Riverside Profiles: Cannonball Adderley

Cannonball Adderley's 'Riverside Profiles: Cannonball Adderley' is a captivating compilation that showcases the legendary jazz musician's incredible talent. Released on 1 January 2006 by Concord Records, this 1 hour and 5 minute album is a masterclass in jazz, blending genres such as hard bop, bebop, cool jazz, and jazz blues.

Featuring a mix of live and remastered tracks, including 'This Here' and 'Dizzy's Business', as well as studio recordings like 'Nardis' and 'Jive Samba', Cannonball Adderley's unique sound is on full display. The album's tracklist is a testament to his versatility, with songs like 'Things Are Getting Better' and 'Star Eyes' demonstrating his ability to craft memorable, soulful melodies.

With 'African Waltz' and 'The Work Song' showcasing his instrumental prowess, and 'Know What I Mean?' highlighting his skill for reworking and reinterpreting tracks, Cannonball Adderley's 'Riverside Profiles' is an essential listen for fans of jazz. This collection is a celebration of his enduring legacy, and a must-have for anyone looking to experience the best of his discography.

Cannonball Adderley, born Julian Edwin Adderley, was a titan of the jazz world, renowned for his powerful and soulful alto saxophone playing. A key figure in the hard bop movement of the 1950s and 1960s, Adderley's career was marked by his distinctive sound and his ability to blend jazz with soul and funk, creating a unique and enduring legacy. He gained prominence as a member of Miles Davis' band and later formed his own quintet with his brother, Nat Adderley, releasing a string of influential albums. Adderley's crossover hit "Mercy, Mercy, Mercy" showcased his versatility and appeal beyond traditional jazz audiences. His discography, including classics like "Somethin' Else," reflects his innovative spirit and his impact on the evolution of jazz. Adderley's dynamic performances and passionate playing style continue to inspire musicians and captivate fans worldwide. Despite his untimely passing at the age of 46, his contributions to jazz remain monumental, solidifying his status as one of the genre's true innovators.

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