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      1. Albums
      2. recital no. 2 - ferruccio tagliavini

      Recital No. 2

      Ferruccio TagliaviniFerruccio Tagliavini
      • 1958
      • 11 tracks
      • 34 min
      • opera
      Recital No. 2 - Ferruccio Tagliavini
      Recital No. 2 - Ferruccio Tagliavini

      Album Details

      Experience the golden age of opera with Ferruccio Tagliavini's "Recital No. 2," a captivating collection of arias that showcases the Italian tenor's remarkable vocal prowess. Released in 1958, this album is a testament to Tagliavini's artistry, who was renowned for his mezza voce singing and hailed as the heir apparent to the legendary Tito Schipa. The album features eleven exquisite tracks, each a masterclass in operatic performance, spanning iconic roles from operas like "Rigoletto," "Tosca," and "Madama Butterfly."

      Tagliavini's lyrical tenor voice is on full display, delivering performances that are both technically impressive and deeply expressive. From the playful "Questa o quella" from "Rigoletto" to the heart-wrenching "E lucevan le stelle" from "Tosca," each aria is a showcase of Tagliavini's ability to convey a range of emotions and characters. The album also includes duets and ensemble pieces, providing a glimpse into the collaborative nature of opera.

      "Recital No. 2" is a must-listen for opera enthusiasts and those looking to explore the rich history of Italian opera. Ferruccio Tagliavini's performances are a reminder of the golden age of opera, and this album is a treasure trove of some of his finest work. With a duration of just 34 minutes, it's a concise yet powerful collection that highlights the best of Tagliavini's career.

      1 januari 19581958 - BNF Collection 20151958 - BNF Collection 2015

      Tracks

      1. Martha: "M'apparì tutto amor" (Lyonel)Friedrich von Flotow, Ferruccio Tagliavini, Orchestra Della Rai di Torino, Francesco Molinari-Pradelli
        3:12
      2. Rigoletto: "Questa o quella" (Duca di Mantova)Giuseppe Verdi, Ferruccio Tagliavini, Orchestra Della Rai di Torino, Angelo Questa
        1:52
      3. L'arlesiana: "Il sol tramonta" - Lamento. "È la solita storia" (Federico, L'Innocente)Francesco Cilea, Ferruccio Tagliavini, Orchestra Della Rai di Torino, Arturo Basile, Loretta di Lelio
        4:14
      4. Tosca: "Recondita armonia" (Mario Cavaradossi)Giacomo Puccini, Ferruccio Tagliavini, Orchestra Della Rai di Torino, Arturo Basile
        2:42
      5. Madama Butterfly: "Addio fiorito asil" (Pinkerton, Sharpless)Giacomo Puccini, Ferruccio Tagliavini, Orchestra Della Rai di Torino, Angelo Questa, Giuseppe Taddei
        1:46
      6. Un ballo in maschera: "Di' tu se fedele" (Riccardo, Coro)Giuseppe Verdi, Ferruccio Tagliavini, Orchestra Della Rai di Torino, Angelo Questa, Coro della RAI di Torino
        3:07
      7. Rigoletto: "Ella mi fu rapita" - Aria. "Parmi veder le lagrime" (Duca di Mantova)Giuseppe Verdi, Ferruccio Tagliavini, Orchestra Della Rai di Torino, Angelo Questa
        4:50
      8. Rigoletto: "La donna è mobile" (Duca di Mantova)Giuseppe Verdi, Ferruccio Tagliavini, Orchestra Della Rai di Torino, Angelo Questa
        2:14
      9. Tosca: "E lucevan le stelle" (Mario Cavaradossi)Giacomo Puccini, Ferruccio Tagliavini, Orchestra Della Rai di Torino, Arturo Basile
        2:59
      10. Un ballo in maschera: "Forse la soglia attinse" - Romance. "Ma se m'è forza perderti" (Riccardo)Giuseppe Verdi, Ferruccio Tagliavini, Orchestra Della Rai di Torino, Angelo Questa
        5:04
      11. Un ballo in maschera: "La rivedrà nell'estasi" (Riccardo, Oscar, Coro)Giuseppe Verdi, Ferruccio Tagliavini, Orchestra Della Rai di Torino, Angelo Questa, Coro della RAI di Torino, Maria Erato
        2:00
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      About Ferruccio Tagliavini

      Ferruccio Tagliavini, born in 1913 in the small commune of Cavazzoli near Reggio Emilia, Italy, was an operatic lyric tenor whose career flourished primarily in the 1940s and 1950s. Renowned for the exceptional beauty of his voice, Tagliavini was often hailed as the successor to legendary tenors Tito Schipa and Beniamino Gigli. His performances captivated audiences, particularly in the United States, where he became a favorite at the Metropolitan Opera. Tagliavini's repertoire showcased his remarkable vocal prowess, though his career did not fully sustain the initial promise of his early years. Despite this, his recordings from the period, particularly those made between 1939 and 1954, remain cherished by opera enthusiasts for their idiomatic charm and the sheer beauty of his sound. Tagliavini's legacy endures, celebrated for his contributions to the bel canto tradition and his ability to draw out sustained, glittering threads of melody.

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      Ferruccio Tagliavini

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