Made for Each Other

Dive into the rich, soulful world of jazz with Sonny Stitt's "Made for Each Other," a timeless collection of tracks that blend bebop, cool jazz, and acid jazz seamlessly. Originally recorded in 1968, this 1997 reissue on Delmark Records features nine captivating songs that showcase Stitt's mastery of the saxophone alongside the stellar accompaniment of organist Don Patterson and drummer Billy Higgins.

The album kicks off with "Samba de Orfeo," setting a lively tone that carries through to the playful "Funny" and its alternate take. "Glory of Love" offers a tender moment, while "The Very Thought of You" provides a smooth, cool jazz interlude. The bluesy "Blues for J.J." and the haunting "Night Has a Thousand Eyes" (complete with an alternate take) highlight Stitt's versatility and depth. "Honey" adds a sweet, soulful touch to the collection.

"Made for Each Other" is a testament to Sonny Stitt's enduring legacy, offering both longtime fans and newcomers a chance to experience the magic of his music. The album's 41-minute duration is packed with rich melodies, intricate solos, and a dynamic range that keeps the listener engaged from start to finish. Whether you're a jazz aficionado or simply looking to expand your musical horizons, this album is a perfect addition to any collection.

Sonny Stitt, born Edward Stitt in Boston and raised in Michigan, was a pioneering American jazz saxophonist renowned for his warm, distinctive tone and his mastery of the bebop and hard bop idioms. Nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, Stitt was known for his relentless touring and his preference for working with different musicians, rather than forming a permanent band. Initially, Stitt's style was compared to that of Charlie Parker, but he soon developed his own unique sound, particularly on the tenor saxophone. His extensive discography, featuring over 100 albums, showcases his versatility and innovation. Stitt's career spanned several decades, from establishing himself on the American jazz scene in the 1960s to making a significant impact on the UK jazz funk scene in the mid-1970s. He was also known for his sax duels with contemporaries like Dexter Gordon and Gene Ammons, further cementing his status as one of the finest bebop saxophonists of his era.

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