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      1. Albums
      2. peñalosa: the complete motets - francisco de peñalosa

      Peñalosa: The Complete Motets

      Francisco de PeñalosaFrancisco de Peñalosa
      • 1992
      • 22 tracks
      • 1 uur, 7 min
      Peñalosa: The Complete Motets - Francisco de Peñalosa
      Peñalosa: The Complete Motets - Francisco de Peñalosa

      Album Details

      Immerse yourself in the rich tapestry of Renaissance polyphony with Francisco de Peñalosa's "The Complete Motets." Released in 1992 by Hyperion, this album is a testament to the enduring beauty of sacred choral music from the Spanish Renaissance. Comprising 22 tracks, the album spans a little over an hour, offering a comprehensive journey through Peñalosa's motet compositions.

      Performed by the renowned Pro Cantione Antiqua under the direction of Bruno Turner, the album showcases the intricate and devotional works of Francisco de Peñalosa, a prominent figure in the Renaissance musical landscape. The motets, characterized by their complex polyphony and profound spiritual depth, are drawn from sacred texts, reflecting the religious fervor of the time.

      This recording, made in October 1991, captures the essence of Peñalosa's musical genius, providing a glimpse into the sacred and secular life of 16th-century Spain. The album is a must-listen for enthusiasts of Renaissance music, offering a serene and contemplative experience that highlights the timeless appeal of Peñalosa's compositions.

      May 1, 1992© 1992 Hyperion Records Limited℗ 1992 Hyperion Records Limited

      Tracks

      1. Inter vestibulum et altareFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        2:37
      2. Tribularer, si nesciremFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        3:05
      3. Ne reminiscaris, DomineFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        2:06
      4. Versa est in luctumFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        3:03
      5. Domine, secundum actum meumFrancisco de Peñalosa, Pro Cantione Antiqua, Bruno Turner
        2:31
      6. Adoro te, Domine Jesu ChristeFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        2:15
      7. Ave verum corpusFrancisco de Peñalosa, Pro Cantione Antiqua, Bruno Turner
        2:48
      8. Nigra sum, sed formosaFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        2:46
      9. Sancta MariaFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        2:40
      10. Unica est columba meaFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        2:34
      11. Ave, vera caro ChristiFrancisco de Peñalosa, Pro Cantione Antiqua, Bruno Turner
        3:29
      12. Ave, vere sanguis DominiFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        2:40
      13. In passione positusFrancisco de Peñalosa, Pro Cantione Antiqua, Bruno Turner
        3:38
      14. Precor te, Domine Jesu ChristeFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        3:48
      15. Pater nosterFrancisco de Peñalosa, Pro Cantione Antiqua, Bruno Turner
        3:16
      16. Ave Regina caelorumFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        4:14
      17. Sancta mater istud agasFrancisco de Peñalosa, Pro Cantione Antiqua, Bruno Turner
        3:04
      18. O Domina sanctissimaFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        4:01
      19. Emendemus in meliusFrancisco de Peñalosa, Pro Cantione Antiqua, Bruno Turner
        2:43
      20. Deus, qui manus tuasFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        4:22
      21. Domine Jesu Christe, qui neminemFrancisco de Peñalosa, Pro Cantione Antiqua, Bruno Turner
        2:53
      22. Transeunte Domino JesuFrancisco de Peñalosa, Bruno Turner, Pro Cantione Antiqua
        3:09
      PLAY ON SPOTIFY

      About Francisco de Peñalosa

      Francisco de Peñalosa, born around 1470 in Talavera de la Reina, near Madrid, was a prominent Spanish composer of the mid-Renaissance period. Often hailed as the Spanish counterpart to the renowned Josquin des Prez, Peñalosa's music is celebrated for its intricate polyphony and emotional depth. He began his musical career in the Aragonese chapel in 1498, serving until the death of King Ferdinand in 1516, after which he joined the papal chapel. His compositions, including motets and masses, are known for their technical mastery and expressive power, making him a key figure in the development of Renaissance music. Peñalosa's legacy endures through his recorded works, which continue to captivate audiences with their timeless beauty and craftsmanship.

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