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      1. Albums
      2. pierne: ramuntcho, suites 1 & 2 / piano concerto, op. 12 - gabriel pierné

      Pierne: Ramuntcho, Suites 1 & 2 / Piano Concerto, Op. 12

      Gabriel PiernéGabriel Pierné
      • 1988
      • 10 tracks
      • 57 min
      • chamber music
      Pierne: Ramuntcho, Suites 1 & 2 / Piano Concerto, Op. 12 - Gabriel Pierné
      Pierne: Ramuntcho, Suites 1 & 2 / Piano Concerto, Op. 12 - Gabriel Pierné

      Album Details

      Immerse yourself in the enchanting world of Gabriel Pierné's "Ramuntcho, Suites 1 & 2 / Piano Concerto, Op. 12," a captivating journey through the realms of chamber music and neoclassical compositions. Released on January 1, 1988, under the BIS label, this album is a testament to Pierné's mastery and his ability to weave intricate melodies that resonate with both depth and elegance.

      The album spans a concise yet impactful 57 minutes, featuring a collection of tracks that showcase Pierné's versatility and artistic prowess. From the opening "Ouverture" to the final "Allegro un poco agitato," each piece is a meticulously crafted gem that invites you to explore the nuances of his musical genius. The suites, with their evocative titles like "Le Jardin de Gracieuse" and "La chambre de Franchita," paint vivid scenes that transport you to the heart of Pierné's imaginative landscape.

      The "Piano Concerto, Op. 12," adds a dynamic layer to the album, highlighting Pierné's ability to blend orchestral grandeur with intimate, expressive solo performances. The "Rapsodie Basque" and "Fandango" tracks infuse a lively, rhythmic energy, while "Le Couvent" and "La Cidrerie" offer a more contemplative, introspective mood.

      Gabriel Pierné's "Ramuntcho, Suites 1 & 2 / Piano Concerto, Op. 12" is not just an album; it's an experience that encapsulates the essence of neoclassical and chamber music, offering a rich tapestry of sounds that will captivate and inspire. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this album promises a rewarding and enriching listening experience.

      1 januari 19881988 BIS1988 BIS Records, a division of Platoon Ltd

      Tracks

      1. OuvertureGabriel Pierné, Lorraine Philharmonic Orchestra, Jacques Houtmann
        9:03
      2. Le Jardin de GracieuseGabriel Pierné, Lorraine Philharmonic Orchestra, Jacques Houtmann
        4:21
      3. La chambre de FranchitaGabriel Pierné, Lorraine Philharmonic Orchestra, Jacques Houtmann
        4:06
      4. FandangoGabriel Pierné, Lorraine Philharmonic Orchestra, Jacques Houtmann
        2:28
      5. La CidrerieGabriel Pierné, Lorraine Philharmonic Orchestra, Jacques Houtmann
        1:45
      6. Le CouventGabriel Pierné, Lorraine Philharmonic Orchestra, Jacques Houtmann
        3:54
      7. Rapsodie BasqueGabriel Pierné, Lorraine Philharmonic Orchestra, Jacques Houtmann
        10:11
      8. Allegro (Maestoso - Allegro deciso)Gabriel Pierné, Dag Achatz, Lorraine Philharmonic Orchestra, Jacques Houtmann
        8:45
      9. Scherzando (Allegro scherzando)Gabriel Pierné, Dag Achatz, Lorraine Philharmonic Orchestra, Jacques Houtmann
        4:43
      10. Final (Allegro un poco agitato)Gabriel Pierné, Dag Achatz, Lorraine Philharmonic Orchestra, Jacques Houtmann
        8:08
      PLAY ON SPOTIFY

      About Gabriel Pierné

      Gabriel Pierné, born in 1863 in Metz, France, was a multifaceted musician whose contributions spanned composition, conducting, piano, and organ performance. After his family relocated to Paris following the Franco-Prussian War, Pierné studied at the prestigious Paris Conservatoire, where he excelled in solfège, piano, organ, counterpoint, and fugue, earning top honors in each. His talent was further recognized when he won the prestigious Prix de Rome in 1882 with his cantata "Edith." Pierné's teachers included notable figures such as Antoine François Marmontel, Albert Lavignac, Émile Durand, and the renowned César Franck.

      Throughout his career, Pierné blended Romanticism and neoclassical elements in his compositions, creating a unique musical style that reflected his seriousness of purpose and technical mastery. He was not just a composer but also a distinguished conductor, known for his interpretations of Berlioz and his own works. Pierné succeeded César Franck as the organist at the Basilica of Sainte-Clotilde in Paris, further cementing his legacy as one of the most complete French musicians of the late Romantic and early 20th-century era. His repertoire includes a diverse range of pieces, from chamber music to orchestral works, showcasing his versatility and depth as an artist. Pierné's influence and contributions to French music continue to be celebrated, making him a pivotal figure in the musical landscape of his time.

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      Gabriel Pierné

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