and Jacques Offenbach.
The album spans a diverse range of compositions, from Saint-Saëns' intricate and expressive works like the Concerto for Cello and Orchestra No. 1 in A Minor and the Suite for Cello and Orchestra, to Offenbach's lively and theatrical pieces such as the Barcarolle from "Les Contes d'Hoffmann" and the spirited "Je suis brésilien" from "La vie parisienne." Thomas' interpretations are both sensitive and dynamic, showcasing her technical prowess and emotional depth.
With a duration of 1 hour and 8 minutes, the album offers a rich and immersive experience. Thomas' renditions are accompanied by the Orchestra dell'Accademia Nazionale di Santa Cecilia, conducted by Antonio Pappano, providing a lush and resonant backdrop to her performances. The album also includes a bonus track, adding an extra layer of delight for the audience.
Camille Thomas' "Saint-Saëns, Offenbach" is not just a collection of beautiful pieces; it's a journey through the heart of French music, guided by a masterful cellist. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this album promises a captivating and rewarding listening experience.
Concerto for Cello and Orchestra No. 1 in A Minor, Op. 33, R. 193: I. Allegro non troppo - Allegro molto - Tempo I -Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
Concerto For Cello And Orchestra No. 1 In A Minor, Op. 33, R. 193: II. Allegretto con moto - Tempo I - Un peu moins vite - Più allegro (Tempo I) -Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
Concerto For Cello And Orchestra No. 1 In A Minor, Op. 33, R. 193: III. Molto allegroCamille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra)Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
Suite for Cello and Orchestra, Op. 16b, R. 211: I. Prélude. Moderato assaiCamille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
Suite for Cello and Orchestra, Op. 16b, R. 211: II. Sérénade. AndantinoCamille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
Suite for Cello and Orchestra, Op. 16b, R. 211: III. Gavotte. Allegro non troppoCamille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
Suite for Cello and Orchestra, Op. 16b, R. 211: IV. Romance. Molto adagioCamille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
Suite for Cello and Orchestra, Op. 16b, R. 211: V. Tarantelle. Presto non troppoCamille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar)Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens
Introduction, Prière et Boléro for Cello and Orchestra, Op. 22: I. Introduction. Andante maestoso - Prière (Revised by Jean-Christophe Keck)Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
Introduction, Prière et Boléro for Cello and Orchestra, Op. 22: II. Boléro. Allegro vivoJacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
Harmonies des bois, Op. 76: II. Les larmes de JacquelineJacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus TrackJacques Offenbach, Rolando Villazón, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
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