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      1. Albums
      2. roussel: suite en fa, symphonie no. 3, symphonie no. 4 - albert roussel

      Roussel: Suite en fa, Symphonie No. 3, Symphonie No. 4

      Albert RousselAlbert Roussel
      • 1991
      • 11 tracks
      • 1 uur
      • chamber music
      Roussel: Suite en fa, Symphonie No. 3, Symphonie No. 4 - Albert Roussel
      Roussel: Suite en fa, Symphonie No. 3, Symphonie No. 4 - Albert Roussel

      Album Details

      Immerse yourself in the intricate and evocative world of Albert Roussel with his compelling album, "Roussel: Suite en fa, Symphonie No. 3, Symphonie No. 4." Released in 1991 under the naïve classique label, this collection is a masterful blend of chamber music and neoclassical genres, showcasing Roussel's distinctive musical language that departs from conventional forms.

      The album features a total of 11 tracks, including the enchanting "Suite en fa, Op. 3" and the powerful "Symphonie No. 3 in G Minor, Op. 42" and "Symphonie No. 4 in A Major, Op. 53." Each piece is a testament to Roussel's compositional prowess, offering a rich tapestry of sound that captivates the listener from start to finish. The duration of the album is approximately one hour, providing a comprehensive journey through Roussel's remarkable oeuvre.

      Conducted by Ernest Bour, this recording is a must-listen for anyone interested in the neoclassical genre or the works of Albert Roussel. The precise and expressive performances bring Roussel's compositions to life, highlighting the intricate details and emotional depth of each piece. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rewarding and enriching listening experience.

      1 januari 1991Audivis-AstréeAudivis-Astrée

      Tracks

      1. Suite en fa, Op. 3: I. PréludeAlbert Roussel, Sinfonieorchester des Südwestfunks, Ernest Bour
        4:20
      2. Suite en fa, Op. 3: II. SarabandeAlbert Roussel, Sinfonieorchester des Südwestfunks, Ernest Bour
        5:17
      3. Suite en fa, Op. 3: III. GigueAlbert Roussel, Sinfonieorchester des Südwestfunks, Ernest Bour
        4:50
      4. Symphonie No. 3 in G Minor, Op. 42: I. Allegro vivoAlbert Roussel, Sinfonieorchester des Südwestfunks, Ernest Bour
        5:25
      5. Symphonie No. 3 in G Minor, Op. 42: II. Adagio - Andante - Adagio moltoAlbert Roussel, Sinfonieorchester des Südwestfunks, Ernest Bour
        9:51
      6. Symphonie No. 3 in G Minor, Op. 42: III. VivaceAlbert Roussel, Sinfonieorchester des Südwestfunks, Ernest Bour
        3:14
      7. Symphonie No. 3 in G Minor, Op. 42: IV. Allegro con spiritoAlbert Roussel, Sinfonieorchester des Südwestfunks, Ernest Bour
        5:52
      8. Symphonie No. 4 in A Major, Op. 53: I. Lento - Allegro con brioAlbert Roussel, Sinfonieorchester des Südwestfunks, Ernest Bour
        6:07
      9. Symphonie No. 4 in A Major, Op. 53: II. Lento moltoAlbert Roussel, Sinfonieorchester des Südwestfunks, Ernest Bour
        8:42
      10. Symphonie No. 4 in A Major, Op. 53: III. Allegro scherzandoAlbert Roussel, Sinfonieorchester des Südwestfunks, Ernest Bour
        2:56
      11. Symphonie No. 4 in A Major, Op. 53: IV. Allegro moltoAlbert Roussel, Sinfonieorchester des Südwestfunks, Ernest Bour
        4:03
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      About Albert Roussel

      Albert Roussel, born in Tourcoing, France, in 1869, was a composer whose journey into music was as unconventional as his compositions were captivating. Initially drawn to mathematics and serving as a midshipman in the French navy for seven years, Roussel's life took a dramatic turn when he decided to pursue music as an adult. His early works bear the influence of Impressionism, reflecting the styles of Debussy and Ravel, while his later compositions embraced neoclassicism, showcasing his versatility and evolution as an artist.

      Roussel's travels in Southeast Asia during his naval days left a lasting impression on him, inspiring exotic and mythological themes that permeate his music. His compositions, which include ballets, symphonies, chamber music, and songs, are renowned for their lyrical fervor, technical austerity, and harmonic audacity. Unlike the more ethereal sounds of his contemporaries, Roussel's music is often described as rugged and earthy, with a distinctive, spiky dissonance.

      Despite starting his musical studies at the age of 38, Roussel's solid craftsmanship and unique personal style quickly established him as one of the most original and prominent French composers of the interwar period. He taught notable students such as Erik Satie and Edgard Varèse, further cementing his influence on the musical landscape of his time. Roussel's legacy endures, making him a pivotal figure in early 20th-century French music.

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      Albert Roussel

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