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      1. Albums
      2. peaceful spanish guitar - agustín barrios mangoré

      Peaceful Spanish Guitar

      Agustín Barrios MangoréAgustín Barrios Mangoré
      • 2025
      • 37 tracks
      • 1 uur, 59 min
      Peaceful Spanish Guitar - Agustín Barrios Mangoré
      Peaceful Spanish Guitar - Agustín Barrios Mangoré

      Album Details

      Immerse yourself in the enchanting world of classical guitar with Agustín Barrios Mangoré's "Peaceful Spanish Guitar." This album, set to release on May 26, 2025, under the UME - Global Clearing House label, is a testament to the virtuoso skills and rich cultural heritage of the Paraguayan guitarist and composer. Spanning nearly two hours, this collection of 39 tracks is a journey through the vibrant and diverse sounds of Spanish and South American music.

      Barrios Mangoré, known for his folk-influenced compositions, masterfully blends traditional Spanish themes with his unique South American perspective. The album features a mix of original works and arrangements, showcasing the composer's versatility and depth. From the lively "Alegrias" and "Zapateado" to the serene "Minueto a Sylvia" and "Romance," each piece is a testament to Barrios Mangoré's ability to evoke a wide range of emotions and atmospheres.

      Highlights include the intricate "Suite Andaluza" and "Suite Espagnole," which showcase the composer's skill in weaving together complex melodies and rhythms. The album also features some of Barrios Mangoré's most beloved pieces, such as "La Catedral" and "Julia Florida," which have become staples of the classical guitar repertoire.

      Whether you're a seasoned classical guitar enthusiast or a newcomer to the genre, "Peaceful Spanish Guitar" offers a captivating exploration of one of the 20th century's most influential musicians. With its rich cultural tapestry and technical brilliance, this album is a must-listen for anyone seeking to experience the best of classical guitar music.

      May 26, 2025© 2025 UMG Recordings, Inc.℗ 2025 UMG Recordings, Inc.

      Tracks

      1. Suite Andaluza: II. AlegriasCeledonio Romero, Angel Romero
        3:49
      2. Suite Andaluza: V. FantasiaCeledonio Romero, Angel Romero
        3:22
      3. Three Pieces: No. 1, Choro da Saudade (Arr. A. Romero)Agustín Barrios Mangoré, Angel Romero
        4:41
      4. CubaIsaac Albéniz, David Russell
        4:57
      5. Zambra GranadinaIsaac Albéniz, David Russell
        4:43
      6. CataluñaIsaac Albéniz, David Russell
        4:10
      7. Suite Espagnole: VII. Rujero y Paradetas (Arr. A. Romero)Gaspar Sanz, Angel Romero
        1:14
      8. Capricho CatalánIsaac Albéniz, David Russell
        4:11
      9. CádizIsaac Albéniz, David Russell
        4:15
      10. Three Pieces: No. 3, Aire de Zamba (Arr. A. Romero)Agustín Barrios Mangoré, Angel Romero
        2:30
      11. Three Pieces: No. 2, Un Sueño en la Floresta (Arr. A. Romero)Agustín Barrios Mangoré, Angel Romero
        6:51
      12. Rumores de la CaletaIsaac Albéniz, David Russell
        3:20
      13. Suite Espagnole: XIII. Canario (Arr. A. Romero)Gaspar Sanz, Angel Romero
        2:29
      14. Suite Espagnole: IV. Gallarda (Arr. A. Romero)Gaspar Sanz, Angel Romero
        0:54
      15. CórdobaIsaac Albéniz, David Russell
        6:06
      16. Suite Española No. 1, Op. 47: V. Leyenda (Asturias) [Arr. A. Romero]Isaac Albéniz, Angel Romero
        6:21
      17. Suite Espagnole: IX. Clarines y Trompetas (Arr. A. Romero)Gaspar Sanz, Angel Romero
        1:58
      18. TangoIsaac Albéniz, David Russell
        2:41
      19. GranadaIsaac Albéniz, David Russell
        5:02
      20. Torre BermejaIsaac Albéniz, David Russell
        4:27
      21. Romance (Arr. A. Romero)Anonymous, Angel Romero
        4:21
      22. Minueto a SylviaIsaac Albéniz, David Russell
        4:12
      23. Suite Espagnole: X. La Cavaleria de Napoles (Arr. A. Romero)Gaspar Sanz, Angel Romero
        1:41
      24. Suite Espagnole: I. Prologo (Arr. A. Romero)Gaspar Sanz, Angel Romero
        1:52
      25. Suite Espagnole: II. Villanos (Arr. A. Romero)Gaspar Sanz, Angel Romero
        0:52
      26. Suite Espagnole: XI. Torneo (Arr. A. Romero)Gaspar Sanz, Angel Romero
        0:47
      27. Suite Espagnole: VI. Españoleta (Arr. A. Romero)Gaspar Sanz, Angel Romero
        2:05
      28. Suite Espagnole: VIII. Danza de las Hachas (Arr. A. Romero)Gaspar Sanz, Angel Romero
        1:29
      29. Suite Andaluza: III. TangoCeledonio Romero, Angel Romero
        3:28
      30. ZorzicoIsaac Albéniz, David Russell
        2:44
      31. Suite Espagnole: V. Zarabanda (Arr. A. Romero)Gaspar Sanz, Angel Romero
        1:53
      32. Zambra-CaprichoIsaac Albéniz, David Russell
        3:56
      33. Suite Espagnole: XII. Batalla (Arr. A. Romero)Gaspar Sanz, Angel Romero
        0:33
      34. PreludioIsaac Albéniz, David Russell
        1:40
      35. Suite Andaluza: I. SolearesCeledonio Romero, Angel Romero
        3:47
      36. Suite Andaluza: IV. ZapateadoCeledonio Romero, Angel Romero
        1:43
      37. PavanaIsaac Albéniz, David Russell
        4:29
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      About Agustín Barrios Mangoré

      Agustín Barrios Mangoré, born Agustín Pío Barrios, was a Paraguayan virtuoso classical guitarist and composer, celebrated as one of the greatest performers and most prolific composers for the guitar. Born in 1885 in San Juan Bautista de las Misiones, Paraguay, Barrios' musical journey began at a young age, and by 18, he was already touring and recording, a pioneer in making recordings as early as 1910. His extensive repertoire includes over 300 compositions, showcasing his folk, imitative, and religious styles, with iconic pieces like "La Catedral" and "Una Limosna por el Amor de Dios."

      Barrios' performances throughout Latin America and Europe in the 1930s solidified his reputation as a guitar virtuoso. He created the alter ego Chief Nitsuga Mangoré, a nod to his indigenous heritage, and his stunning virtuosity and musicality captivated audiences. Despite his prominence during his time, Barrios' compositions and recordings remained largely unknown internationally for decades after his death in 1944. It was not until the 1970s that his work gained wider recognition, thanks to advocates like John Williams and Laurindo Almeida, who helped bring Barrios' genius to a global audience. His legacy continues to inspire guitarists and music enthusiasts worldwide, with his compositions remaining a staple in the classical guitar repertoire.

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      Agustín Barrios Mangoré