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      1. Albums
      2. matteo – 300 years of an italian cello - matt haimovitz

      Matteo – 300 Years of an Italian Cello

      Matt HaimovitzMatt Haimovitz
      • 2010
      • 15 tracks
      • 1 uur, 28 min
      • chamber music
      Matteo – 300 Years of an Italian Cello - Matt Haimovitz
      Matteo – 300 Years of an Italian Cello - Matt Haimovitz

      Album Details

      Dive into the rich tapestry of cello music with Matt Haimovitz's "Matteo – 300 Years of an Italian Cello," a captivating collection that spans centuries of musical evolution. Released on December 3, 2010, via Oxingale Records, this album is a testament to Haimovitz's virtuosity and his deep connection with the cello. Recorded in Montreal, Quebec, over four days in August 2010, the album features 15 tracks that showcase a blend of classical and chamber music genres, all performed with Haimovitz's signature intensity and precision.

      The album opens with "RICERCAR 7" and closes with "ALLELUJA," bookending a journey through compositions that highlight the cello's versatility and expressive range. From the intricate "SEQUENZA XIV" to the haunting "AI LIMITI DELLA NOTTE," each piece is a masterclass in cello performance. Haimovitz's rendition of "CIACCONA" is particularly noteworthy, appearing three times in different interpretations, showcasing his ability to breathe new life into classic works.

      "Matteo – 300 Years of an Italian Cello" is not just a collection of songs; it's a historical journey through the evolution of cello music. With a duration of 1 hour and 28 minutes, this album is a comprehensive exploration of the instrument's capabilities, performed by one of the most respected cellists of our time. Whether you're a seasoned classical music enthusiast or a curious newcomer, this album offers a rich and rewarding listening experience.

      December 3, 20102011 Oxingale Productions2011 Oxingale Productions

      Tracks

      1. RICERCAR 7Domenico Gabrielli, Matt Haimovitz
        6:08
      2. SEQUENZA XIVLuciano Berio, Matt Haimovitz
        11:30
      3. RICERCAR 5Domenico Gabrielli, Matt Haimovitz
        1:58
      4. CIACCONA, INTERMEZZO E ADAGIOLuigi Dallapiccola, Matt Haimovitz
        7:20
      5. CIACCONA, INTERMEZZO E ADAGIOLuigi Dallapiccola, Matt Haimovitz
        2:21
      6. CIACCONA, INTERMEZZO E ADAGIOLuigi Dallapiccola, Matt Haimovitz
        6:39
      7. RICERCAR 6Domenico Gabrielli, Matt Haimovitz
        4:13
      8. CAPRICCIO FOR SOLO CELLOBrian Cherney, Matt Haimovitz
        8:24
      9. RICERCAR 4Domenico Gabrielli, Matt Haimovitz
        4:32
      10. AI LIMITI DELLA NOTTESalvatore Sciarrino, Matt Haimovitz
        5:46
      11. RICERCAR 3Domenico Gabrielli, Matt Haimovitz
        3:43
      12. SUONO E IL SUO DOPPIOClaudio Ambrosini, Matt Haimovitz
        8:26
      13. RICERCAR 1Domenico Gabrielli, Matt Haimovitz
        2:13
      14. RICERCAR 2Domenico Gabrielli, Matt Haimovitz
        9:43
      15. ALLELUJAGiacinto Scelsi, Matt Haimovitz
        5:09
      PLAY ON SPOTIFY

      About Matt Haimovitz

      Matt Haimovitz is a trailblazing cellist whose artistry transcends traditional classical boundaries. Born in Israel and raised in the United States from the age of five, Haimovitz is renowned for his ferocious talent and innovative approach to music. He is a multi-GRAMMY-nominated artist who plays a stunning Matteo Goffriller cello from 1710, captivating audiences with his intense and elegant touch. Haimovitz's repertoire spans chamber music and classical genres, and he is celebrated for pushing the boundaries of classical music, making him a favorite among both classical enthusiasts and new listeners alike. His performances and recordings, such as the critically acclaimed "Beethoven, Period," showcase his tremendous artistry and musical vision. Haimovitz's dynamic presence on stage and his ability to connect with audiences have earned him widespread acclaim, including praise from The New York Times. Whether performing solo or with ensembles like the MDR Leipzig, Haimovitz's performances are always a memorable experience.

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      Matt Haimovitz

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