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      1. Albums
      2. rubbra: symphony no. 10 "sinfonia da camera" and other orchestral works - edmund rubbra

      Rubbra: Symphony No. 10 "Sinfonia da Camera" and other Orchestral Works

      Edmund RubbraEdmund Rubbra
      • 1976
      • 7 tracks
      • 39 min
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      Rubbra: Symphony No. 10 "Sinfonia da Camera" and other Orchestral Works - Edmund Rubbra
      Rubbra: Symphony No. 10 "Sinfonia da Camera" and other Orchestral Works - Edmund Rubbra

      Album Details

      Edmund Rubbra's "Sinfonia da Camera" and other Orchestral Works" is a captivating journey through the mind of one of the most prominent British composers of the 20th century. Released in 1976 under the Chandos label, this album is a testament to Rubbra's mastery of orchestral composition, offering a blend of modern classical styles that are both intellectually stimulating and emotionally resonant.

      The centerpiece of the album is Rubbra's Symphony No. 10, Op. 145, "Sinfonia da Camera," a one-movement work that showcases his ability to create depth and complexity within a concise musical framework. This symphony, lasting approximately 15 minutes, is a remarkable example of Rubbra's late-period style, characterized by its intricate textures and rich harmonic language.

      In addition to the symphony, the album features a series of improvisations on Virginal pieces by Giles Farnaby, Op. 50. These pieces, titled "Farnaby's Conceit," "His Dreame," "His Humour," "Loth to Depart," and "Tell me, Daphne," demonstrate Rubbra's skill in reinterpreting historical music through a modern lens. Each piece is a unique exploration of the original themes, offering a fresh perspective on the Baroque era's musical language.

      The album also includes a tribute to Ralph Vaughan Williams, composed for the latter's 70th birthday. This piece, Op. 56, is a heartfelt homage to one of Rubbra's musical predecessors, reflecting the influence of Vaughan Williams on Rubbra's own compositional style.

      Conducted by Richard Hickox, the performances on this album are impeccable, bringing out the full range of emotions and nuances in Rubbra's compositions. The Berlin Philharmonic Orchestra's contribution is particularly noteworthy, adding a layer of depth and precision that elevates the overall listening experience.

      With a total duration of 39 minutes, this album is a compact yet profound exploration of Edmund Rubbra's orchestral works. It is a valuable addition to any classical music collection, offering a glimpse into the mind of a composer who skillfully bridged the gap between tradition and modernity.

      July 1, 19762003 Chandos Records2003 Chandos Records

      Tracks

      1. Symphony No. 10, Op. 145, "Sinfonia da Camera"Edmund Rubbra, Hans-Hubert Schönzeler, Bournemouth Sinfonietta
        17:33
      2. A Tribute for Vaughan Williams's 70th birthday, Op. 56Edmund Rubbra, Hans-Hubert Schönzeler, Bournemouth Sinfonietta
        6:14
      3. Improvisations on Virginal Pieces by Giles Farnaby, Op. 50: I. Farnaby's ConceitEdmund Rubbra, Hans-Hubert Schönzeler, Bournemouth Sinfonietta
        3:34
      4. Improvisations on Virginal Pieces by Giles Farnaby, Op. 50: II. His DreameEdmund Rubbra, Hans-Hubert Schönzeler, Bournemouth Sinfonietta
        2:53
      5. Improvisations on Virginal Pieces by Giles Farnaby, Op. 50: III. His HumourEdmund Rubbra, Hans-Hubert Schönzeler, Bournemouth Sinfonietta
        2:24
      6. Improvisations on Virginal Pieces by Giles Farnaby, Op. 50: IV. Loth to DepartEdmund Rubbra, Hans-Hubert Schönzeler, Bournemouth Sinfonietta
        3:53
      7. Improvisations on Virginal Pieces by Giles Farnaby, Op. 50: V. Tell me, DaphneEdmund Rubbra, Hans-Hubert Schönzeler, Bournemouth Sinfonietta
        3:01
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      About Edmund Rubbra

      Charles Edmund Rubbra, born in Northampton in 1901, was a distinguished British composer whose works spanned a wide range of genres, though he is perhaps best known for his eleven symphonies. Rubbra's music, which reached its zenith of popularity in the mid-20th century, is characterised by its dramatic intensity and improvisatory spirit. Unlike many of his contemporaries, Rubbra never embraced the dodecaphonic style, instead forging his own unique compositional path. His extensive catalogue includes notable works such as the Viola Concerto in A Major, Op. 75, and his Piano Concerto No. 2 in G minor, Op. 85. Despite a decline in public recognition in recent decades, Rubbra's compositions continue to captivate those who seek out his music, offering a rich and emotive experience that stands the test of time.

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      Edmund Rubbra

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