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      1. Albums
      2. offenbach: tales of hoffmann - jacques offenbach

      Offenbach: Tales of Hoffmann

      Jacques OffenbachJacques Offenbach
      • 2014
      • 42 tracks
      • 2 uur, 21 min
      Offenbach: Tales of Hoffmann - Jacques Offenbach
      Offenbach: Tales of Hoffmann - Jacques Offenbach

      Album Details

      Jacques Offenbach's "Offenbach: Tales of Hoffmann" is a captivating journey through the fantastical and macabre tales of E.T.A. Hoffmann, brought to life through the composer's distinctive and engaging musical style. This operatic masterpiece, released on SOMM Recordings in 2014, is a testament to Offenbach's prowess, being his final and most ambitious work among nearly 100 operettas.

      The album spans over two hours and twenty minutes, featuring 42 tracks that weave together the stories of Hoffmann's ill-fated romantic entanglements with the mechanical doll Olympia, the courtesan Giulietta, and the consumptive singer Antonia. Each act is a unique blend of drama, comedy, and supernatural elements, showcasing Offenbach's ability to blend genres and create a rich, immersive experience.

      The "Tales of Hoffmann" is not just an opera; it's a complex exploration of love, obsession, and the human condition. The libretto, written by Jules Barbier, is a loose adaptation of Hoffmann's original stories, and it beautifully complements Offenbach's music. The album features a stellar cast of performers, each bringing their unique interpretation to the characters, from the tormented Hoffmann to the enigmatic Nicklausse.

      The album's standout pieces, such as the famous "Barcarolle" from Act II and the haunting "Doll's Song" from Act I, are performed with precision and passion, highlighting the emotional depth and technical brilliance of the composition. The orchestration is rich and dynamic, with each instrument playing a crucial role in bringing the stories to life.

      For fans of classical music and opera, "Offenbach: Tales of Hoffmann" is a must-listen. It offers a glimpse into the world of 19th-century Romanticism, with its blend of the fantastical and the real, the comic and the tragic. Whether you're a seasoned opera enthusiast or a newcomer to the genre, this album promises a rich and rewarding listening experience.

      1 februari 2014(C) 2014 SOMM Recordings(P) 2014 SOMM Recordings

      Tracks

      1. The Tales of Hoffmann, Prologue: PreludeJacques Offenbach, Sir Thomas Beecham, Royal Philharmonic Orchestra
        0:38
      2. The Tales of Hoffmann, Prologue: Glou, Glou, Glou (The Spirits of Wine) [Chorus]Jacques Offenbach, Sir Thomas Beecham, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        2:14
      3. The Tales of Hoffmann, Prologue: Drink, Drink, Drink (Chorus)Jacques Offenbach, Sir Thomas Beecham, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        1:20
      4. The Tales of Hoffmann, Prologue: Good day my friends (Hoffmann, Nicklausse, Nathaniel, Hermann, Luther, Students)Jacques Offenbach, Sir Thomas Beecham, Robert Rounseville, Monica Sinclair, Rene Soames, Owen Brannigan, Fisher Morgan, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        2:13
      5. The Tales of Hoffmann, Prologue: The Legend of Kleinsack (Hoffmann, Chorus)Jacques Offenbach, Sir Thomas Beecham, Robert Rounseville, Royal Philharmonic Orchestra, Sadler Wells Opera Chorus
        5:44
      6. The Tales of Hoffmann, Prologue: This beer tastes of the stable (Hoffmann)Jacques Offenbach, Sir Thomas Beecham, Robert Rounseville, Royal Philharmonic Orchestra
        4:43
      7. The Tales of Hoffmann, Act I: IntermezzoJacques Offenbach, Sir Thomas Beecham, Royal Philharmonic Orchestra
        1:13
      8. The Tales of Hoffmann, Act I: There sleep in peace (Spalanzani, Hoffmann, Cochenille)Jacques Offenbach, Grahame Clifford, Robert Rounseville, Murray Dickie, Royal Philharmonic Orchestra, Sir Thomas Beecham
        1:57
      9. The Tales of Hoffmann, Act I: So be it (Hoffmann)Jacques Offenbach, Sir Thomas Beecham, Robert Rounseville, Royal Philharmonic Orchestra
        2:39
      10. The Tales of Hoffmann, Act I: Of course I might have known (Nicklausse, Hoffmann)Jacques Offenbach, Sir Thomas Beecham, Monica Sinclair, Robert Rounseville, Royal Philharmonic Orchestra
        2:40
      11. The Tales of Hoffmann, Act I: It is I, Coppelius (Coppelius, Nicklausse, Hoffmann)Jacques Offenbach, Sir Thomas Beecham, Bruce Dargavel, Monica Sinclair, Robert Rounseville, Royal Philharmonic Orchestra
        3:23
      12. The Tales of Hoffmann, Act I: Oh you! Dear professor (Spalanzani, Coppelius)Jacques Offenbach, Sir Thomas Beecham, Grahame Clifford, Bruce Dargavel, Royal Philharmonic Orchestra
        2:21
      13. The Tales of Hoffmann, Act I: None but our host, I do declare (Chorus of Guests)Jacques Offenbach, Sir Thomas Beecham, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        2:03
      14. The Tales of Hoffmann, Act I: You will not have to wait my friends (Spalanzani, Nicklausse, Hoffman, Chorus of Guests)Jacques Offenbach, Sir Thomas Beecham, Grahame Clifford, Monica Sinclair, Robert Rounseville, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        1:46
      15. The Tales of Hoffmann, Act I: And now ladies, and gentlemen (Spalanzani, Nicklausse, Cochenille, Hoffmann, Olympia, Chorus)Jacques Offenbach, Sir Thomas Beecham, Grahame Clifford, Monica Sinclair, Murray Dickie, Robert Rounseville, Dorothy Bond, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        1:39
      16. The Tales of Hoffmann, Act I: The Doll's Song (Olympia, Chorus)Jacques Offenbach, Sir Thomas Beecham, Dorothy Bond, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        5:28
      17. The Tales of Hoffmann, Act I: Her reputation well deserved (Hoffmann, Nicklausse, Spalanzani, Olympia, Cochenille, Chorus)Jacques Offenbach, Sir Thomas Beecham, Robert Rounseville, Monica Sinclair, Grahame Clifford, Dorothy Bond, Murray Dickie, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        2:23
      18. The Tales of Hoffmann, Act I: So now they've gone away at last (Hoffmann, Olympia)Jacques Offenbach, Sir Thomas Beecham, Robert Rounseville, Dorothy Bond, Royal Philharmonic Orchestra
        2:43
      19. The Tales of Hoffmann, Act I: Oh, my dear, do but stay (Hoffmann, Nicklausse, Coppelius)Jacques Offenbach, Sir Thomas Beecham, Robert Rounseville, Monica Sinclair, Bruce Dargavel, Royal Philharmonic Orchestra
        2:02
      20. The Tales of Hoffmann, Act I: Let the dancing proceed (Spalanzani, Cochenille, Hoffmann, Olympia, Nicklausse, Coppelius, Chorus of Guests)Jacques Offenbach, Sir Thomas Beecham, Grahame Clifford, Murray Dickie, Robert Rounseville, Dorothy Bond, Monica Sinclair, Bruce Dargavel, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        5:47
      21. The Tales of Hoffmann, Act II: Entr'acte and barcarolleJacques Offenbach, Sir Thomas Beecham, Royal Philharmonic Orchestra
        3:53
      22. The Tales of Hoffmann, Act II: For me a love like that (Hoffmann, Chorus)Jacques Offenbach, Sir Thomas Beecham, Robert Rounseville, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        1:59
      23. The Tales of Hoffmann, Act II: I see a celebration (Schlemil, Giulietta, Pitichinaccio, Hoffmann, Nicklausse, Chorus)Jacques Offenbach, Owen Brannigan, Murray Dickie, Margherita Grandi, Robert Rounseville, Monica Sinclair, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra, Sir Thomas Beecham
        2:12
      24. The Tales of Hoffmann, Act II: So gleam with desire (Dapertutto)Jacques Offenbach, Sir Thomas Beecham, Bruce Dargavel, Royal Philharmonic Orchestra
        3:22
      25. The Tales of Hoffmann, Act II: Fair Angel … (Dapertutto, Giulietta, Hoffmann)Jacques Offenbach, Sir Thomas Beecham, Bruce Dargavel, Margherita Grandi, Robert Rounseville, Royal Philharmonic Orchestra
        7:38
      26. The Tales of Hoffmann, Act II: Just as I thought - Together (Giulietta, Schlemil, Hoffmann, Pitichinaccio, Dapertutto, Nicklausse)Jacques Offenbach, Sir Thomas Beecham, Margherita Grandi, Owen Brannigan, Robert Rounseville, Murray Dickie, Bruce Dargavel, Monica Sinclair, Royal Philharmonic Orchestra
        1:47
      27. The Tales of Hoffmann, Act II: Alas, my soul again outpouring (Hoffmann, Dapertutto, Giulietta, Nicklausse, Schlemil, Pitichinaccio, Chorus)Jacques Offenbach, Sir Thomas Beecham, Robert Rounseville, Bruce Dargavel, Margherita Grandi, Murray Dickie, Owen Brannigan, Monica Sinclair, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        3:02
      28. The Tales of Hoffmann, Act II: Do you hear, my friends (Giulietta, Chorus)Jacques Offenbach, Sir Thomas Beecham, Margherita Grandi, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        3:22
      29. The Tales of Hoffmann, Act III: All in vain (Antonia)Jacques Offenbach, Ann Ayars, Royal Philharmonic Orchestra, Sir Thomas Beecham
        4:16
      30. The Tales of Hoffmann, Act III: Oh my darling child (Crespel, Antonia, Frantz)Jacques Offenbach, Owen Brannigan, Ann Ayars, Grahame Clifford, Royal Philharmonic Orchestra, Sir Thomas Beecham
        3:22
      31. The Tales of Hoffmann, Act III: Day and night I am always slaving (Frantz)Jacques Offenbach, Sir Thomas Beecham, Grahame Clifford, Royal Philharmonic Orchestra
        1:43
      32. The Tales of Hoffmann, Act III: Frantz, so you're here (Hoffmann, Frantz)Jacques Offenbach, Sir Thomas Beecham, Robert Rounseville, Grahame Clifford, Royal Philharmonic Orchestra
        0:46
      33. The Tales of Hoffmann, Act III: Sweet is the song lovers learn (Hoffmann, Antonia)Jacques Offenbach, Robert Rounseville, Ann Ayars, Royal Philharmonic Orchestra, Sir Thomas Beecham
        1:44
      34. The Tales of Hoffmann, Act III: And yet beloved (Hoffmann, Antonia)Jacques Offenbach, Robert Rounseville, Ann Ayars, Royal Philharmonic Orchestra, Sir Thomas Beecham
        4:11
      35. The Tales of Hoffmann, Act III: Are you ill? (Hoffmann, Antonia, Crespel, Frantz, Dr. Miracle)Jacques Offenbach, Robert Rounseville, Ann Ayars, Owen Brannigan, Grahame Clifford, Bruce Dargavel, Royal Philharmonic Orchestra, Sir Thomas Beecham
        2:35
      36. The Tales of Hoffmann, Act III: Well, say on then, and be brief (Dr. Miracle, Hoffmann, Crespel, Antonia)Jacques Offenbach, Bruce Dargavel, Robert Rounseville, Owen Brannigan, Ann Ayars, Royal Philharmonic Orchestra, Sir Thomas Beecham
        4:21
      37. The Tales of Hoffmann, Act III: No more to sing alas (Hoffmann, Antonia)Jacques Offenbach, Robert Rounseville, Ann Ayars, Royal Philharmonic Orchestra, Sir Thomas Beecham
        3:45
      38. The Tales of Hoffmann, Act III: You'll never sing again (Dr. Miracle, Antonia, the Voice of Antonia's mother, Crespel, Nicklausse, Hoffmann)Jacques Offenbach, Bruce Dargavel, Ann Ayars, Owen Brannigan, Monica Sinclair, Robert Rounseville, Royal Philharmonic Orchestra, Sir Thomas Beecham
        10:37
      39. The Tales of Hoffmann: Intermezzo. BarcarolleJacques Offenbach, Sir Thomas Beecham, Royal Philharmonic Orchestra
        3:40
      40. The Tales of Hoffmann: Epilogue. Entr'acteJacques Offenbach, Sir Thomas Beecham, Royal Philharmonic Orchestra
        1:21
      41. The Tales of Hoffmann: Epilogue. Pour out the wine and drink (Chorus)Jacques Offenbach, Sir Thomas Beecham, Sadler Wells Opera Chorus, Royal Philharmonic Orchestra
        1:01
      42. The Tales of Hoffmann, Prelude. Legend of Kleinsack - Act 1: Finale - Epilogue - FinaleJacques Offenbach, Sir Thomas Beecham, Royal Philharmonic Orchestra
        15:30
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      About Jacques Offenbach

      Jacques Offenbach, born in Cologne in 1819 and later naturalized as a French citizen, was a prolific composer and cellist whose name is synonymous with the operetta genre. Often hailed as the "father of operetta," Offenbach's nearly 100 operettas, composed between the 1850s and 1870s, are celebrated for their wit, charm, and musical innovation. His works, such as "Orphée aux enfers" and "La Belle Hélène," are known for their satirical take on contemporary society and their catchy melodies. Offenbach's influence extended far beyond his lifetime, shaping the future of musical theater and leaving an indelible mark on the world of music. His compositions continue to be performed and enjoyed today, a testament to their enduring appeal.

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