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      1. Albums
      2. pergolesi: septem verba a christo - giovanni battista pergolesi

      Pergolesi: Septem verba a Christo

      Giovanni Battista PergolesiGiovanni Battista Pergolesi
      • 2013
      • 19 tracks
      • 1 uur, 20 min
      • choral
      Pergolesi: Septem verba a Christo - Giovanni Battista Pergolesi
      Pergolesi: Septem verba a Christo - Giovanni Battista Pergolesi

      Album Details

      Immerse yourself in the profound and sacred vocal music of Giovanni Battista Pergolesi with his masterful work, "Septem verba a Christo in cruce moriente prolata." This album, released on March 25, 2013, under the esteemed Harmonia Mundi label, is a captivating exploration of the Seven Last Words of Christ on the Cross. The album spans a duration of 1 hour and 20 minutes, offering a rich and immersive experience for classical music enthusiasts.

      Composed by the renowned Italian Baroque composer Giovanni Battista Pergolesi, this album features a stunning array of choral and vocal performances that bring to life the poignant and reflective words spoken by Christ during his crucifixion. The tracklist is meticulously crafted, with each piece delving into the profound significance of Christ's final utterances. From the recitatives and arias that capture the raw intensity of the moment to the harmonious choral arrangements that evoke a sense of solemnity and reverence, every track is a testament to Pergolesi's genius.

      The album showcases the talents of an exceptional ensemble, including the Akademie für Alte Musik Berlin and the renowned conductor René Jacobs. The performances are marked by their precision, passion, and deep understanding of the Baroque style, making this recording a standout in the genre. The vocalists, including soprano Sophie Karthäuser, countertenor Christophe Dumaux, and tenor Julien Behr, deliver powerful and nuanced performances that bring the sacred text to life.

      "Septem verba a Christo in cruce moriente prolata" is not just a collection of songs; it is a deeply spiritual and artistic journey through one of the most significant moments in Christian history. The album's historical significance is further underscored by its concert premiere at the Beaune Festival in July 2012, just days before it was recorded. This work, rediscovered nearly a century ago, continues to resonate with audiences today, offering a timeless exploration of faith, suffering, and redemption.

      Whether you are a seasoned classical music aficionado or someone seeking a deeper connection with sacred vocal music, this album is sure to captivate and inspire. The blend of historical context, artistic excellence, and spiritual depth makes "Septem verba a Christo in cruce moriente prolata" a truly unforgettable listening experience.

      March 25, 20132013 harmonia mundi2013 harmonia mundi

      Tracks

      1. Septem verba a Christo in cruce moriente prolata, Verbum I. "Pater, dimitte illis: non enim sciunt qui faciunt" (Luke 23:34): Recitativo "Huc, o dilecti filii" (Christus)Giovanni Battista Pergolesi, Konstantin Wolff, Akademie für Alte Musik Berlin, René Jacobs
        1:57
      2. Septem verba a Christo in cruce moriente prolata, Verbum I. "Pater, dimitte illis: non enim sciunt qui faciunt" (Luke 23:34): Aria "En doceo diligere"Giovanni Battista Pergolesi, Konstantin Wolff, Akademie für Alte Musik Berlin, René Jacobs
        4:38
      3. Septem verba a Christo in cruce moriente prolata, Verbum I. "Pater, dimitte illis: non enim sciunt qui faciunt" (Luke 23:34): Aria "Quod iubes, magne Domine" (Anima)Giovanni Battista Pergolesi, Chrsitophe Dumaux, Akademie für Alte Musik Berlin, René Jacobs
        4:02
      4. Septem verba a Christo in cruce moriente prolata, Verbum II. "Amen dico tibI. hodie mecum eris in Paradiso" (Luke 25:43): Recitativo "Venite, currite" (Christus)Giovanni Battista Pergolesi, Julien Behr, Akademie für Alte Musik Berlin, René Jacobs
        0:55
      5. Septem verba a Christo in cruce moriente prolata, Verbum II. "Amen dico tibI. hodie mecum eris in Paradiso" (Luke 25:43): Aria "Latronem hunc aspicite"Giovanni Battista Pergolesi, Julien Behr, Akademie für Alte Musik Berlin, René Jacobs
        4:23
      6. Septem verba a Christo in cruce moriente prolata, Verbum II. "Amen dico tibI. hodie mecum eris in Paradiso" (Luke 25:43): Aria: "Ah! peccatoris supplicis" (Anima)Giovanni Battista Pergolesi, Sophie Karthäuser, Akademie für Alte Musik Berlin, René Jacobs
        5:04
      7. Septem verba a Christo in cruce moriente prolata, Verbum III. "Mulier ecce filius tuus" (John 19:26): Recitativo "Quo me, amor?" (Christus)Giovanni Battista Pergolesi, Konstantin Wolff, Akademie für Alte Musik Berlin, René Jacobs
        2:01
      8. Septem verba a Christo in cruce moriente prolata, Verbum III. "Mulier ecce filius tuus" (John 19:26): Aria "Dilecta Genitrix"Giovanni Battista Pergolesi, Konstantin Wolff, Akademie für Alte Musik Berlin, René Jacobs
        3:35
      9. Septem verba a Christo in cruce moriente prolata, Verbum III. "Mulier ecce filius tuus" (John 19:26): Recitativo "Servator optime" (Anima)Giovanni Battista Pergolesi, Sophie Karthäuser, Akademie für Alte Musik Berlin, René Jacobs
        1:18
      10. Septem verba a Christo in cruce moriente prolata, Verbum III. "Mulier ecce filius tuus" (John 19:26): Aria "Quod iubes, magne Domine"Giovanni Battista Pergolesi, Sophie Karthäuser, Akademie für Alte Musik Berlin, René Jacobs
        6:05
      11. Septem verba a Christo in cruce moriente prolata, Verbum IV. "Deus meus, "Deus meus, ut quid dereliquisti me?" (Mark 15:34): Aria "Huc oculos" (Christus)Giovanni Battista Pergolesi, Konstantin Wolff, Akademie für Alte Musik Berlin, René Jacobs
        5:57
      12. Septem verba a Christo in cruce moriente prolata, Verbum IV. "Deus meus, "Deus meus, ut quid dereliquisti me?" (Mark 15:34): Aria "Afflicte, derelicte"Giovanni Battista Pergolesi, Chrsitophe Dumaux, Akademie für Alte Musik Berlin, René Jacobs
        5:40
      13. Septem verba a Christo in cruce moriente prolata, Verbum V. "Sitio" (John 19:28): Aria "O vos omnes, qui transitis" (Christus)Giovanni Battista Pergolesi, Konstantin Wolff, Akademie für Alte Musik Berlin, René Jacobs
        5:19
      14. Septem verba a Christo in cruce moriente prolata, Verbum V. "Sitio" (John 19:28): Aria "Non nectar, non vinum, non undas"Giovanni Battista Pergolesi, Julien Behr, Akademie für Alte Musik Berlin, René Jacobs
        4:13
      15. Septem verba a Christo in cruce moriente prolata, Verbum VI. "Consummatum est" (John 19:29): Aria "Huc advolate mortales" (Christus)Giovanni Battista Pergolesi, Konstantin Wolff, Akademie für Alte Musik Berlin, René Jacobs
        6:09
      16. Septem verba a Christo in cruce moriente prolata, Verbum VI. "Consummatum est" (John 19:29): Aria "Sic consummasti omnia"Giovanni Battista Pergolesi, Sophie Karthäuser, Akademie für Alte Musik Berlin, René Jacobs
        5:35
      17. Septem verba a Christo in cruce moriente prolata, Verbum VII. "Pater, inmanus tuas commendo spiritum meum" (Luke 23:44-46): Recitativo "Quotquot coram cruce statis" (Christus)Giovanni Battista Pergolesi, Konstantin Wolff, Akademie für Alte Musik Berlin, René Jacobs
        1:36
      18. Septem verba a Christo in cruce moriente prolata, Verbum VII. "Pater, inmanus tuas commendo spiritum meum" (Luke 23:44-46): Aria "In tuum, Pater, gremium"Giovanni Battista Pergolesi, Konstantin Wolff, Akademie für Alte Musik Berlin, René Jacobs
        5:33
      19. Septem verba a Christo in cruce moriente prolata, Verbum VII. "Pater, inmanus tuas commendo spiritum meum" (Luke 23:44-46): Aria "Quid ultra peto vivere" (Anima)Giovanni Battista Pergolesi, Julien Behr, Akademie für Alte Musik Berlin, René Jacobs
        6:25
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      About Giovanni Battista Pergolesi

      Giovanni Battista Pergolesi, born in 1710, was a prodigious Italian Baroque composer, violinist, and organist whose brief life left an indelible mark on the musical world. Despite passing away at the tender age of 26, Pergolesi's compositions continue to captivate audiences centuries later. He is renowned for his contributions to both sacred and comic opera, with works like the "Stabat Mater" and "La serva padrona" standing as testaments to his genius. Pergolesi's music played a pivotal role in the Querelle des Bouffons, a significant cultural debate in 18th-century France, and his influence can be heard in the works of composers like Johann Sebastian Bach. His ability to evoke deep emotions and his innovative approach to composition make Pergolesi a pivotal figure in the Baroque era, ensuring his legacy endures in the hearts of classical music enthusiasts worldwide.

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