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      1. Albums
      2. pleyel: vol. 6 - die fee urgele - ignaz pleyel

      Pleyel: Vol. 6 - Die Fee Urgele

      Ignaz PleyelIgnaz Pleyel
      • 2011
      • 21 tracks
      • 55 min
      Pleyel: Vol. 6 - Die Fee Urgele - Ignaz Pleyel
      Pleyel: Vol. 6 - Die Fee Urgele - Ignaz Pleyel

      Album Details

      Ignaz Pleyel's "Die Fee Urgele" (La fee Urgele), presented in this captivating release from Ars Produktion, is a delightful journey into the world of 18th-century opera. Composed by the prolific Austrian composer and contemporary of Mozart, this work is a charming fairy-tale opera that showcases Pleyel's musical ingenuity and narrative prowess. The album, released on October 4, 2011, is part of a series dedicated to Pleyel's works, with this being the sixth volume.

      Spanning a concise yet engaging 55 minutes, "Die Fee Urgele" is a two-act opera that tells the story of the fairy Urgele and her interactions with the human world. The opera is rich with arias and ensembles that highlight the vocal agility and emotional depth of the characters. Notable tracks include the lively "Stets geht's durch Berg und Tal" sung by Pedrillo, the tender "Wenn man liebt" performed by Marton, and the enchanting duet "Die Belohnung der zarten Triebe" featuring Fee Urgele, Lisuart, and the chorus.

      Pleyel's compositional style, characterized by its melodic grace and harmonic sophistication, is beautifully captured in this recording. The opera's score is brought to life by a talented ensemble of singers and musicians, each contributing to the overall charm and allure of the work. The album is a testament to Pleyel's enduring legacy and his significant contributions to the operatic repertoire of the classical era.

      Whether you are a seasoned enthusiast of classical music or a newcomer eager to explore the rich tapestry of 18th-century opera, "Die Fee Urgele" offers a captivating and rewarding listening experience. This album is a perfect addition to any music lover's collection, providing a glimpse into the enchanting world of Ignaz Pleyel's musical imagination.

      October 4, 20112011 Ars Produktion2011 Ars Produktion

      Tracks

      1. Die Fee Urgele (La fee Urgele), Ben. 701: SinfoniaIgnaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        6:40
      2. Die Fee Urgele (La fee Urgele), Ben. 701, Act I: Arie: Nein, nein, nein [Marton]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        2:18
      3. Die Fee Urgele (La fee Urgele), Ben. 701, Act I: Arie: O, welch' Vergnugen [Lisuart]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        2:12
      4. Die Fee Urgele (La fee Urgele), Ben. 701, Act I: Arie: Stets geht's durch Berg und Tal [Pedrillo]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        2:29
      5. Die Fee Urgele (La fee Urgele), Ben. 701, Act I: Arie: Recht schöne Blumen verkauf' ich hier [Marton]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        1:57
      6. Die Fee Urgele (La fee Urgele), Ben. 701, Act I: Arie: Wenn man liebt [Marton]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        2:35
      7. Die Fee Urgele (La fee Urgele), Ben. 701, Act I: Arie: Wie wird meine Mutter klagen [Marton]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        1:40
      8. Die Fee Urgele (La fee Urgele), Ben. 701, Act I: Chor: Ach, das Wetter ist gar zu schon [Chorus]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        2:03
      9. Die Fee Urgele (La fee Urgele), Ben. 701, Act I: Arie: Im Schatten dieser Eiche hier [Konigin Bertha]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        3:08
      10. Die Fee Urgele (La fee Urgele), Ben. 701, Act I: Arie: Ach, grosse Monarchin! [Marton]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        3:09
      11. Die Fee Urgele (La fee Urgele), Ben. 701, Act II: Arie: Teufelstier, das ich gesucht [Pedrillo]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        2:04
      12. Die Fee Urgele (La fee Urgele), Ben. 701, Act II: Arie: Soll ich für einen Kuss [Lisuart]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        3:36
      13. Die Fee Urgele (La fee Urgele), Ben. 701, Act II: Arie: Was reizt der Schönen Sinne? [Pedrillo]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        1:50
      14. Die Fee Urgele (La fee Urgele), Ben. 701, Act II: Duett: Was wollet Ihr? [Lisuart, Alten]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        0:59
      15. Die Fee Urgele (La fee Urgele), Ben. 701, Act III: Arie: Um das einzige Mittel zu nennen [Lisuart]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        0:49
      16. Die Fee Urgele (La fee Urgele), Ben. 701, Act III: Arie: Sachte, sachte mein Herr nicht so geschwind! [Alten]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        1:24
      17. Die Fee Urgele (La fee Urgele), Ben. 701, Act III: Arie: Habt ihr nicht meinen Freund geseh'n? [Alten]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        6:31
      18. Die Fee Urgele (La fee Urgele), Ben. 701, Act IV: Arie: Lasst uns hier allein zusammen speisen [Alten]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        1:27
      19. Die Fee Urgele (La fee Urgele), Ben. 701, Act IV: Arie: Daran kennt man den rechten Ritter [Pedrillo]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        2:13
      20. Die Fee Urgele (La fee Urgele), Ben. 701, Act IV: Arie: Geliebter, sei begluckt mit mir! [Fee Urgele]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        3:11
      21. Die Fee Urgele (La fee Urgele), Ben. 701, Act IV: Duett: Die Belohnung der zarten Triebe [Fee Urgele, Lisuart, Chorus]Ignaz Pleyel, Ana Durlovski, Esther Choi, Garrie Davislim, Moritz Gogg, Chorvereinigung Schola Cantorum, Camerata Pro Musica Chamber Orchestra, Paul Weigold
        3:01
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      About Ignaz Pleyel

      Ignaz Joseph Pleyel, born in Ruppersthal, Austria, in 1757, was a prolific and highly regarded composer, music publisher, and piano builder of the Classical period. Recognized as one of the most popular composers in Europe during his time, Pleyel's musical journey took him from his early education in Austria to France, where he spent the majority of his life. His compositions, particularly his string quartets, of which he wrote between 60 and 70, showcased his cosmopolitan influences and musical prowess. Pleyel's legacy extends beyond his compositions, as he also made significant contributions to the music industry through his publishing and piano manufacturing ventures. His impact on the musical landscape of his era is undeniable, making him a key figure in the Classical period.

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      Ignaz Pleyel

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