Marilyn Crispell, renowned for her fiery improvisations and dynamic solo work, presents a captivating departure with "Nothing Ever Was, Anyway: Music Of Annette Peacock." Released in 1997 under ECM Records, this double album is a collaborative masterpiece featuring the legendary bassist Gary Peacock and drummer Paul Motian. The album spans a diverse range of styles within the jazz genre, particularly free jazz and post-bop, showcasing Crispell's versatility and depth as a pianist.
The album's title track, "Nothing Ever Was, Anyway," appears in two distinct versions, framing the collection with a sense of poetic symmetry. The tracklist is a journey through intricate compositions, each piece a testament to the collaborative synergy between Crispell, Peacock, and Motian. From the ethereal "Butterflies That I Feel Inside Me" to the hauntingly beautiful "Albert's Love Theme," the album is a tapestry of moods and textures. Annette Peacock's voice adds a unique dimension to tracks like "You've Left Me" and "Miracles," blending seamlessly with the instrumental prowess of the trio.
With a duration of 1 hour and 27 minutes, the album offers a rich, immersive experience. Marilyn Crispell's pianism is a standout feature, her playing both delicate and powerful, reflecting her ability to convey a wide spectrum of emotions through her music. Gary Peacock's double-bass and Paul Motian's drums provide a solid, rhythmic foundation, elevating the compositions to new heights.
"Nothing Ever Was, Anyway: Music Of Annette Peacock" is not just an album; it's a testament to the enduring power of jazz and the collaborative spirit of its greatest artists. It's a must-listen for fans of free jazz and post-bop, offering a unique blend of improvisation and composition that showcases the brilliance of Marilyn Crispell and her esteemed collaborators.
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