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      1. Albums
      2. récital chopin & liszt - jeanne-marie darre

      Récital Chopin & Liszt

      Jeanne-Marie DarreJeanne-Marie Darre
      • 1960
      • 12 tracks
      • 53 min
      • classical piano
      Récital Chopin & Liszt - Jeanne-Marie Darre
      Récital Chopin & Liszt - Jeanne-Marie Darre

      Album Details

      Jeanne-Marie Darre's "Récital Chopin & Liszt" is a captivating journey through the romantic and virtuosic piano works of two of the most celebrated composers in classical music history. Released in 1960 under the BNF Collection label, this album showcases Darre's exceptional skill and sensitivity as she navigates a diverse repertoire spanning approximately 53 minutes.

      The album opens with Chopin's spirited "Tarantella in A-Flat Major, Op. 43," followed by the tender "Berceuse in D-Flat Major, Op. 57." Darre's interpretation of Chopin's music is marked by a delicate balance of technical precision and poetic expression, evident in pieces like the "3 Écossaises, Op. Posth. 72" and the dreamy "3 Nocturnes, Op. 15: No. 1 in F Major, Andante cantabile."

      The second half of the album is dedicated to Liszt's works, highlighting Darre's prowess in handling the composer's demanding and flamboyant style. The "Grandes études de Paganini, S. 141: No. 3 in G-Sharp Minor, La campanella" and the "Études d'exécution transcendante, S. 139: No. 11 in D-Flat Major, Harmonies du soir" are particularly noteworthy, showcasing her ability to tackle Liszt's virtuosic challenges with aplomb.

      Throughout the album, Darre's playing is characterized by a deep understanding of the composers' intentions, coupled with a personal touch that makes each piece uniquely her own. Whether it's the lyrical beauty of Chopin's "Rêves d'amour, S. 541: No. 3 in A-Flat Major, O lieb, so lang du lieben kannst" or the technical brilliance of Liszt's "2 Légendes, S. 175: No. 2, Saint François de Paule, marchant sur les flots," Darre's performance is consistently engaging and insightful. This album is a testament to her artistry and a delightful exploration of the romantic piano repertoire.

      1 januari 19601960 - BNF Collection 20151960 - BNF Collection 2015

      Tracks

      1. Tarantella in A-Flat Major, Op. 43Frédéric Chopin, Jeanne-Marie Darre
        3:09
      2. Berceuse in D-Flat Major, Op. 57Frédéric Chopin, Jeanne-Marie Darre
        4:22
      3. 3 Écossaises, Op. Posth. 72 No. 3: No. 1 in D MajorFrédéric Chopin, Jeanne-Marie Darre
        0:54
      4. 3 Écossaises, Op. Posth. 72 No. 3: No. 2 in G MajorFrédéric Chopin, Jeanne-Marie Darre
        0:40
      5. 3 Écossaises, Op. Posth. 72 No. 3: No. 3 in D-Flat MajorFrédéric Chopin, Jeanne-Marie Darre
        0:33
      6. Fantasie in F Minor, Op. 49Frédéric Chopin, Jeanne-Marie Darre
        12:26
      7. 3 Nocturnes, Op. 15: No. 1 in F Major, Andante cantabileFrédéric Chopin, Jeanne-Marie Darre
        4:23
      8. Grandes études de Paganini, S. 141: No. 3 in G-Sharp Minor, La campanella - From Paganini's Violin Concerto No. 2, Op. 7Franz Liszt, Jeanne-Marie Darre
        4:30
      9. 2 Légendes, S. 175: No. 2, Saint François de Paule, marchant sur les flotsFranz Liszt, Jeanne-Marie Darre
        8:15
      10. Rêves d'amour, S. 541: No. 3 in A-Flat Major, O lieb, so lang du lieben kannstFranz Liszt, Jeanne-Marie Darre
        4:22
      11. Valses oubliées, S. 215: No. 1 in F-Sharp MajorFranz Liszt, Jeanne-Marie Darre
        2:10
      12. Études d'exécution transcendante, S. 139: No. 11 in D-Flat Major, Harmonies du soirFranz Liszt, Jeanne-Marie Darre
        8:02
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      About Jeanne-Marie Darre

      Jeanne-Marie Darré (1905–1999) was a French classical pianist renowned for her lyrical and elegant interpretations of solo piano works. Born in Givet and passing away in Port-Marly, Darré began her musical journey at the age of five, studying with her mother before enrolling at the prestigious Paris Conservatoire under the tutelage of Isidor Philipp and Marguerite Long. Her career took off early, with her first recordings made during a tour of England in 1922, showcasing her extraordinary power and energy even in the acoustic recordings of the time. Darré's performances were often described as vibrant and full of vitality, capturing the essence of the compositions she brought to life. Her recordings, particularly of Saint-Saëns concertos and Liszt, are celebrated for their scintillation and sparkle, offering a glimpse into the passion and technical mastery that defined her artistry.

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      Jeanne-Marie Darre

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