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      1. Albums
      2. roussel: le testament de la tante caroline, l. 59 - albert roussel

      Roussel: Le testament de la tante Caroline, L. 59

      Albert RousselAlbert Roussel
      • 2022
      • 20 tracks
      • 1 uur, 8 min
      • chamber music
      Roussel: Le testament de la tante Caroline, L. 59 - Albert Roussel
      Roussel: Le testament de la tante Caroline, L. 59 - Albert Roussel

      Album Details

      Dive into the vibrant world of French composer Albert Roussel with his enchanting operetta, "Le testament de la tante Caroline, L. 59." This captivating album, released on March 11, 2022, by Naxos, presents a live recording from 1964, offering a unique glimpse into Roussel's lesser-known yet brilliantly imaginative works. The operetta, with its lively and energetic score, is a delightful exploration of chamber music and neoclassical genres, spanning a total of 68 minutes.

      The album features a full performance of "Le testament de la tante Caroline," divided into two parts with multiple scenes, each bringing to life the whimsical and dramatic narrative of Aunt Caroline's will. The recording showcases the talents of Marie Perbost, the Orchestre des Frivolités Parisiennes, and conductor Dylan Corlay, who bring Roussel's music to life with precision and passion.

      Roussel, a prominent figure in early 20th-century French music, is known for his innovative compositions that blend classical traditions with modern sensibilities. "Le testament de la tante Caroline" is a testament to his creativity and mastery of the operetta form, making this album a treasure for both fans of Roussel's work and those new to his music. The detailed tracklist allows listeners to follow the operetta's unfolding story, from the opening overture to the final proclamation, providing an immersive and engaging listening experience.

      March 11, 20222022 Naxos2022 Naxos

      Tracks

      1. Le testament de la tante Caroline, L. 59, Pt. 1 (1964 Version): Ouverture [Live]Albert Roussel, Orchestre des Frivolités Parisiennes, Dylan Corlay
        4:09
      2. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 1 (1964 Version): Ah! Pauvre tante Caroline [Live]Albert Roussel, Marie Lenormand, Marion Gomar, Lucile Komitès, Charles Mesrine, Marie Perbost, Orchestre des Frivolités Parisiennes, Dylan Corlay
        2:36
      3. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 1 (1964 Version): Avez-vous vu ces trois gredines qui se prétendent héritières ? [Live]Albert Roussel, Marie Lenormand, Marion Gomar, Lucile Komitès, Aurélien Gasse, Charles Mesrine, Marie Perbost, Fabien Hyon, Till Fechner, Romain Dayez, Orchestre des Frivolités Parisiennes, Dylan Corlay
        1:27
      4. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 1 (1964 Version): La patronne n'aurait jamais dû mourir [Live]Albert Roussel, Marie Perbost, Fabien Hyon, Romain Dayez
        4:25
      5. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 3 (1964 Version): Il est parti ? [Live]Albert Roussel, Marie Perbost, Fabien Hyon, Orchestre des Frivolités Parisiennes, Dylan Corlay
        3:50
      6. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 4 (1964 Version): En voilà des manières ! [Live]Albert Roussel, Marie Lenormand, Marion Gomar, Lucile Komitès, Aurélien Gasse, Charles Mesrine, Marie Perbost, Fabien Hyon, Till Fechner, Romain Dayez, Orchestre des Frivolités Parisiennes, Dylan Corlay
        1:18
      7. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 5 (1964 Version): Mais laissez-moi passer ! [Live]Albert Roussel, Marion Gomar, Lucile Komitès, Aurélien Gasse
        1:35
      8. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 5 (1964 Version): Alors voyons, racontez-moi ça [Live]Albert Roussel, Marie Lenormand, Marion Gomar, Lucile Komitès, Charles Mesrine, Marie Perbost, Aurélien Gasse
        2:25
      9. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 6 (1964 Version): Maintenant si vous le voulez bien [Live]Albert Roussel, Marie Lenormand, Marion Gomar, Lucile Komitès, Charles Mesrine, Marie Perbost, Fabien Hyon
        5:16
      10. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 8 (1964 Version): Mademoiselle Irène d'Anjou [Live]Albert Roussel, Marie Perbost, Orchestre des Frivolités Parisiennes, Dylan Corlay
        4:15
      11. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 9 (1964 Version): Ce silence ne m'étonne pas ! [Live]Albert Roussel, Marie Lenormand, Marion Gomar, Lucile Komitès, Aurélien Gasse, Marie Perbost
        2:13
      12. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 9 (1964 Version): Prenez ce siège que l'on vous offre [Live]Albert Roussel, Marie Lenormand, Lucile Komitès, Charles Mesrine, Marie Perbost, Till Fechner, Orchestre des Frivolités Parisiennes, Dylan Corlay
        2:44
      13. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 10 (1964 Version): Vous êtes sans doute les héritiers ? [Live]Albert Roussel, Marie Lenormand, Marion Gomar, Lucile Komitès, Aurélien Gasse, Charles Mesrine, Marie Perbost, Till Fechner
        3:12
      14. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 10 (1964 Version): Prenez un siège [Live]Albert Roussel, Marie Lenormand, Marion Gomar, Lucile Komitès, Aurélien Gasse, Charles Mesrine, Marie Perbost, Till Fechner, Orchestre des Frivolités Parisiennes, Dylan Corlay
        5:43
      15. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 10 (1964 Version): Mais qu'est ce que ça veut dire tout ça ? [Live]Albert Roussel, Marie Lenormand, Marion Gomar, Lucile Komitès, Aurélien Gasse, Charles Mesrine, Romain Dayez, Till Fechner, Orchestre des Frivolités Parisiennes, Dylan Corlay
        4:53
      16. Le testament de la tante Caroline, L. 59, Pt. 1 Scene 11 (1964 Version): Finale. J'attaque ! [Live]Albert Roussel, Marie Lenormand, Marion Gomar, Lucile Komitès, Aurélien Gasse, Charles Mesrine, Marie Perbost, Fabien Hyon, Till Fechner, Romain Dayez, Orchestre des Frivolités Parisiennes, Dylan Corlay
        3:24
      17. Le testament de la tante Caroline, L. 59, Pt. 2 Scene 12 (1964 Version): Le 18 juin à six heures du soir moins deux minutes [Live]Albert Roussel, Marion Gomar, Lucile Komitès, Aurélien Gasse, Charles Mesrine, Marie Perbost, Till Fechner
        3:17
      18. Le testament de la tante Caroline, L. 59, Pt. 2 Scene 12 (1964 Version): C'était un gars de la Bretagne [Live]Albert Roussel, Marion Gomar, Lucile Komitès, Aurélien Gasse, Charles Mesrine, Marie Perbost, Fabien Hyon, Till Fechner, Orchestre des Frivolités Parisiennes, Dylan Corlay
        3:51
      19. Le testament de la tante Caroline, L. 59, Pt. 2 Scene 12 (1964 Version): L'affaire est d'importance [Live]Albert Roussel, Marion Gomar, Lucile Komitès, Aurélien Gasse, Charles Mesrine, Marie Perbost, Fabien Hyon, Till Fechner, Orchestre des Frivolités Parisiennes, Dylan Corlay
        4:56
      20. Le testament de la tante Caroline, L. 59, Pt. 2 Scene 13 (1964 Version): Finale. Je le proclame légataire universel ! [Live]Albert Roussel, Marie Lenormand, Marion Gomar, Lucile Komitès, Aurélien Gasse, Charles Mesrine, Marie Perbost, Fabien Hyon, Till Fechner, Romain Dayez, Orchestre des Frivolités Parisiennes, Dylan Corlay
        3:18
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      About Albert Roussel

      Albert Roussel, born in Tourcoing, France, in 1869, was a composer whose journey into music was as unconventional as his compositions were captivating. Initially drawn to mathematics and serving as a midshipman in the French navy for seven years, Roussel's life took a dramatic turn when he decided to pursue music as an adult. His early works bear the influence of Impressionism, reflecting the styles of Debussy and Ravel, while his later compositions embraced neoclassicism, showcasing his versatility and evolution as an artist.

      Roussel's travels in Southeast Asia during his naval days left a lasting impression on him, inspiring exotic and mythological themes that permeate his music. His compositions, which include ballets, symphonies, chamber music, and songs, are renowned for their lyrical fervor, technical austerity, and harmonic audacity. Unlike the more ethereal sounds of his contemporaries, Roussel's music is often described as rugged and earthy, with a distinctive, spiky dissonance.

      Despite starting his musical studies at the age of 38, Roussel's solid craftsmanship and unique personal style quickly established him as one of the most original and prominent French composers of the interwar period. He taught notable students such as Erik Satie and Edgard Varèse, further cementing his influence on the musical landscape of his time. Roussel's legacy endures, making him a pivotal figure in early 20th-century French music.

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