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      1. Albums
      2. reger: orchestral works - max reger

      Reger: Orchestral Works

      Max RegerMax Reger
      • 2014
      • 37 tracks
      • 3 uur, 23 min
      Reger: Orchestral Works - Max Reger
      Reger: Orchestral Works - Max Reger

      Album Details

      Immerse yourself in the rich and complex world of Max Reger's orchestral works with this comprehensive collection, released by BIS Records on March 4, 2014. Spanning an impressive three hours and twenty-three minutes, this album offers a deep dive into the compositions of one of the most significant German composers of the late Romantic era.

      The album features a diverse range of Reger's orchestral pieces, showcasing his mastery of form and his ability to blend traditional and modern elements. Highlights include the intricate Variations and Fugue on a Theme of Mozart, Op. 132, the dramatic Symphonic Prologue to a Tragedy, Op. 108, and the evocative Piano Concerto in F Minor, Op. 114. Also included are the Suite im alten Stil, Op. 93, and the Variations and Fugue on a Theme of Beethoven, Op. 86, demonstrating Reger's deep appreciation and innovative reinterpretation of classical themes.

      The album also presents Reger's ballet suite Eine Ballettsuite, Op. 130, and the four tone poems of 4 Tondichtungen nach Arnold Böcklin, Op. 128, inspired by the paintings of Arnold Böcklin. These works offer a glimpse into Reger's ability to translate visual art into musical form, creating a multi-sensory experience for the listener.

      This collection is a testament to Reger's prolific output and his enduring influence on the world of classical music. Whether you're a longtime fan of Reger's work or a newcomer looking to explore his compositions, this album provides a rich and rewarding listening experience.

      March 4, 20142014 BIS2014 BIS

      Tracks

      1. Variations and Fugue on a Theme of Mozart, Op. 132: Theme. Andante grazioso (Version for Orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
        2:28
      2. Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1, L'istesso tempoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        2:25
      3. Variations and Fugue on a Theme of Mozart, Op. 132: Variation 2, Poco agitatoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        1:53
      4. Variations and Fugue on a Theme of Mozart, Op. 132: Variation 3, Con motoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        1:23
      5. Variations and Fugue on a Theme of Mozart, Op. 132: Variation 4, VivaceMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        0:50
      6. Variations and Fugue on a Theme of Mozart, Op. 132: Variation 5, Quasi prestoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        1:37
      7. Variations and Fugue on a Theme of Mozart, Op. 132: Variation 6, Sostenuto, quasi adagiettoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        2:21
      8. Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7, Andante graziosoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        2:22
      9. Variations and Fugue on a Theme of Mozart, Op. 132: Variation 8, Molto sostenutoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        7:19
      10. Variations and Fugue on a Theme of Mozart, Op. 132: Fugue. Allegretto grazioso (Version for Orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
        9:28
      11. Symphonic Prologue to a Tragedy, Op. 108Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
        32:44
      12. Piano Concerto in F Minor, Op. 114: I. Allegro moderatoMax Reger, Love Derwinger, Norrköping Symphony Orchestra, Leif Segerstam
        20:47
      13. Piano Concerto in F Minor, Op. 114: II. Largo con gran espressioneMax Reger, Love Derwinger, Norrköping Symphony Orchestra, Leif Segerstam
        12:24
      14. Piano Concerto in F Minor, Op. 114: III. Allegretto con spiritoMax Reger, Love Derwinger, Norrköping Symphony Orchestra, Leif Segerstam
        11:01
      15. Suite im alten Stil, Op. 93: I. Präludium (Version for Orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
        6:15
      16. Suite im alten Stil, Op. 93: II. Largo (Version for Orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
        8:41
      17. Suite im alten Stil, Op. 93: III. Fuge (Version for Orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
        7:58
      18. Variations and Fugue on a Theme of Beethoven, Op. 86: Theme. Andante (Version for Orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
        1:40
      19. Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 1, Un poco più lentoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        1:53
      20. Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 2, AppassionatoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        1:20
      21. Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 3, Andantino graziosoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        2:12
      22. Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 4, VivaceMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        0:52
      23. Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 5, Andante sostenutoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        2:43
      24. Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 6, Allegretto con graziaMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        1:29
      25. Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 7, Poco vivaceMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        1:26
      26. Variations and Fugue on a Theme of Beethoven, Op. 86: Variation 8, Allegro pomposoMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        2:06
      27. Variations and Fugue on a Theme of Beethoven, Op. 86: Fugue. Con spirito, non troppo allegro (Version for orchestra)Max Reger, Norrköping Symphony Orchestra, Leif Segerstam
        5:54
      28. Eine Ballettsuite, Op. 130: I. EntréeMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        3:31
      29. Eine Ballettsuite, Op. 130: II. ColombineMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        3:33
      30. Eine Ballettsuite, Op. 130: III. HarlequinMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        2:38
      31. Eine Ballettsuite, Op. 130: IV. Pierrot und PieretteMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        3:35
      32. Eine Ballettsuite, Op. 130: V. Valse d'amourMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        2:54
      33. Eine Ballettsuite, Op. 130: VI. FinaleMax Reger, Norrköping Symphony Orchestra, Leif Segerstam
        3:09
      34. 4 Tondichtungen nach Arnold Böcklin, Op. 128: No. 1, Der geigende Eremit (The Fiddling Hermit)Max Reger, Kjell Lysell, Norrköping Symphony Orchestra, Leif Segerstam
        11:15
      35. 4 Tondichtungen nach Arnold Böcklin, Op. 128: No. 2, Im Spiel der Wellen (Waves at Play)Max Reger, Kjell Lysell, Norrköping Symphony Orchestra, Leif Segerstam
        4:29
      36. 4 Tondichtungen nach Arnold Böcklin, Op. 128: No. 3, Die Toteninsel (The Isle of the Dead)Max Reger, Kjell Lysell, Norrköping Symphony Orchestra, Leif Segerstam
        10:13
      37. 4 Tondichtungen nach Arnold Böcklin, Op. 128: No. 4, BacchanalMax Reger, Kjell Lysell, Norrköping Symphony Orchestra, Leif Segerstam
        4:56
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      About Max Reger

      Max Reger, born Johann Baptist Joseph Maximilian Reger in 1873, was a towering figure in German music, straddling the late Romantic and early Modernist eras. A prolific composer, pianist, organist, and conductor, Reger's music is renowned for its complexity and emotional depth, particularly his monumental fugues and organ works. Born in Brand, Bavaria, Reger's musical journey began under the tutelage of his parents and the local organist, leading him to become one of the most significant composers of organ music since Bach. His compositions, which include magnificent chorale-based and free works, reflect both the grandeur of German Romanticism and the innovative spirit of Modernism. Reger's legacy endures, celebrated by figures such as Paul Hindemith and Arnold Schoenberg, and his music continues to captivate audiences with its structural coherence and emotional resonance.

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