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      1. Albums
      2. pierne, g.: impressions de music-hall suite / izeyl suite / fantaisie basque sur des themes populaires basques espagnols / divertissement - gabriel pierné

      Pierne, G.: Impressions De Music-Hall Suite / Izeyl Suite / Fantaisie Basque Sur Des Themes Populaires Basques Espagnols / Divertissement

      Gabriel PiernéGabriel Pierné
      • 2005
      • 11 tracks
      • 52 min
      • chamber music
      Pierne, G.: Impressions De Music-Hall Suite / Izeyl Suite / Fantaisie Basque Sur Des Themes Populaires Basques Espagnols / Divertissement - Gabriel Pierné
      Pierne, G.: Impressions De Music-Hall Suite / Izeyl Suite / Fantaisie Basque Sur Des Themes Populaires Basques Espagnols / Divertissement - Gabriel Pierné

      Album Details

      Immerse yourself in the enchanting world of Gabriel Pierné's chamber music with this captivating collection of works. Released in 2005 under the Timpani label, this album showcases Pierné's neoclassical compositions, offering a delightful blend of elegance and charm. The album opens with the lively "Impressions de music-hall Suite," a five-movement piece that captures the vibrant atmosphere of a Parisian music hall, complete with whimsical characters and lively dances. Following this, the "Izeyl Suite" transports you to a royal court with its graceful and refined melodies, evoking images of kings and princesses. The "Fantaisie basque sur des themes populaires basques espagnols" adds a touch of Spanish flair, while the "Divertissement sur un theme pastoral" concludes the album on a serene and pastoral note. With a total runtime of 52 minutes, this album is a perfect introduction to Pierné's enchanting musical world, filled with rich harmonies and vivid imagery.

      1 januari 20052005 Timpani2005 Timpani

      Tracks

      1. Impressions de music-hall Suite: I. RideauGabriel Pierné, Luxembourg Philharmonic Orchestra, Bramwell Tovey
        0:43
      2. Impressions de music-hall Suite: II. Chorus girls, "French blues"Gabriel Pierné, Luxembourg Philharmonic Orchestra, Bramwell Tovey
        4:22
      3. Impressions de music-hall Suite: III. L'Excentrique, "Little Tich"Gabriel Pierné, Luxembourg Philharmonic Orchestra, Bramwell Tovey
        3:29
      4. Impressions de music-hall Suite: IV. Le numero espagnolGabriel Pierné, Luxembourg Philharmonic Orchestra, Bramwell Tovey
        2:56
      5. Impressions de music-hall Suite: V. Clowns musicaux, "Les Fratellin"Gabriel Pierné, Luxembourg Philharmonic Orchestra, Bramwell Tovey
        6:40
      6. Fantaisie basque sur des themes populaires basques espagnolsGabriel Pierné, Philippe Koch, Luxembourg Philharmonic Orchestra, Bramwell Tovey
        12:15
      7. Izeyl Suite: I. Entree du RoiGabriel Pierné, Luxembourg Philharmonic Orchestra, Bramwell Tovey
        2:55
      8. Izeyl Suite: II. Entree des princessesGabriel Pierné, Luxembourg Philharmonic Orchestra, Bramwell Tovey
        1:27
      9. Izeyl Suite: III. Introduction et LamentoGabriel Pierné, Luxembourg Philharmonic Orchestra, Bramwell Tovey
        1:39
      10. Izeyl Suite: III. Serenade a IzeylGabriel Pierné, Luxembourg Philharmonic Orchestra, Bramwell Tovey
        3:57
      11. Divertissement sur un theme pastoral, Op. 49Gabriel Pierné, Luxembourg Philharmonic Orchestra, Bramwell Tovey
        12:10
      PLAY ON SPOTIFY

      About Gabriel Pierné

      Gabriel Pierné, born in 1863 in Metz, France, was a multifaceted musician whose contributions spanned composition, conducting, piano, and organ performance. After his family relocated to Paris following the Franco-Prussian War, Pierné studied at the prestigious Paris Conservatoire, where he excelled in solfège, piano, organ, counterpoint, and fugue, earning top honors in each. His talent was further recognized when he won the prestigious Prix de Rome in 1882 with his cantata "Edith." Pierné's teachers included notable figures such as Antoine François Marmontel, Albert Lavignac, Émile Durand, and the renowned César Franck.

      Throughout his career, Pierné blended Romanticism and neoclassical elements in his compositions, creating a unique musical style that reflected his seriousness of purpose and technical mastery. He was not just a composer but also a distinguished conductor, known for his interpretations of Berlioz and his own works. Pierné succeeded César Franck as the organist at the Basilica of Sainte-Clotilde in Paris, further cementing his legacy as one of the most complete French musicians of the late Romantic and early 20th-century era. His repertoire includes a diverse range of pieces, from chamber music to orchestral works, showcasing his versatility and depth as an artist. Pierné's influence and contributions to French music continue to be celebrated, making him a pivotal figure in the musical landscape of his time.

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      Gabriel Pierné