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      1. Albums
      2. ries: der sieg des glaubens, op. 157 - ferdinand ries

      Ries: Der Sieg des Glaubens, Op. 157

      Ferdinand RiesFerdinand Ries
      • 2013
      • 23 tracks
      • 1 uur, 15 min
      • chamber music
      Ries: Der Sieg des Glaubens, Op. 157 - Ferdinand Ries
      Ries: Der Sieg des Glaubens, Op. 157 - Ferdinand Ries

      Album Details

      Ferdinand Ries' majestic oratorio, 'Der Sieg des Glaubens, Op. 157', is a masterpiece of classical music that showcases the composer's skill and artistry. Released on 22 March 2013 by CPO, this album is a treasure trove of chamber music, featuring a rich and diverse range of pieces that will captivate and inspire.

      With a duration of 1 hour and 15 minutes, this album takes the listener on a journey through the depths of Ries' creativity, with each track expertly crafted to evoke a sense of drama and emotion. From the introductory notes of Part 1 to the final chords of Part 2, the music is a testament to Ries' innovative spirit and his ability to craft complex, beautiful melodies.

      The tracklist is a veritable feast of musical delights, with pieces such as 'Introduktion', 'Versammelt waren der Gerechten Scharen', and 'Groß ist Gott' showcasing Ries' mastery of classical music. The album's themes of faith, hope, and redemption are woven throughout the music, creating a sense of cohesion and unity that is both powerful and moving.

      As a composer, Ferdinand Ries is renowned for his contributions to the classical music canon, and 'Der Sieg des Glaubens, Op. 157' is a shining example of his work. This album is a must-listen for fans of chamber music and classical music alike, offering a unique and unforgettable listening experience that will leave a lasting impression.

      March 22, 20132013 CPO2013 CPO

      Tracks

      1. Der Sieg des Glaubens, Op. 157, Pt. 1: IntroduktionFerdinand Ries, Das Kleine Konzert, Hermann Max
        3:04
      2. Der Sieg des Glaubens, Op. 157, Pt. 1: Versammelt waren der Gerechten ScharenFerdinand Ries, Markus Flaig, Das Kleine Konzert, Hermann Max
        2:44
      3. Der Sieg des Glaubens, Op. 157, Pt. 1: Hier, in der feierlichen FrüheFerdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
        1:53
      4. Der Sieg des Glaubens, Op. 157, Pt. 1: Herr! Du bist mächtigFerdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
        3:29
      5. Der Sieg des Glaubens, Op. 157, Pt. 1: Und sieh, es trat ein Gott ergebnes Mädchen hervorFerdinand Ries, Markus Flaig, Das Kleine Konzert, Hermann Max
        1:04
      6. Der Sieg des Glaubens, Op. 157, Pt. 1: Wirst Du, ein Held, nach dem nur strebenFerdinand Ries, Christiane Libor, Markus Schäfer, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
        7:05
      7. Der Sieg des Glaubens, Op. 157, Pt. 1: Stark ist des Glaubens MachtFerdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
        1:14
      8. Der Sieg des Glaubens, Op. 157, Pt. 1: Was suchen wir, o VaterFerdinand Ries, Markus Schäfer, Das Kleine Konzert, Hermann Max
        1:22
      9. Der Sieg des Glaubens, Op. 157, Pt. 1: Dir am Busen will ich liegenFerdinand Ries, Markus Schäfer, Das Kleine Konzert, Hermann Max
        3:42
      10. Der Sieg des Glaubens, Op. 157, Pt. 1: Doch nun hielt sich in der Ungläubgen Schar der ZornFerdinand Ries, Markus Flaig, Das Kleine Konzert, Hermann Max
        2:02
      11. Der Sieg des Glaubens, Op. 157, Pt. 1: Euer Glaube ist uns SpottFerdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
        4:29
      12. Der Sieg des Glaubens, Op. 157, Pt. 2: IntroduktionFerdinand Ries, Das Kleine Konzert, Hermann Max
        3:54
      13. Der Sieg des Glaubens, Op. 157, Pt. 2: Dringt denn die Stimme GottesFerdinand Ries, Christiane Libor, Lara Langguth, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
        7:03
      14. Der Sieg des Glaubens, Op. 157, Pt. 2: Höre die Frechen nichtFerdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
        4:55
      15. Der Sieg des Glaubens, Op. 157, Pt. 2: O hört die Warnung nochmals anFerdinand Ries, Wiebke Lehmkuhl, Das Kleine Konzert, Hermann Max
        2:17
      16. Der Sieg des Glaubens, Op. 157, Pt. 2: So kehret um, noch ist es ZeitFerdinand Ries, Christiane Libor, Wiebke Lehmkuhl, Markus Schäfer, Markus Flaig, Das Kleine Konzert, Hermann Max
        5:17
      17. Der Sieg des Glaubens, Op. 157, Pt. 2: Wohlan, so sei'sFerdinand Ries, Markus Flaig, Das Kleine Konzert, Hermann Max
        2:40
      18. Der Sieg des Glaubens, Op. 157, Pt. 2: Wir kommenFerdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
        3:10
      19. Der Sieg des Glaubens, Op. 157, Pt. 2: Da zog ein Harfensäuseln durch die LuftFerdinand Ries, Christiane Libor, Das Kleine Konzert, Hermann Max
        2:32
      20. Der Sieg des Glaubens, Op. 157, Pt. 2: Die ihr euch gläubig nennetFerdinand Ries, Christiane Libor, Wiebke Lehmkuhl, Das Kleine Konzert, Hermann Max
        2:42
      21. Der Sieg des Glaubens, Op. 157, Pt. 2: Die Kraft erliegtFerdinand Ries, Das Kleine Konzert, Hermann Max
        0:42
      22. Der Sieg des Glaubens, Op. 157, Pt. 2: Groß ist GottFerdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
        2:17
      23. Der Sieg des Glaubens, Op. 157, Pt. 2: Vom Aufgang bis zum NiedergangFerdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
        5:14
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      About Ferdinand Ries

      Ferdinand Ries, a German composer, pianist, and conductor, stands as a pivotal figure bridging the Classical and Romantic eras in music. Born in 1784, Ries was not only a close friend and pupil of Ludwig van Beethoven but also his secretary, playing a crucial role in promoting Beethoven's works across Europe. Ries' own compositions, which include eight symphonies, a violin concerto, nine piano concertos, and three operas, reflect his unique blend of classical precision and romantic expression. His extensive oeuvre encompasses a wide range of genres, from chamber music to orchestral works, showcasing his versatility and innovation. Ries' legacy is further enriched by his reminiscences of Beethoven, co-written with Franz Wegeler, offering invaluable insights into the life of the renowned composer. As a performer, Ries was celebrated for his virtuosity on the piano, and his compositions continue to captivate audiences with their timeless appeal.

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      Ferdinand Ries