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      1. Albums
      2. mahler: symphony no. 8 - gustav mahler

      Mahler: Symphony No. 8

      Gustav MahlerGustav Mahler
      • 2001
      • 18 tracks
      • 1 uur, 22 min
      • classical
      Mahler: Symphony No. 8 - Gustav Mahler
      Mahler: Symphony No. 8 - Gustav Mahler

      Album Details

      Gustav Mahler's "Symphony No. 8," also known as the "Symphony of a Thousand," is a monumental work that showcases the composer's grandeur and innovation. Released on January 1, 2001, by Decca Music Group Ltd., this album is a cornerstone of classical music, featuring Mahler's expansive orchestral writing and choral mastery.

      The symphony is divided into two parts. The first part is a setting of the Latin hymn "Veni creator spiritus," a powerful invocation of the Holy Spirit. The second part is a dramatic musical rendition of the final scene from Goethe's "Faust," complete with a vast array of vocal and instrumental forces. The sheer scale of the work, requiring a massive orchestra, multiple choirs, and soloists, earned it the nickname "Symphony of a Thousand."

      With a duration of 1 hour and 22 minutes, this album is a testament to Mahler's ability to blend profound philosophical themes with breathtaking musical expression. The symphony's intricate structure and rich harmonies make it a profound and rewarding listening experience. Whether you're a seasoned classical music enthusiast or a newcomer to Mahler's work, "Symphony No. 8" offers a deep dive into the composer's visionary approach to orchestral and choral composition.

      1 januari 2001© 2013 Decca Music Group Limited℗ 2001 Decca Music Group Limited

      Tracks

      1. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus"Gustav Mahler, Netherlands Radio Choir, Prague Philharmonic Choir, Royal Concertgebouw Orchestra, Riccardo Chailly
        1:43
      2. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Imple superna gratia"Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Netherlands Radio Choir, Prague Philharmonic Choir, Royal Concertgebouw Orchestra, Riccardo Chailly
        3:58
      3. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Infirma nostri corporis"Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Vesko Eshkenazy, Netherlands Radio Choir, Prague Philharmonic Choir, Royal Concertgebouw Orchestra, Riccardo Chailly
        6:25
      4. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Accende lumen sensibus"Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Netherlands Radio Choir, Prague Philharmonic Choir, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Sacramentskoor Breda, Royal Concertgebouw Orchestra, Riccardo Chailly
        5:09
      5. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Veni, Creator...Da gaudiorum praemia"Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Netherlands Radio Choir, Prague Philharmonic Choir, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Sacramentskoor Breda, Royal Concertgebouw Orchestra, Riccardo Chailly
        4:24
      6. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino"Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Netherlands Radio Choir, Prague Philharmonic Choir, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Sacramentskoor Breda, Royal Concertgebouw Orchestra, Riccardo Chailly
        2:50
      7. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": Poco adagio: "Waldung, sie schwankt heran"Gustav Mahler, Netherlands Radio Choir, Prague Philharmonic Choir, Royal Concertgebouw Orchestra, Riccardo Chailly
        14:05
      8. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Ewiger Wonnebrand"Gustav Mahler, Peter Mattei, Royal Concertgebouw Orchestra, Riccardo Chailly
        1:32
      9. Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Wie Felsenabgrund mir zu Füßen"Gustav Mahler, Jan-Hendrik Rootering, Royal Concertgebouw Orchestra, Riccardo Chailly
        4:47
      10. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied"Gustav Mahler, Anne Schwanewilms, Ben Heppner, Vesko Eshkenazy, Netherlands Radio Choir, Prague Philharmonic Choir, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Sacramentskoor Breda, Royal Concertgebouw Orchestra, Riccardo Chailly
        3:33
      11. Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest"Gustav Mahler, Sara Fulgoni, Ben Heppner, Vesko Eshkenazy, Netherlands Radio Choir, Prague Philharmonic Choir, Royal Concertgebouw Orchestra, Riccardo Chailly
        3:10
      12. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Höchste Herrscherin der Welt"Gustav Mahler, Ben Heppner, Vesko Eshkenazy, Netherlands Radio Choir, Prague Philharmonic Choir, Royal Concertgebouw Orchestra, Riccardo Chailly
        4:34
      13. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Dir, der Unberührbaren"Gustav Mahler, Anne Schwanewilms, Vesko Eshkenazy, Netherlands Radio Choir, Prague Philharmonic Choir, Royal Concertgebouw Orchestra, Riccardo Chailly
        3:39
      14. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Bei der Liebe, die den Fussen"Gustav Mahler, Jane Eaglen, Sara Fulgoni, Anna Larsson, Vesko Eshkenazy, Royal Concertgebouw Orchestra, Riccardo Chailly
        4:39
      15. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Neige, neige, du Ohnegleiche"Gustav Mahler, Anne Schwanewilms, Ruth Ziesak, Netherlands Radio Choir, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Jongenskoor van het Kathedrale Koor St. Bavo, Royal Concertgebouw Orchestra, Riccardo Chailly
        4:22
      16. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Komm! Komm!"Gustav Mahler, Ruth Ziesak, Netherlands Radio Choir, Royal Concertgebouw Orchestra, Riccardo Chailly
        1:20
      17. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Blicket auf zum Retterblick"Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Sara Fulgoni, Anna Larsson, Ben Heppner, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Sacramentskoor Breda, Royal Concertgebouw Orchestra, Riccardo Chailly
        5:54
      18. Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Alles Vergängliche"Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Netherlands Chamber Choir, Prague Philharmonic Choir, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Sacramentskoor Breda, Royal Concertgebouw Orchestra, Riccardo Chailly
        5:52
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      About Gustav Mahler

      Gustav Mahler, born in 1860 in Bohemia, was a towering figure in the world of classical music, straddling the late Romantic and early modernist eras. A prolific composer and renowned conductor, Mahler's symphonies are celebrated for their grandeur and emotional depth, often requiring large orchestras to bring his vision to life. His journey to fame was not without obstacles; despite his conducting prowess being recognized in his lifetime, his compositions faced periods of neglect, including a ban during the Nazi era. However, post-World War II, Mahler's music experienced a resurgence, becoming a staple in concert halls and recordings worldwide. His monumental works, such as the 'Titan' symphony, continue to captivate audiences with their intricate structures and profound expressions of human experience. Mahler's legacy endures, making him one of the most performed and recorded composers of all time.

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      Gustav Mahler

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