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      1. Albums
      2. roussel: le festin de l'araignée - padmâvatî suites - albert roussel

      Roussel: Le festin de l'araignée - Padmâvatî Suites

      Albert RousselAlbert Roussel
      • 2012
      • 17 tracks
      • 54 min
      • chamber music
      Roussel: Le festin de l'araignée - Padmâvatî Suites - Albert Roussel
      Roussel: Le festin de l'araignée - Padmâvatî Suites - Albert Roussel

      Album Details

      Dive into the captivating world of Albert Roussel with this enchanting collection of chamber music and neoclassical compositions. Released in 2012, this album presents a unique blend of Roussel's orchestral prowess, showcasing his ability to weave intricate narratives through sound.

      The centerpiece of the album is "Le festin de l'araignée" (The Spider's Banquet), Op. 17, a ballet-pantomime that brings to life the intricate dance of nature's creatures. From the delicate "Danse du Papillon" (Dance of the Butterfly) to the dramatic "Entree guerriere de deux Mantes religieuses" (Warlike entrance of two praying Mantises), each movement is a testament to Roussel's vivid imagination and masterful composition.

      Complementing this is the "Padmavati Suite," drawn from Roussel's opera-ballet that aims to evoke the grandeur of 18th-century French spectacles. The suite includes lively dances and evocative preludes that transport the listener to a world of opulence and drama.

      Conducted by Stéphane Denève and performed by the Royal Scottish National Orchestra, this album is a testament to Roussel's enduring legacy. With a duration of 54 minutes, it offers a rich and immersive experience, perfect for both casual listeners and classical music enthusiasts. The album is released on the Naxos label, ensuring high-quality production and faithfulness to Roussel's original vision.

      3 januari 20122012 Naxos2012 Naxos

      Tracks

      1. Le festin de l'araignee (The Spider's Banquet), Op. 17: Part 1: Prelude - Un Jardin (A Garden)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        4:40
      2. Le festin de l'araignee (The Spider's Banquet), Op. 17: Part 1: Tres anime - Entree des Fourmis (Entrance of the Ants)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        3:00
      3. Le festin de l'araignee (The Spider's Banquet), Op. 17: Part 1: Modere - Entree des Bousiers (Entrance of the Dung-Beetles). Danse du Papillon (Dance of the Butterfly)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        4:11
      4. Le festin de l'araignee (The Spider's Banquet), Op. 17: Part 1: Lent - Joie de l'Araignee (The Spider rejoices). Danse de l'Araignee (Dance of the Spider)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        2:23
      5. Le festin de l'araignee (The Spider's Banquet), Op. 17: Part 1: Assez lent - Entree des Vers de fruit (Entrance of the Fruit Worms)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        0:52
      6. Le festin de l'araignee (The Spider's Banquet), Op. 17: Part 1: Solennel - Entree guerriere de deux Mantes religieuses (Warlike entrance of two praying Mantises)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        0:43
      7. Le festin de l'araignee (The Spider's Banquet), Op. 17: Part 1: Assez vif - Ronde des Fourmis (Round-dance of the Ants)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        2:12
      8. Le festin de l'araignee (The Spider's Banquet), Op. 17: Part 2: Assez lent - Eclosion de l'Ephemere (Hatching of the Mayfly)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        1:49
      9. Le festin de l'araignee (The Spider's Banquet), Op. 17: Part 2: Anime - Danse de l'Ephemere (Dance of the Mayfly)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        3:20
      10. Le festin de l'araignee (The Spider's Banquet), Op. 17: Part 2: Tres modere - L'Ephemere s'arrete, epuise (The Mayfly stops, exhausted)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        3:55
      11. Le festin de l'araignee (The Spider's Banquet), Op. 17: Part 2: Tres lent - Mort de l'Ephemere (Death of the Mayfly)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        2:12
      12. Le festin de l'araignee (The Spider's Banquet), Op. 17: Part 2: Moderement lent - Funerailles de l'Ephemere (Funeral of the Mayfly)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        3:01
      13. Padmavati Suite No. 1: I. PreludeAlbert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        5:13
      14. Padmavati Suite No. 1: II. Danse guerriere (War Dance)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        3:58
      15. Padmavati Suite No. 1: III. Danse des femmes esclaves (Dance of the Female Slaves)Albert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        2:54
      16. Padmavati Suite No. 2: I. PreludeAlbert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        2:45
      17. Padmavati Suite No. 2: II. Danse et PantomimeAlbert Roussel, Royal Scottish National Orchestra, Stéphane Denève
        7:23
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      About Albert Roussel

      Albert Roussel, born in Tourcoing, France, in 1869, was a composer whose journey into music was as unconventional as his compositions were captivating. Initially drawn to mathematics and serving as a midshipman in the French navy for seven years, Roussel's life took a dramatic turn when he decided to pursue music as an adult. His early works bear the influence of Impressionism, reflecting the styles of Debussy and Ravel, while his later compositions embraced neoclassicism, showcasing his versatility and evolution as an artist.

      Roussel's travels in Southeast Asia during his naval days left a lasting impression on him, inspiring exotic and mythological themes that permeate his music. His compositions, which include ballets, symphonies, chamber music, and songs, are renowned for their lyrical fervor, technical austerity, and harmonic audacity. Unlike the more ethereal sounds of his contemporaries, Roussel's music is often described as rugged and earthy, with a distinctive, spiky dissonance.

      Despite starting his musical studies at the age of 38, Roussel's solid craftsmanship and unique personal style quickly established him as one of the most original and prominent French composers of the interwar period. He taught notable students such as Erik Satie and Edgard Varèse, further cementing his influence on the musical landscape of his time. Roussel's legacy endures, making him a pivotal figure in early 20th-century French music.

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      Albert Roussel

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