The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Trills (It shimmers, shivers: Lives)Márcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Whistle tones (A fugue of Failures)Márcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Uma MelodiaMárcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Different articulations (Molto Parlante)Márcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Transitions (Inbetweennesses)Márcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Une MélodieMárcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Eine MelodieMárcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Over/Under-Blowing (Bodily: A pífano Dance)Márcio Steuernagel, Eric Lamb
The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Diaphonic/Multiphonic (…but how many voices Unsung?)Márcio Steuernagel, Eric Lamb
Becoming (2019) four études and an aria for solo Oboe: Étude: Dynamics (Summoning)Márcio Steuernagel, Ángela Calvo Ríos
Becoming (2019) four études and an aria for solo Oboe: Étude: Registers (A Bird)Márcio Steuernagel, Ángela Calvo Ríos
Becoming (2019) four études and an aria for solo Oboe: Étude: Multiphonics (Quasi un corale, quasi Monteverdi)Márcio Steuernagel, Ángela Calvo Ríos
Becoming (2019) four études and an aria for solo Oboe: Étude: Repeated notes (Take a Digeridoo)Márcio Steuernagel, Ángela Calvo Ríos
Becoming (2019) four études and an aria for solo Oboe: Aria: BecomingMárcio Steuernagel, Ángela Calvo Ríos
Coda: Un•intendedness (2020/2021): Pilgrimage: Once in our HeartsMárcio Steuernagel, Stefanie Alexandra Prenn
Coda: Un•intendedness (2020/2021): Une MélodieMárcio Steuernagel, Eric Lamb
Coda: Un•intendedness (2020/2021): Pilgrimage: Once again in our HeartsMárcio Steuernagel, Stefanie Alexandra Prenn
Coda: Un•intendedness (2020/2021): Étude: Diaphonic/Multiphonic (…but how many voices Unsung?)Márcio Steuernagel, Eric Lamb
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Étude: Non-/Harmonic (Uncontrolled, unknown, yet Wished-For) IMárcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Pilgrimage: Once in our HeartsMárcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Étude: Residual pitches (Tempi & corali Emergenti)Márcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Étude: Residual sounds (Molto cantabile - Ma Segreto!)Márcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Pilgrimage: Once again in our Hearts IMárcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Tuning PrayerMárcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Pilgrimage: Once again in our Hearts IIMárcio Steuernagel, Stefanie Alexandra Prenn
Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Étude: Non-/Harmonic (Uncontrolled, unknown, yet Wished-For) IIMárcio Steuernagel, Stefanie Alexandra Prenn
Senses of Musical Imperfection: Transitionality, un•control, un•intendedness (2019-2022): Meditation: Impossible vowels (A self-Sung Lullaby)Márcio Steuernagel, kaoko amano
Senses of Musical Imperfection: Transitionality, un•control, un•intendedness (2019-2022): Étude: Diaphonic/Multiphonic (…but how many voices Unsung?)Márcio Steuernagel, Eric Lamb
Senses of Musical Imperfection: Transitionality, un•control, un•intendedness (2019-2022): Étude: Non-/Harmonic (Uncontrolled, unknown, yet Wished-For)Márcio Steuernagel, Stefanie Alexandra Prenn
Études para Quijote (2019) seven études for solo Harp: Étude: One-Finger tremolo (Fanfare)Márcio Steuernagel, Veronica Klavzar
Études para Quijote (2019) seven études for solo Harp: Étude: Harmonic interference (A game of Bells)Márcio Steuernagel, Veronica Klavzar
Études para Quijote (2019) seven études for solo Harp: Étude: Basso (Battuto, Feroce)Márcio Steuernagel, Veronica Klavzar
Études para Quijote (2019) seven études for solo Harp: Étude: Glissandi (Pasacalle)Márcio Steuernagel, Veronica Klavzar
Études para Quijote (2019) seven études for solo Harp: Étude: Ostinato (Ad lib, ma Veloce)Márcio Steuernagel, Veronica Klavzar
Études para Quijote (2019) seven études for solo Harp: Étude: Classical harmonics technique (A broken Lullaby)Márcio Steuernagel, Veronica Klavzar
Études para Quijote (2019) seven études for solo Harp: Étude: Arco (Aria on the G Strings)Márcio Steuernagel, Veronica Klavzar
Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Étude: Whistle tones (A fugue of Failures)Márcio Steuernagel, Eric Lamb
Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Pilgrimage: Once again in our HeartsMárcio Steuernagel, Stefanie Alexandra Prenn
Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Eine MelodieMárcio Steuernagel, Eric Lamb
Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Étude: Residual sounds (Molto cantabile - Ma Segreto!)Márcio Steuernagel, Stefanie Alexandra Prenn
Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Étude: Classical harmonics technique (A broken Lullaby)Márcio Steuernagel, Veronica Klavzar
Márcio Steuernagel's "A Mis•encyclopaedia of Musical Imperfections" is a captivating exploration of the nuances and idiosyncrasies within musical performance, presented through a collection of études, melodies, and arias for solo instruments. Released on Austrian Gramophone on November 25, 2024, this album spans a diverse range of techniques and expressions, showcasing Steuernagel's deep understanding and innovative approach to solo repertoire.
The album is divided into several sections, each focusing on different aspects of musical imperfection and the unique qualities of the instruments featured. For the flute, Steuernagel presents six études and three melodies that delve into techniques such as trills, whistle tones, and multiphonics, each piece offering a distinct exploration of the instrument's capabilities. The oboe is given a similar treatment with four études and an aria, highlighting dynamics, registers, and multiphonics in a way that pushes the boundaries of traditional oboe performance.
The harp is also a central figure in this collection, with seven études that range from fanfares to lullabies, each piece demonstrating the harp's versatility and the performer's technical prowess. The cello is featured in three études, a pilgrimage, and a prayer, exploring residual pitches and sounds in a deeply expressive manner. Throughout the album, Steuernagel's compositions challenge the listener to reconsider what it means for music to be "perfect," embracing the imperfections and uncertainties that make each performance unique.
With a total duration of two hours and four minutes, this album is a comprehensive journey through the world of solo instrumental music. Márcio Steuernagel's "A Mis•encyclopaedia of Musical Imperfections" is a testament to his creativity and technical skill, offering a fresh perspective on the potential of solo instruments. Whether you're a seasoned classical music enthusiast or a curious newcomer, this album promises to engage and inspire.
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