Marian Anderson

Marian Anderson, a renowned contralto, presents a timeless collection of spirituals, classical arias, and art songs in her self-titled album, "Marian Anderson." Released on January 4, 2011, under the Symposium label, this album spans a rich duration of 1 hour and 18 minutes, offering a profound journey through the depths of her extraordinary vocal range and emotional resonance.

The album opens with a series of spirituals arranged by H.H.T. Burleigh, including "Deep River," "Go Down, Moses," and "Sometimes I Feel Like a Motherless Child," showcasing Anderson's ability to infuse these traditional pieces with deep soulfulness and grace. Her interpretation of these spirituals is a testament to her connection with the music's roots and her ability to convey their spiritual and emotional depth.

Anderson's repertoire extends to classical arias, featuring works by composers such as Verdi, Gluck, and Handel. Pieces like "La favorita, Act III: Oh, mio Fernando!" and "The Maid of Orleans, Op. 4, the Maid of Orleans, Act I: Aria. Adieu, forets" highlight her technical prowess and dramatic intensity. Her rendition of Handel's "Te Deum in D Major, HWV 283, 'Dettingen': Dignare, Domine" is particularly noteworthy, demonstrating her mastery of baroque style and ornamentation.

The album also includes a selection of art songs by composers such as Schubert, Schumann, and Sibelius. Notable tracks include Schubert's "Der Tod und das Mädchen" and "Die Forelle," as well as Sibelius's "5 Songs, Op. 37: No. 5, Flickan kom ifran sin alsklings mote." These pieces showcase Anderson's ability to convey the nuances and subtleties of the poetry and music, making each song a unique and intimate experience.

Marian Anderson's self-titled album is a celebration of her artistry and a testament to her enduring legacy as one of the greatest vocalists of the 20th century. Whether you are a longtime fan or a newcomer to her work, this album offers a captivating exploration of her extraordinary talent and the enduring power of her music.