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      1. Albums
      2. marais: troisième livre de pièces de viole - marin marais

      Marais: Troisième livre de pièces de viole

      Marin MaraisMarin Marais
      • 2017
      • 119 tracks
      • 1 uur, 51 min
      Marais: Troisième livre de pièces de viole - Marin Marais
      Marais: Troisième livre de pièces de viole - Marin Marais

      Album Details

      Dive into the rich world of Baroque music with Marin Marais' "Troisième livre de pièces de viole," a masterful collection of compositions that showcase the virtuosity and depth of the French viol player and composer. Released in 2017, this album is a testament to Marais' enduring legacy, featuring a meticulously curated selection of suites that span various keys and moods.

      The album comprises an impressive 39 tracks, each a gem in its own right, totaling nearly two hours of enchanting music. Marin Marais, known for his innovative techniques and expressive playing, presents a diverse array of pieces that include preludes, fantasies, allemandes, courantes, sarabandes, gigues, menuets, and more. Each suite is a journey through the Baroque era's elegance and sophistication, offering a glimpse into the musical landscape of Marais' time.

      Recorded by the esteemed label Ricercar, this album benefits from high-quality production that brings out the nuances of Marais' compositions. The performances are brought to life by François Joubert-Caillet and the ensemble L'Achéron, who are renowned for their authentic interpretations of Baroque music. Their expertise ensures that every note resonates with the spirit of the original compositions, providing an authentic listening experience.

      "Troisième livre de pièces de viole" is not just an album; it is a comprehensive exploration of Marin Marais' musical genius. Whether you are a seasoned classical music enthusiast or a curious newcomer, this collection offers a rich tapestry of sounds that will captivate and inspire. Immerse yourself in the timeless beauty of Marais' music and discover the enduring appeal of the Baroque era.

      1 januari 20172021 OuthereOuthere (2017-2019)

      Tracks

      1. [Suite en sol majeur]: I. Prelude (92)Marin Marais, François Joubert-Caillet, L'Achéron
        2:15
      2. [Suite en sol majeur]: II. Caprice (93)Marin Marais, François Joubert-Caillet, L'Achéron
        1:15
      3. [Suite en sol majeur]: III. Allemande (94) & Double (95)Marin Marais, François Joubert-Caillet, L'Achéron
        4:12
      4. [Suite en sol majeur]: IV. Allemande La Magnifique (96) & Double (97)Marin Marais, François Joubert-Caillet, L'Achéron
        4:45
      5. [Suite en sol majeur]: V. Courante (98)Marin Marais, François Joubert-Caillet, L'Achéron
        1:41
      6. [Suite en sol majeur]: VI. Sarabande grave (99)Marin Marais, François Joubert-Caillet, L'Achéron
        3:17
      7. [Suite en sol majeur]: VII. Gigue a l'angloise (100)Marin Marais, François Joubert-Caillet, L'Achéron
        1:04
      8. [Suite en sol majeur]: VIII. Gigue la Petite (101)Marin Marais, François Joubert-Caillet, L'Achéron
        1:17
      9. [Suite en sol majeur]: IX. Gavotte (102)Marin Marais, François Joubert-Caillet, L'Achéron
        1:13
      10. [Suite en sol majeur]: X. Menuet (103)Marin Marais, François Joubert-Caillet, L'Achéron
        0:43
      11. [Suite en sol majeur]: XI. Menuet le Cor de Chasse (104)Marin Marais, François Joubert-Caillet, L'Achéron
        1:20
      12. [Suite en sol majeur]: XII. La Muzette (105)Marin Marais, François Joubert-Caillet, L'Achéron
        2:45
      13. [Suite en sol majeur]: XIII. Muzette (106)Marin Marais, François Joubert-Caillet, L'Achéron
        1:40
      14. [Suite en sol majeur]: XIV. La Guitare (107)Marin Marais, François Joubert-Caillet, L'Achéron
        5:51
      15. [Suite en do mineur]: I. Prelude (123)Marin Marais, François Joubert-Caillet, L'Achéron
        2:26
      16. [Suite en do mineur]: II. Fantaisie (124) & Double (125)Marin Marais, François Joubert-Caillet, L'Achéron
        1:39
      17. [Suite en do mineur]: III. Allemande (126)Marin Marais, François Joubert-Caillet, L'Achéron
        3:50
      18. [Suite en do mineur]: IV. Courante (127)Marin Marais, François Joubert-Caillet, L'Achéron
        1:31
      19. [Suite en do mineur]: V. Sarabande grave (128)Marin Marais, François Joubert-Caillet, L'Achéron
        3:52
      20. [Suite en do mineur]: VI. Gigue (129)Marin Marais, François Joubert-Caillet, L'Achéron
        2:04
      21. [Suite en do mineur]: VII. Rondeau (130)Marin Marais, François Joubert-Caillet, L'Achéron
        2:52
      22. [Suite en do mineur]: VIII. Gavotte (131)Marin Marais, François Joubert-Caillet, L'Achéron
        1:23
      23. [Suite en do mineur]: IX. Menuet (132)Marin Marais, François Joubert-Caillet, L'Achéron
        1:02
      24. [Suite en do mineur]: X. 2e Menuet (133)Marin Marais, François Joubert-Caillet, L'Achéron
        1:03
      25. [Suite en do mineur]: XI. Contrefaiseurs (134)Marin Marais, François Joubert-Caillet, L'Achéron
        1:16
      26. [Suite en la majeur]: I. Prelude (14)Marin Marais, François Joubert-Caillet, L'Achéron
        2:10
      27. [Suite en la majeur]: II. Fantaisie (21)Marin Marais, François Joubert-Caillet, L'Achéron
        0:52
      28. [Suite en la majeur]: III. Allemande (15) & Double (16)Marin Marais, François Joubert-Caillet, L'Achéron
        5:34
      29. [Suite en la majeur]: IV. Courante (18)Marin Marais, François Joubert-Caillet, L'Achéron
        1:20
      30. [Suite en la majeur]: V. Sarabande (17)Marin Marais, François Joubert-Caillet, L'Achéron
        2:38
      31. [Suite en la majeur]: VI. Gavotte (19)Marin Marais, François Joubert-Caillet, L'Achéron
        0:43
      32. [Suite en la majeur]: VII. Gigue L'inconstante (20)Marin Marais, François Joubert-Caillet, L'Achéron
        1:54
      33. [Suite en la majeur]: VIII. Menuet (22)Marin Marais, François Joubert-Caillet, L'Achéron
        0:34
      34. [Suite en la majeur]: IX. Menuet (23)Marin Marais, François Joubert-Caillet, L'Achéron
        1:09
      35. [Suite en la majeur]: X. Rondeau (24)Marin Marais, François Joubert-Caillet, L'Achéron
        1:24
      36. [Suite en la majeur]: XI. Allemande la Gotique (25)Marin Marais, François Joubert-Caillet, L'Achéron
        3:44
      37. [Suite en fa majeur]: I. Prelude (26)Marin Marais, François Joubert-Caillet, L'Achéron
        2:51
      38. [Suite en fa majeur]: II. Fantaisie (27)Marin Marais, François Joubert-Caillet, L'Achéron
        1:06
      39. [Suite en fa majeur]: III. Allemande (28) & Double (29)Marin Marais, François Joubert-Caillet, L'Achéron
        4:44
      40. [Suite en fa majeur]: IV. Courante (30) & Double (31)Marin Marais, François Joubert-Caillet, L'Achéron
        3:44
      41. [Suite en fa majeur]: V. Sarabande (33)Marin Marais, François Joubert-Caillet, L'Achéron
        3:43
      42. [Suite en fa majeur]: VI. Gavotte la Badine (32)Marin Marais, François Joubert-Caillet, L'Achéron
        0:57
      43. [Suite en fa majeur]: VII. Gigue (34)Marin Marais, François Joubert-Caillet, L'Achéron
        1:37
      44. [Suite en fa majeur]: VIII. Menuet (35)Marin Marais, François Joubert-Caillet, L'Achéron
        0:50
      45. [Suite en fa majeur]: IX. 2e Menuet (36)Marin Marais, François Joubert-Caillet, L'Achéron
        1:09
      46. [Suite en fa majeur]: X. Rondeau (37)Marin Marais, François Joubert-Caillet, L'Achéron
        2:45
      47. [Suite en fa majeur]: XI. Chaconne (38)Marin Marais, François Joubert-Caillet, L'Achéron
        3:15
      48. [Suite en fa majeur]: XII. Bourasque (39)Marin Marais, François Joubert-Caillet, L'Achéron
        1:18
      49. [Suite en la mineur]: I. Prelude (11 )Marin Marais, François Joubert-Caillet, L'Achéron
        3:41
      50. [Suite en la mineur]: II. Fantaisie (1)Marin Marais, François Joubert-Caillet, L'Achéron
        0:56
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      About Marin Marais

      Marin Marais, born in Paris in 1656, was a virtuoso viol player and a prolific composer whose works have left an indelible mark on the Baroque music landscape. His journey began under the tutelage of the renowned Jean-Baptiste Lully and the enigmatic Monsieur de Sainte-Colombe, from whom he absorbed the nuances of the viol. Marais' career flourished at the royal court of Versailles, where he was appointed as a court musician in 1676 and later as ordinaire de la chambre du roy pour la viole in 1679, a position he held until 1725.

      Marais' compositions are a testament to his mastery of the viol, with five books of Pièces de viole that showcase his technical prowess and emotional depth. Beyond his viol works, he also composed four operas and various instrumental and vocal pieces, demonstrating his versatility as a composer. His music is notable for its balance between the harmonic idioms of the past and the innovations of his time, making it as relevant today as it was in the 17th and 18th centuries. Marais' legacy extends beyond the concert hall, with his life and music gaining wider recognition through cinematic portrayals, further cementing his status as a central figure in the French school of viol playing.

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      Marin Marais

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