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      1. Albums
      2. roussel - padmavati - albert roussel

      Roussel - Padmavati

      Albert RousselAlbert Roussel
      • 1988
      • 15 tracks
      • 1 uur, 43 min
      • chamber music
      Roussel - Padmavati - Albert Roussel
      Roussel - Padmavati - Albert Roussel

      Album Details

      Immerse yourself in the rich, evocative world of Albert Roussel's "Padmâvatî," a captivating opera-ballet that transports you to the opulent courts and mystical landscapes of ancient India. Originally premiered in 1923 at the Opéra de Paris, this two-act masterpiece is a testament to Roussel's unique compositional voice, blending neoclassical influences with exotic inspirations drawn from his travels.

      Composed in 1914, "Padmâvatî" is based on the legendary tale of Queen Padmavati, a story Roussel encountered during his voyage to India in 1909. The opera unfolds through a series of vivid scenes, each bringing to life the grandeur and intrigue of the Mughal Empire. From the bustling markets and royal palaces to the sacred temples and enchanted forests, Roussel's score is a vivid tapestry of sound, rich with colorful orchestration and intricate rhythms.

      This 1988 recording, released by Warner Classics, presents the complete opera in all its glory, spanning over an hour and forty-three minutes. The album features a comprehensive tracklist, including preludes, arias, choruses, and even a mesmerizing dance and pantomime sequence, offering a comprehensive journey through Roussel's operatic vision.

      With its lush harmonies, exotic melodies, and dramatic narrative, "Padmâvatî" is a true gem in the repertoire of French opera. Whether you're a seasoned opera enthusiast or a curious newcomer, this recording of Albert Roussel's "Padmâvatî" promises an enchanting and unforgettable listening experience.

      January 1, 1988© 1988 EMI France SA℗ 1988 the copyright in this sound recording is owned by EMI France SA

      Tracks

      1. Roussel: Padmâvatî, Op. 18, L. 20: PréludeAlbert Roussel, Michel Plasson, Orchestre Du Capitole De Toulouse
        5:22
      2. Roussel: Padmâvatî, Op. 18, L. 20, Act 1: "Le Sultan des Mogols a passé la troisième porte" (Le Veilleur, Femmes du peuple, Une Femme, Un Guerrier, Gora, Un Marchand, Un Artisan, Chorus, Badal)Albert Roussel, Michel Plasson, Hermina Laborde, Isabel Álvarez, Marian Etxeberria, Martine Mahé, Hugues Brambilla, Laurence Dale, Thierry Dran, Gérard Blatt, Henri Amiel, Marc Vento, Orchestre Du Capitole De Toulouse
        5:07
      3. Roussel: Padmâvatî, Op. 18, L. 20, Act 1: "A, A ! ... Souverain d'un peuple florissant" (Chorus, Alaouddin, Ratan-Sen, Gora)Albert Roussel, Michel Plasson, Nicolai Gedda, Marc Vento, José van Dam, Orchestre Du Capitole De Toulouse
        6:09
      4. Roussel: Padmâvatî, Op. 18, L. 20, Act 1: "A voir ces guerriers bondir comme des tigres" (Alaouddin, Ratan-Sen)Albert Roussel, Michel Plasson, Nicolai Gedda, José van Dam, Orchestre Du Capitole De Toulouse
        4:09
      5. Roussel: Padmâvatî, Op. 18, L. 20, Act 1: "On croit voir tourner des pétales de roses" (Alaouddin, Ratan-Sen, Le Brahmane)Albert Roussel, Michel Plasson, Charles Burles, Nicolai Gedda, José van Dam, Orchestre Du Capitole De Toulouse
        4:02
      6. Roussel: Padmâvatî, Op. 18, L. 20, Act 1: "Ce sont les femmes du palais" (Alaouddin, Chorus, Ratan-Sen, Le Brahmane)Albert Roussel, Michel Plasson, Charles Burles, Nicolai Gedda, José van Dam, Orchestre Du Capitole De Toulouse
        11:26
      7. Roussel: Padmâvatî, Op. 18, L. 20, Act 1: "Elle monte au ciel où rêve le printemps" (Nakamti, Chorus, Alaouddin, Le Brahmane, Gora, Ratan-Sen, Un Guerrier, Un Artisan, Un Marchand, Badal, Un Veilleur)Albert Roussel, Michel Plasson, Jane Berbié, Charles Burles, Hugues Brambilla, Laurence Dale, Nicolai Gedda, Thierry Dran, Gérard Blatt, Henri Amiel, Marc Vento, José van Dam, Orchestre Du Capitole De Toulouse
        10:37
      8. Roussel: Padmâvatî, Op. 18, L. 20, Act 1: "Aux armes ... Il est trop tard" (Chorus, Padmâvatî)Albert Roussel, Michel Plasson, Marilyn Horne, Orchestre Du Capitole De Toulouse
        6:26
      9. Roussel: Padmâvatî, Op. 18, L. 20, Act 2: PréludeAlbert Roussel, Michel Plasson, Orchestre Du Capitole De Toulouse
        2:23
      10. Roussel: Padmâvatî, Op. 18, L. 20, Act 2: "Om ! Siva ... Siva, laisse ma voix" (Chorus, Padmâvatî, Un Prêtre)Albert Roussel, Michel Plasson, Marilyn Horne, Jean-Jacques Cubaynes, Orchestre Du Capitole De Toulouse
        8:46
      11. Roussel: Padmâvatî, Op. 18, L. 20, Act 2: "Padmâvatî !" (Ratan-Sen, Padmâvatî)Albert Roussel, Michel Plasson, Marilyn Horne, Nicolai Gedda, Orchestre Du Capitole De Toulouse
        10:49
      12. Roussel: Padmâvatî, Op. 18, L. 20, Act 2: "Ah ! ... Ô mes soeurs fidèles ... " (Les Femmes du palais, Padmâvatî, Chorus)Albert Roussel, Michel Plasson, Marilyn Horne, Elena Perez, Martine Mahé, Orchestre Du Capitole De Toulouse
        7:34
      13. Roussel: Padmâvatî, Op. 18, L. 20, Act 2: "Sur la pierre vivante, la vie !" (Chorus)Albert Roussel, Michel Plasson, Orchestre Du Capitole De Toulouse
        4:12
      14. Roussel: Padmâvatî, Op. 18, L. 20, Act 2: Danse et pantomimeAlbert Roussel, Michel Plasson, Orchestre Du Capitole De Toulouse
        4:06
      15. Roussel: Padmâvatî, Op. 18, L. 20, Act 2: "Dans la nuit flamboyante, la vie conduite par la Mort" (Chorus)Albert Roussel, Michel Plasson, Orchestre Du Capitole De Toulouse
        12:15
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      About Albert Roussel

      Albert Roussel, born in Tourcoing, France, in 1869, was a composer whose journey into music was as unconventional as his compositions were captivating. Initially drawn to mathematics and serving as a midshipman in the French navy for seven years, Roussel's life took a dramatic turn when he decided to pursue music as an adult. His early works bear the influence of Impressionism, reflecting the styles of Debussy and Ravel, while his later compositions embraced neoclassicism, showcasing his versatility and evolution as an artist.

      Roussel's travels in Southeast Asia during his naval days left a lasting impression on him, inspiring exotic and mythological themes that permeate his music. His compositions, which include ballets, symphonies, chamber music, and songs, are renowned for their lyrical fervor, technical austerity, and harmonic audacity. Unlike the more ethereal sounds of his contemporaries, Roussel's music is often described as rugged and earthy, with a distinctive, spiky dissonance.

      Despite starting his musical studies at the age of 38, Roussel's solid craftsmanship and unique personal style quickly established him as one of the most original and prominent French composers of the interwar period. He taught notable students such as Erik Satie and Edgard Varèse, further cementing his influence on the musical landscape of his time. Roussel's legacy endures, making him a pivotal figure in early 20th-century French music.

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      Albert Roussel

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