Beirut's "March of the Zapotec / Real People Holland" is a captivating double EP released in February 2009, showcasing the band's versatility and Zach Condon's creative prowess. The first half, "March of the Zapotec," is a vibrant exploration of Condon's experiences in Oaxaca, Mexico, featuring the lively sounds of the 19-piece Jimenez Band from Teotitlán del Valle. This section is a testament to Beirut's ability to blend chamber pop, baroque pop, and indie folk with traditional Mexican music, resulting in a rich and engaging sound.
Tracks like "El Zócalo" and "La Llorona" highlight the infectious energy and cultural depth of this collaboration, while "The Shrew" stands out as one of Condon's favorite compositions. The second half, "Real People Holland," offers a stark contrast with its electronic music, credited to "Realpeople." This side of the EP showcases Condon's range as an artist, moving from the organic and folkloric to the synthetic and modern.
With a total runtime of just 34 minutes, this double EP is a concise yet impactful journey through Beirut's musical landscape. The album's unique blend of influences and styles makes it a standout release in the band's discography, appealing to fans of both traditional and experimental music. "March of the Zapotec / Real People Holland" is a testament to Beirut's artistic growth and their ability to seamlessly blend diverse musical elements into a cohesive and captivating whole.
Vinylscout
