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      1. Albums
      2. palestrina: cantica salomonis - giovanni pierluigi da palestrina

      Palestrina: Cantica Salomonis

      Giovanni Pierluigi da PalestrinaGiovanni Pierluigi da Palestrina
      • 2013
      • 33 tracks
      • 2 uur, 7 min
      • choral
      Palestrina: Cantica Salomonis - Giovanni Pierluigi da Palestrina
      Palestrina: Cantica Salomonis - Giovanni Pierluigi da Palestrina

      Album Details

      Immerse yourself in the sacred and enchanting world of Giovanni Pierluigi da Palestrina with his masterful collection, "Cantica Salomonis." Released on August 27, 2013, this double album is a profound exploration of the Song of Songs, also known as the Song of Solomon, a text that has inspired countless artists throughout history. Palestrina's intricate motets, composed for 5 to 8 voices, showcase his unparalleled mastery of polyphony and his deep spiritual devotion.

      Spanning over two hours, this album features 33 tracks that blend Gregorian chant with the rich harmonies of the Renaissance. Each piece is a testament to Palestrina's ability to weave complex vocal lines into a cohesive and uplifting whole. The motets are drawn from Book 4 of Palestrina's motets for 5 voices, offering a comprehensive look at his interpretation of the Song of Songs. The album also includes additional choral works that complement the motets, providing a fuller picture of Palestrina's musical genius.

      Recorded with meticulous attention to detail, "Cantica Salomonis" is a stunning example of Renaissance choral music. The performances are led by the Palestrina Ensemble Munich, conducted by Venanz Schubert, who bring a sense of reverence and precision to each piece. The ensemble's clear and resonant voices highlight the beauty and intricacy of Palestrina's compositions, making this album a treasure for both classical music enthusiasts and those new to the genre.

      This album is a celebration of one of the most influential composers of the Renaissance period. Palestrina's music, with its profound spiritual depth and technical brilliance, continues to inspire and move listeners centuries after its creation. "Cantica Salomonis" is not just a collection of beautiful choral works; it is a journey through the sacred texts that have shaped Western music and spirituality. Whether you are a seasoned fan of Renaissance music or a curious explorer, this album offers a rich and rewarding listening experience.

      August 27, 20132013 Naxos2013 Naxos

      Tracks

      1. In odorem - Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis canticorum": No. 1. Osculetur me osculo oris sui: Antiphon: In odorem - Osculetur meGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
        3:26
      2. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Trahe me - Trahe me, post te curremusGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
        4:04
      3. Nigra sum - Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis canticorum": No. 3. Nigra sum, sed formosa: Antiphon: Nigra sum - Nigra sum, sed formosaGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
        3:34
      4. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Nolite me considerare quod fusca sim - Vineam meam non custodiviGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
        3:33
      5. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Ista est columba mea, perfecta mea - Si ignoras teGiovanni Pierluigi da Palestrina, Florian Durner, Palestrina Ensemble Munich, Venanz Schubert
        3:45
      6. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Dum esset rex in accubito suo - Pulchrae sunt genae tuaeGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
        4:15
      7. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Fasciculus myrrhae - Fasciculus myrrhaeGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
        3:48
      8. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Oleum effusum - Ecce tu pulcher esGiovanni Pierluigi da Palestrina, Laura Smith, Palestrina Ensemble Munich, Venanz Schubert
        4:03
      9. Antiphon: Tota pulchra es Maria - Tota pulchra esGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
        2:57
      10. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Veni de Libano, sponsa mea - Vulnerasti cor meumGiovanni Pierluigi da Palestrina, Ansgar Teichgraber, Palestrina Ensemble Munich, Venanz Schubert
        5:14
      11. Sicut lilium inter spinas - Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis canticorum": No. 11. Sicut lilium inter spinas: Antiphon: Sicut lilium - Sicut lilium inter spinasGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
        3:44
      12. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Fulcite me floribus, stipate me malis - Introduxit me rexGiovanni Pierluigi da Palestrina, Laura Smith, Palestrina Ensemble Munich, Venanz Schubert
        3:16
      13. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Laeva eius - Laeva ejusGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
        3:21
      14. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Quis est iste, qui venit de Edom? - Vox dilecti meiGiovanni Pierluigi da Palestrina, Laura Smith, Palestrina Ensemble Munich, Venanz Schubert
        3:49
      15. Antiphon: Jam hiems transiit - Surge, propera, amica meaGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
        3:14
      16. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Dilectus meus loquitur mihi - Surge, amica meaGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
        4:10
      17. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Ego dilecto - Dilectus meo mihiGiovanni Pierluigi da Palestrina, Laura Smith, Palestrina Ensemble Munich, Venanz Schubert
        3:44
      18. Antiphon: Quo abiit dilectus tuus? - Surgam et circuibo civitatemGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
        3:17
      19. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Quo abiit dilectus tuus? - Adiuro vosGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
        4:11
      20. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Dilectus meus candidus et rubicundus - Caput eius aurum optimumGiovanni Pierluigi da Palestrina, Palestrina Ensemble Munich, Sarah M. Newman, Venanz Schubert
        4:15
      21. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Dilectus meus mihi et ego illi - Dilectus meus descenditGiovanni Pierluigi da Palestrina, Laura Smith, Palestrina Ensemble Munich, Venanz Schubert
        4:15
      22. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Pulchra es et decora - Pulchra es, amica meaGiovanni Pierluigi da Palestrina, Ansgar Teichgraber, Palestrina Ensemble Munich, Venanz Schubert
        3:50
      23. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Quae est ista quae ascendit sicut aurora - Quae est ista, quae progrediturGiovanni Pierluigi da Palestrina, Florian Durner, Palestrina Ensemble Munich, Venanz Schubert
        4:53
      24. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Malos male perdet, et vineam suam - Descendi in hortum nucumGiovanni Pierluigi da Palestrina, Ansgar Teichgraber, Palestrina Ensemble Munich, Venanz Schubert
        4:32
      25. Antiphon: Quam pulchra es, amica mea - Quam pulchri suntGiovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert
        3:06
      26. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Ista est speciosa inter filias Jerusalem - Duo ubera tuaGiovanni Pierluigi da Palestrina, Florian Durner, Palestrina Ensemble Munich, Venanz Schubert
        4:35
      27. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Quae est ista speciosa sicut columba - Quam pulchra es et quam decoraGiovanni Pierluigi da Palestrina, Ansgar Teichgraber, Palestrina Ensemble Munich, Venanz Schubert
        4:45
      28. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Ego dilecto meo - Guttur tuumGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
        4:04
      29. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Argentum et aurum non est mihi - Veni, veni dilecte miGiovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
        3:31
      30. Tractus: Adducentur Regi virgines post eamAnonymous, Noe Kains, Palestrina Ensemble Munich, Venanz Schubert
        3:16
      31. Adducentur Regi virgines post eam (1593): Afferentur Regi virgines post eam (1593)Giovanni Pierluigi da Palestrina, Palestrina Ensemble Munich, Venanz Schubert
        2:35
      32. Graduale: Audi filia et videAnonymous, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert
        3:26
      33. Quam pulchri sunt gressus tui (1569)Giovanni Pierluigi da Palestrina, Palestrina Ensemble Munich, Venanz Schubert
        4:28
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      About Giovanni Pierluigi da Palestrina

      Giovanni Pierluigi da Palestrina, a titan of late Renaissance music, stands as the quintessential representative of the Roman School, alongside Orlande de Lassus and Tomás Luis de Victoria. Born around 1525 in Palestrina, near Rome, Palestrina's compositions, including over 105 masses and 250 motets, have echoed through centuries, embodying the pinnacle of sacred polyphonic perfection. His mastery of counterpoint and modal harmony not only defined the Roman Catholic Church's musical landscape during the Counter-Reformation but also influenced the broader development of Western music. Palestrina's works, characterized by their clarity and emotional depth, continue to inspire and captivate audiences, making him an enduring figure in the world of classical music.

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