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      1. Albums
      2. respighi: belfagor, p. 137 - ottorino respighi

      Respighi: Belfagor, P. 137

      Ottorino RespighiOttorino Respighi
      • 2014
      • 36 tracks
      • 2 uur, 15 min
      • classical piano
      Respighi: Belfagor, P. 137 - Ottorino Respighi
      Respighi: Belfagor, P. 137 - Ottorino Respighi

      Album Details

      Immerse yourself in the enchanting world of Ottorino Respighi's "Belfagor, P. 137," a captivating opera that showcases the composer's mastery of neoclassical and classical styles. This 2014 release, brought to you by the esteemed label Hungaroton, offers a rich and immersive experience with a duration of over two hours, ensuring that every moment is filled with Respighi's distinctive musical genius.

      "Belfagor, P. 137" is an opera that stands out in Respighi's discography, completed with the help of Elsa Respighi and Ennio Porrino after the composer's death. The libretto, penned by Claudio Guastalla, weaves a tale that comes to life through the opera's 36 tracks, each one a testament to Respighi's ability to blend orchestral grandeur with intimate, character-driven moments. The large orchestra arrangement adds depth and richness to the score, making it a standout piece in Respighi's repertoire.

      The album features a diverse cast of characters, each brought to life through Respighi's evocative music. From the prologue to the epilogue, the opera unfolds with a narrative that is as engaging as it is musically rich. The overture, a popular track in its own right, sets the stage for the dramatic and lyrical journey that follows, showcasing Respighi's ability to create memorable and impactful music.

      Whether you are a seasoned fan of Respighi's work or a newcomer to his compositions, "Belfagor, P. 137" offers a compelling exploration of his artistic vision. The opera's blend of classical and neoclassical elements, combined with its rich orchestration and compelling narrative, makes it a standout addition to any classical music collection.

      July 15, 20142014 Hungaroton2014 Hungaroton

      Tracks

      1. Belfagor, P. 137: Prologue: Candida! Candida! (Baldo, Candida)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        8:39
      2. Belfagor, P. 137: Prologue: Est... Non est (Mirocleto, Candida, Baldo)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        2:01
      3. Belfagor, P. 137: Prologue: Psss, amico! (Belfagor, Mirocleto)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        4:43
      4. Belfagor, P. 137: Prologue: Io sono qui per ordine superiore (Belfagor)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        2:33
      5. Belfagor, P. 137: Prologue: La quale cadde sopra l'umilissimo (Belfagor, Mirocleto)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        5:16
      6. Belfagor, P. 137: Prologue: Albeggia... Debbo andar (Belfagor)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        3:58
      7. Belfagor, P. 137: Prologue: Non piangere (Baldo, Candida)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        6:59
      8. Belfagor, P. 137, Act I: Brava, Candida mia! (Olimpia, Candida)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        2:34
      9. Belfagor, P. 137, Act I: In che posso servir Vossignoria? (Olimpia, Ipsilonne, Fidelia, Maddalena)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        2:22
      10. Belfagor, P. 137, Act I: Alchino, lo vedi (Ipsilonne)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        2:30
      11. Belfagor, P. 137, Act I: Ah, ah!... Volevo dire! (Ipsilonne, Maddalena, Fidelia)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        10:05
      12. Belfagor, P. 137, Act I: Uh! - Proveretta me! (Fidelia, Maddalena, Mirocleto, Ipsilonne)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        7:32
      13. Belfagor, P. 137, Act I: Candida! (Ipsilonne, Candida)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        2:57
      14. Belfagor, P. 137, Act I: Babbo! Mamma! (Candida, Ipsilonne, Mirocleto)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        1:31
      15. Belfagor, P. 137, Act I: Baldo, o Baldo mio (Candida, Fidelia, Maddalena, Iipsilonne, Olimpia, Mirocleto)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        4:19
      16. Belfagor, P. 137, Act II: All'inferno! (Ipsilonne, Candida, Olimpia, Fidelia)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        3:23
      17. Belfagor, P. 137, Act II: Candida, ancora una volta … (Ipsilonne, Olimpia, Mirocleto)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        2:30
      18. Belfagor, P. 137, Act II: Si, si... Ma penso a Candida (Olimpia, Mirocleto, Baldo)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        3:18
      19. Belfagor, P. 137, Act II: Buon appetito! (Ipsilonne, Mirocleto, Olimpia)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        6:00
      20. Belfagor, P. 137, Act II: E dov'e? (Candida, Olimpia, Ipsilonne, Fidelia, Maddalena)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        1:52
      21. Belfagor, P. 137, Act II: Andate, amico mio! (Candida, Ipsilonne)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        1:58
      22. Belfagor, P. 137, Act II: Cognato, cognato (Fidelia, Maddalena, Ipsilonne, Olimpia, Candida)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        2:16
      23. Belfagor, P. 137, Act II: O mamma, mamma (Candida)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        3:59
      24. Belfagor, P. 137, Act II: No, prima mi dirai, Candida (Baldo, Olimpia, Candida)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        3:03
      25. Belfagor, P. 137, Act II: La sposa! (Guests)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        0:53
      26. Belfagor, P. 137, Act II: DanceOttorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        2:42
      27. Belfagor, P. 137, Act II: Andate via! (Ipsilonne, Candida)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        7:02
      28. Belfagor, P. 137, Act II: Ma sono istanti (Ipsilonne, Baldo)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        1:48
      29. Belfagor, P. 137: Epilogue. Signor curato! (Baldo, Menica, Candida, Two Companions)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        2:49
      30. Belfagor, P. 137: Epilogue. Qui, che c'e l'acqua (Old Man, Boy)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        2:27
      31. Belfagor, P. 137: Epilogue. Segnati, e mangia in pace (Old Man, Wanderer, Boy)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        3:16
      32. Belfagor, P. 137: Epilogue. Amico, s'e saziato (Baldo, Wanderer, Boy, Old Man)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        2:27
      33. Belfagor, P. 137: Epilogue. Ma se fosse vero? (Baldo)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        4:33
      34. Belfagor, P. 137: Epilogue. O chi piange la seduto? (Don Biagio, Candida, Baldo)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        1:03
      35. Belfagor, P. 137: Epilogue. No! No! Io vedo (Candida, Baldo)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        6:16
      36. Belfagor, P. 137: Epilogue. Chi muove le campagne (Chorus)Ottorino Respighi, Sylvia Sass, Giorgio Lamberti, Lajos Miller, László Polgár, Klára Takács, Magda Kalmár, Mária Zempléni, Pal Laszlo Barany, Zita Komarniczky, Marta Lukin, Janos Tóth, József Moldvay, Zoltan Domjan, Hungarian Radio and Television Chorus, Hungarian State Orchestra, Lamberto Gardelli
        3:09
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      About Ottorino Respighi

      Ottorino Respighi, born in Bologna in 1879, was a versatile and influential figure in the world of classical music, serving as a composer, musicologist, and conductor. A key member of the "Generazione dell'Ottanta," Respighi was part of a group of Italian musicians who revitalised the country's musical landscape. His compositions, though eclectic and influenced by various European styles, are most celebrated for his series of symphonic poems inspired by the eternal city of Rome. Among these, "I Pini di Roma" stands out as his most renowned and frequently recorded work. Respighi's musical journey began in his hometown, where he studied under notable figures like Giuseppe Martucci. His legacy endures as a testament to his innovative spirit and deep connection to Italy's rich cultural heritage.

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