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      1. Albums
      2. orff: trionfi - carl orff

      Orff: Trionfi

      Carl OrffCarl Orff
      • 2015
      • 40 tracks
      • 2 uur, 17 min
      Orff: Trionfi - Carl Orff
      Orff: Trionfi - Carl Orff

      Album Details

      Dive into the rich and dramatic world of Carl Orff's "Trionfi," a captivating collection of choral and orchestral works that showcase the composer's unique musical language. Released in 2015, this album spans over two hours and features a diverse range of pieces that highlight Orff's mastery of rhythm, melody, and text setting.

      At the heart of "Trionfi" are three major works: "Carmina Burana," "Catulli Carmina," and "Trionfo di Afrodite." "Carmina Burana," Orff's most famous composition, is a vivid and powerful setting of medieval poems that explore themes of fate, love, and the fleeting nature of life. The work's iconic "O Fortuna" is a tour de force of choral writing, while the baritone solos and choral movements that follow are equally compelling.

      "Catulli Carmina" is a setting of poems by the Roman poet Catullus, and it offers a stark contrast to the medieval themes of "Carmina Burana." The work is scored for a smaller ensemble of voices and instruments, and its intimate, personal tone is a departure from the grand, dramatic style of "Carmina Burana."

      "Trionfo di Afrodite" is a celebration of the goddess of love, and it features a lush, romantic score that showcases Orff's skill as a melodist. The work is scored for a large orchestra and chorus, and its grand, sweeping gestures are a fitting tribute to the goddess of love.

      In addition to these major works, "Trionfi" features a number of shorter pieces that showcase Orff's versatility as a composer. From the playful "Uf dem anger" to the haunting "In Taberna," these works offer a glimpse into the composer's wide-ranging musical interests.

      Performed by the Rundfunk-Sinfonieorchester Leipzig and the MDR Leipzig Radio Chorus under the direction of Herbert Kegel, "Trionfi" is a stunning showcase of Orff's musical genius. The performances are vivid and dynamic, and the recording is clear and detailed, allowing the listener to fully appreciate the composer's unique musical language. Whether you're a longtime fan of Orff's music or a newcomer to his work, "Trionfi" is sure to captivate and inspire.

      May 1, 20152014 Brilliant Classics2015 Brilliant Classics

      Tracks

      1. Fortuna imperatrix mundi: Fortuna (Chorus)Carl Orff, MDR Leipzig Radio Chorus, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel
        2:35
      2. Fortuna imperatrix mundi: Fortune plango vulnero (Chorus)Carl Orff, MDR Leipzig Radio Chorus, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel
        2:42
      3. Primo vere: Veris leta facies (Semi-Chorus)Carl Orff, MDR Leipzig Radio Chorus, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel
        3:21
      4. Primo vere: Omnia sol temperat (Baritone solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
        1:50
      5. Primo vere: Ecce gratum (Chorus)Carl Orff, MDR Leipzig Radio Chorus, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel
        2:45
      6. Uf dem anger: Tanz (Orchestra)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel
        1:34
      7. Uf dem anger: Floret silva (Chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
        2:51
      8. Uf dem anger: Chramer, gip die varwe mir (Chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
        3:15
      9. Uf dem anger: Reie - (Andante poco esitante) - Swaz hie got umbe - Chume, chum geselle min [Semi-Chorus] - Swaz hie got umbe [Chorus]Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
        4:05
      10. Uf dem anger: Were diu werlt alle min (Chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
        0:55
      11. In Taberna: Estuans interius (baritone-solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
        2:33
      12. In taberna: Olim lacus colueram (tenor-solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Horst Hiestermann
        3:46
      13. In taberna: Ego sum abbas (men's choir)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
        1:29
      14. In taberna: In taberna quando sumus (men's choir)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
        3:00
      15. Cour d'amours: Amor volat undique - siqua sine socioCarl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Celestina Casapietra, Dresdner Kapellknaben
        3:05
      16. Cour d'amours: Dies, nox et omnia (baritone-solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
        2:18
      17. Cour d'amours: Stetit puella (soprano-solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Celestina Casapietra
        1:59
      18. Cour d'amours: Circa mea pactora (baritone-solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
        2:11
      19. Cour d'amours: Si puer cum puellula (male semi-chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
        1:02
      20. Cour d'amours: Veni, veni, venias (Double choir)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus, Dresdner Kapellknaben
        0:59
      21. Cour d'amours: In trutina (soprano-solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Celestina Casapietra
        2:17
      22. Cour d'amours: Tempus est iocundum (soprano-solo, baritone-solo, chorus and boys)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus, Celestina Casapietra, Karl-Heinz Stryczek, Dresdner Kapellknaben
        2:12
      23. Cour d'amours: Dulcissime (soprano-solo)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Celestina Casapietra
        0:45
      24. Balnziflor et Helena: Ave formosissima (chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
        1:42
      25. Fortuna imperatrix mundi: O fortuna (chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
        2:43
      26. Catulli carmina: Praelusio. Eis aiona - In te habitant - O res ridicula - Sublata lucerna (Chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
        13:34
      27. Actus I: I. Odi et amo - II. Vivamus, mea Lesbia - III. Ille Mi par esse deo videtur - IV. Caeli! - V. Nulli se dicit (Chorus, Tenor, Soprano)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus, Ute Mai, Eberhard Büchner
        7:51
      28. Actus II: VI. Jucundum mea vita - VII. O mea Lesbia! (Chorus, Soprano, Tenor)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus, Ute Mai, Eberhard Büchner
        7:20
      29. Actus III: VIII. Odi et amo - IX. Amabo, mea dulcis Ipsitilla - X. Ameana puella defututa - XI. Ah! Miser catulle - XII. Nulla potest mulier (Chorus, Tenor, Soprano)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus, Eberhard Büchner, Ute Mai
        8:23
      30. Exodium: Eis aiona tui sum!(Chorus)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus
        1:10
      31. Concerto scenico: I. Canto amebeo di vergini e giovani a vespero in attesa della sposa e dello sposo (Catull)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Eberhard Büchner
        6:51
      32. Concerto scenico: II. Corteo nuziale ed arrivo della sposa e dello sposo (Sappho)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
        2:08
      33. Concerto scenico: III. Sposa e sposo. I. Za tèlexaman onar Kyprogenaia - II. Espere, Espere panta phereis -III. Katthanen d'imeros tis... - IV. Eis aei (Sappho)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
        9:07
      34. Concerto scenico: IV. Invocazione dell' Imeneo (Catull)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Eberhard Büchner
        3:08
      35. Concerto scenico: Inno all' Imeneo. V. Ludi e canti nuziale davanti al talamo (Catull)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Eberhard Büchner
        3:08
      36. La sposa viene accolta: I. Claustra pandite ianuae -II. Flere desine, non tib', AurunculeiaCarl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Isabella Nawe
        3:36
      37. La sposa viene condotta alla camera nuziale tollit', o pueri facesCarl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Isabella Nawe
        2:39
      38. Epitalamo: I. Lam licet venias - II. Ille pulveris Africi (Catull)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Eberhard Büchner
        6:15
      39. Concerto scenico: VI. Canto di novelli sposi dol talamo (Sappho)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Karl-Heinz Stryczek
        1:42
      40. Concerto scenico: VII. Apparizione di Afrodite (Euripides)Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, MDR Leipzig Radio Chorus, Regina Werner
        2:06
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      About Carl Orff

      Carl Orff, born in Munich in 1895, was a German composer and music educator whose name is indelibly linked to his monumental cantata "Carmina Burana." This sprawling, dramatic work, composed in the mid-1930s, is a symphonic tour de force for full orchestra, symphony choir, and youth choir, setting to music texts from a 13th-century collection of poems. Orff's innovative approach to composition and his unique rhythmic and melodic language make "Carmina Burana" a thrilling and unforgettable experience.

      Beyond his compositional prowess, Orff was a pioneer in music education, developing the Schulwerk, a method that emphasized rhythm, movement, and improvisation, and which has had a lasting impact on children's musical training. His work as an educator began in the 1920s, and his innovative approaches continue to influence music teaching today. Orff's life and work were significantly shaped by the historical context of his time, including the rise of the Third Reich and the Nazi regime's complex relationship with his music. His legacy endures as a composer who not only created powerful, evocative music but also revolutionized the way we think about musical education.

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