Dive into the avant-garde world of Luigi Nono with his profound and politically charged album, "Quando Stanno Morendo." Released in 2002 by col legno, this collection is a testament to Nono's innovative compositional style and his deep engagement with social and political themes.
The album features a variety of vocal and instrumental pieces, showcasing Nono's mastery of texture, timbre, and electronic sound. The centerpiece is the extended work "Quando Stanno Morendo. Diario Polacco No.2," a series of haunting and powerful compositions for four female voices, bass flute, cello, and live electronics. This work, composed in 1982, is a poignant reflection on the struggles and resilience of the Polish people, with texts curated by Massimo Cacciari and drawn from the works of Endre Ady and Aleksander Blok.
Accompanying this are other significant works like "Canciones para Silvia," "¿dónde estás, hermano?," and "Djamila Boupachà," each exploring different vocal and instrumental configurations to create a rich and varied sonic landscape. The album is performed by the Neue Vocalsolisten Stuttgart, with Manfred Schreier conducting, and features tenor vocals by Bernhard Gärtner and Martin Nagy.
With a duration of just over an hour, "Quando Stanno Morendo" is a compelling exploration of Nono's later works, offering a blend of vocal artistry, electronic experimentation, and deep emotional resonance. Whether you're a longtime fan of avant-garde music or a newcomer looking to explore its boundaries, this album is a captivating journey into the heart of Nono's creative vision.
2008 col legno Beteiligungs- und Produktion GmbH2002 DeutschlandRadio, Musik der Jahrhunderte, col legno Beteiligungs- und Produktion GmbH
Tracks
"Ha venido", Canciones para Silvia (1960) - For soprano solo and 6 ensemble sopranosLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
¿dónde estás, hermano? (1982) - For 4 female voicesLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
Djamila Boupachà (1962) - For solo sopranoLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
Sarà dolce tacere (1960) - For 8 solo voicesLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
Quando Stanno Morendo. Diario Polacco No.2 (1982): I a - For 4 female voices, Bass Flute, violoncello, and live electronicsLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
Quando Stanno Morendo. Diario Polacco No.2 (1982): I b - For 4 female voices, Bass Flute, violoncello, and live electronicsLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
Quando Stanno Morendo. Diario Polacco No.2 (1982): I c - For 4 female voices, Bass Flute, violoncello, and live electronicsLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
Quando Stanno Morendo. Diario Polacco No.2 (1982): II a - For 4 female voices, Bass Flute, violoncello, and live electronicsLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
Quando Stanno Morendo. Diario Polacco No.2 (1982): II b - For 4 female voices, Bass Flute, violoncello, and live electronicsLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
Quando Stanno Morendo. Diario Polacco No.2 (1982): II c - For 4 female voices, Bass Flute, violoncello, and live electronicsLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
Quando Stanno Morendo. Diario Polacco No.2 (1982): III a - For 4 female voices, Bass Flute, violoncello, and live electronicsLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
Quando Stanno Morendo. Diario Polacco No.2 (1982): III b - For 4 female voices, Bass Flute, violoncello, and live electronicsLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
Quando Stanno Morendo. Diario Polacco No.2 (1982): III c - For 4 female voices, Bass Flute, violoncello, and live electronicsLuigi Nono, Neue Vocalsolisten Stuttgart, Manfred Schreier
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