In the vibrant jazz scene of 1959, trumpeter Thad Jones delivered a gem with "Motor City Scene," a captivating album that showcases the energy and talent of Detroit's finest musicians. Recorded for United Artists, this release stands out as a unique one-off session, distinct from Jones' classic Blue Note dates, offering a fresh perspective on his artistry.
The album features a stellar lineup, including the legendary Paul Chambers on bass and Tommy Flanagan on piano, with Thad Jones himself on flugelhorn and cornet. The ensemble is rounded out by Al Grey on trombone, Billy Mitchell on tenor sax, and the incomparable Elvin Jones on drums. This powerhouse group delivers a dynamic performance that blends big band, hard bop, and bebop influences, creating a rich and engaging musical experience.
"Motor City Scene" is a testament to Thad Jones' versatility and innovation. The album opens with "Let's Play One," a lively and upbeat track that sets the tone for the rest of the record. "Minor On Top" showcases the band's improvisational skills, while "Like Old Times" offers a more introspective moment. The album concludes with "No Refill," a track that highlights the ensemble's tight playing and individual virtuosity.
With a duration of just over 31 minutes, this album is a concise yet powerful statement from Thad Jones and his all-star band. Whether you're a longtime fan of jazz or a newcomer to the genre, "Motor City Scene" offers a compelling introduction to the talents of Thad Jones and his contemporaries. The remastered tracks from 1997 ensure that the music sounds as fresh and vibrant today as it did over six decades ago.
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