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      1. Albums
      2. pfitzner: palestrina, woo 17 - hans pfitzner

      Pfitzner: Palestrina, WoO 17

      Hans PfitznerHans Pfitzner
      • 2016
      • 21 tracks
      • 3 uur, 20 min
      Pfitzner: Palestrina, WoO 17 - Hans Pfitzner
      Pfitzner: Palestrina, WoO 17 - Hans Pfitzner

      Album Details

      Immerse yourself in the captivating world of Hans Pfitzner's "Palestrina, WoO 17," a monumental opera that showcases the composer's post-Romantic style and anti-modernist sensibilities. This live recording, released on January 1, 2016, by Orfeo, captures the essence of Pfitzner's masterpiece, performed by the renowned Bavarian Radio Symphony Orchestra under the baton of Wolfgang Sawallisch.

      Spanning three hours and twenty minutes, this three-act opera is a testament to Pfitzner's musical prowess and his deep appreciation for the past. The story revolves around the legendary composer Giovanni Pierluigi da Palestrina, who is said to have saved polyphonic music from suppression by the Council of Trent. Through its rich orchestration and powerful vocal lines, "Palestrina, WoO 17" offers a glimpse into the struggles and triumphs of an artist navigating the complexities of his time.

      The album features a series of preludes and arias that highlight the opera's dramatic intensity and emotional depth. From the hauntingly beautiful "Schönste, ungnad'ge Dame" to the triumphant "Evviva Palestrina! Evviva der Retter der Musik," each track is a testament to Pfitzner's ability to craft compelling narratives through music.

      Hans Pfitzner, a German composer, conductor, and polemicist, was known for his conservative views and his dedication to preserving traditional musical values. His work on "Palestrina" reflects his belief in the enduring power of music and its ability to transcend the boundaries of time and culture.

      Whether you're a seasoned opera enthusiast or a newcomer to the genre, "Palestrina, WoO 17" offers a rich and rewarding listening experience. This album is a must-listen for anyone interested in the intersection of history, music, and drama.

      1 januari 20162016 Orfeo2016 Orfeo

      Tracks

      1. Palestrina, WoO 17: Prelude (Live)Hans Pfitzner, Bavarian State Orchestra, Joseph Keilberth
        5:19
      2. Palestrina, WoO 17, Act I: Schönste, ungnad' ge Dame (Live)Hans Pfitzner, Hanny Steffek, Ingeborg Bremert, Bavarian State Orchestra, Joseph Keilberth
        12:33
      3. Palestrina, WoO 17, Act I: Ich wusste wohl, du wurdest also reden (Live)Hans Pfitzner, Hanny Steffek, Bavarian State Orchestra, Joseph Keilberth
        7:03
      4. Palestrina, WoO 17, Act I: Lass jetzt das Lied der Welt (Live)Hans Pfitzner, Ingeborg Bremert, Hanny Steffek, Richard Holm, Hans Hotter, Bavarian State Orchestra, Joseph Keilberth
        10:53
      5. Palestrina, WoO 17, Act I: Es drohet nicht von eitlen Dilettanten (Live)Hans Pfitzner, Hans Hotter, Bavarian State Orchestra, Joseph Keilberth
        12:41
      6. Palestrina, WoO 17, Act I: Wie schön ist, was ihr sagt! (Live)Hans Pfitzner, Richard Holm, Hans Hotter, Bavarian State Orchestra, Joseph Keilberth
        8:29
      7. Palestrina, WoO 17, Act I: Der letzte Freund - Für ihn, sein Wesen will's (Live)Hans Pfitzner, Richard Holm, Bavarian State Orchestra, Joseph Keilberth
        15:40
      8. Palestrina, WoO 17, Act I: Nicht ich - schwach bin ich (Live)Hans Pfitzner, Richard Holm, Dagmar Naaff, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Joseph Keilberth
        12:55
      9. Palestrina, WoO 17, Act I: Allein in dunkler Tiefe (Live)Hans Pfitzner, Richard Holm, Dagmar Naaff, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Joseph Keilberth
        9:56
      10. Palestrina, WoO 17, Act I: Ighino, sieh doch, komm herein (Live)Hans Pfitzner, Hanny Steffek, Ingeborg Bremert, Bavarian State Orchestra, Joseph Keilberth
        3:26
      11. Palestrina, WoO 17, Act II: Prelude (Live)Hans Pfitzner, Bavarian State Orchestra, Joseph Keilberth
        5:39
      12. Palestrina, WoO 17, Act II: Noch eine Bank! Und schnell! (Live)Hans Pfitzner, Karl Christian Kohn, Fritz Uhl, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Joseph Keilberth
        8:20
      13. Palestrina, WoO 17, Act II: Ein liebreich würd’ger Herr (Live)Hans Pfitzner, Hans Hotter, Fritz Uhl, Bavarian State Orchestra, Joseph Keilberth
        12:34
      14. Palestrina, WoO 17, Act II: Zahlreich wird heut' die heilige Versammlung (Live)Hans Pfitzner, Kurt Böhme, Max Proebstl, Fritz Uhl, Walther Carnuth, Karl Christian Kohn, Bavarian State Orchestra, Joseph Keilberth
        16:58
      15. Palestrina, WoO 17, Act II: Den Heil'gen Geist (Live)Hans Pfitzner, Heinz Imdahl, Karl Christian Kohn, Kurt Böhme, Fritz Uhl, Hans Hotter, Bavarian State Orchestra, Joseph Keilberth
        15:55
      16. Palestrina, WoO 17, Act II: Frieden ist nicht mehr unter den Volkern (Live)Hans Pfitzner, Heinz Imdahl, Karl Christian Kohn, Kurt Böhme, Fritz Uhl, Hans Hotter, Bavarian State Orchestra, Joseph Keilberth
        6:13
      17. Palestrina, WoO 17, Act II: Was nun! Was nun! (Live)Hans Pfitzner, Heinz Imdahl, Fritz Uhl, Max Proebstl, Kurt Böhme, Friedrich Lenz, Bavarian State Orchestra, Joseph Keilberth
        5:31
      18. Palestrina, WoO 17, Act III: Prelude (Live)Hans Pfitzner, Bavarian State Orchestra, Joseph Keilberth
        5:21
      19. Palestrina, WoO 17, Act III: Wie lange sie bleiben (Live)Hans Pfitzner, Richard Holm, Hanny Steffek, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Joseph Keilberth
        7:59
      20. Palestrina, WoO 17, Act III: Evviva Palestrina! Evviva der Retter der Musik (Live)Hans Pfitzner, Mino Yahia, Hans Hotter, Richard Holm, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Joseph Keilberth
        8:46
      21. Palestrina, WoO 17, Act III: O Vater, wirst du nun auch wieder froh? (Live)Hans Pfitzner, Hanny Steffek, Richard Holm, Bavarian State Orchestra, Joseph Keilberth
        8:22
      PLAY ON SPOTIFY

      About Hans Pfitzner

      Hans Pfitzner, a German composer born in Moscow in 1869, was a staunch defender of traditional German music and culture, positioning himself as an anti-modernist throughout his career. His most renowned work, the post-Romantic opera "Palestrina," showcases his commitment to upholding traditional ideals well into the 20th century. Pfitzner's contributions to the orchestral and chamber music repertoire are also notable, including concertos for violin, piano, and cello, a symphony, and three string quartets. His first stage work, "Arme Heinrich," premiered in Mainz, and his career took him through teaching and conducting roles in Berlin before settling in Munich in 1906. Pfitzner's music offers a rich, romantic journey through the heart of German musical tradition.

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