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      1. Albums
      2. lortzing: hans sachs - albert lortzing

      Lortzing: Hans Sachs

      Albert LortzingAlbert Lortzing
      • 2015
      • 27 tracks
      • 1 uur, 29 min
      • opera
      Lortzing: Hans Sachs - Albert Lortzing
      Lortzing: Hans Sachs - Albert Lortzing

      Album Details

      Immerse yourself in the rich tapestry of German opera with Albert Lortzing's "Hans Sachs," a captivating album released on February 1, 2015, under the Walhall Eternity Series label. This operatic masterpiece spans 1 hour and 29 minutes, offering a deep dive into Lortzing's unique compositional style and storytelling prowess.

      Albert Lortzing, a prolific and versatile figure in the world of German theater, crafted "Hans Sachs" as a testament to his multifaceted talents. For over a century and a half, Lortzing was celebrated as one of the most performed composers on German stages, standing alongside giants like Mozart and Verdi. His works, including "Hans Sachs," have left an indelible mark on the operatic landscape, influencing even the likes of Richard Wagner.

      "Hans Sachs" is a compelling exploration of dialogue and arias, featuring a cast of characters brought to life through Lortzing's distinctive musical language. The album opens with the stirring "Overture," setting the stage for a series of dialogues and solos that delve into themes of love, confusion, and the human condition. Standout tracks include "Verlassen mich? O scherze doch so grausam nicht!" sung by Kunigunde, and "Zwei Dinge sind's, die hoch den Mann erheben," a powerful solo by Hans Sachs himself.

      The album is a testament to Lortzing's ability to weave intricate narratives through music, making it a essential addition to any classical music enthusiast's collection. Whether you're a seasoned opera lover or new to the genre, "Hans Sachs" offers a rich and rewarding listening experience that showcases the best of Albert Lortzing's operatic genius.

      1 februari 20152015 Walhall Eternity Series2015 Walhall Eternity Series

      Tracks

      1. Hans Sachs: OvertureAlbert Lortzing, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Max Loy
        8:05
      2. Hans Sachs: DialogueAlbert Lortzing, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Max Loy
        1:43
      3. Hans Sachs: Verlassen mich? O scherze doch so grausam nicht! (Kunigunde)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
        4:37
      4. Hans Sachs: DialogueAlbert Lortzing, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Loy
        2:32
      5. Hans Sachs: Die schusterzunft bleibt immer noch (Gorg)Albert Lortzing, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Max Loy
        2:53
      6. Hans Sachs: DialogueAlbert Lortzing, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Max Loy
        3:57
      7. Hans Sachs: Wo bist du, sachs? Hat mich ein Traum umfangen? (Sachs)Albert Lortzing, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Max Loy
        5:35
      8. Hans Sachs: Zwei dinge sind's, die hoch den mann erheben (Sachs)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
        3:10
      9. Hans Sachs: DialogueAlbert Lortzing, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Loy
        2:19
      10. Hans Sachs: Was hor' ich? Ich seid der brautigam? (Kunigunde)Albert Lortzing, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Max Loy
        5:30
      11. Hans Sachs: DialogueAlbert Lortzing, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Max Loy
        0:44
      12. Hans Sachs: Sehnsuchtsvoll mit suem bangen (Kunigunde)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
        5:45
      13. Hans Sachs: DialogueAlbert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Max Loy
        0:06
      14. Hans Sachs: Der Meister kommt (Gorg)Albert Lortzing, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Max Loy
        3:59
      15. Hans Sachs: O Kind voll Unshuld und Liebe (Sachs)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
        2:31
      16. Hans Sachs: DialogueAlbert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Max Loy
        6:31
      17. Hans Sachs: Macht doch der Verwirrung ein End' (Chorus)Albert Lortzing, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Max Loy
        3:10
      18. Hans Sachs: Zwei Dinges sind es, die den Mann begeistern (Sachs)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
        2:02
      19. Hans Sachs: Herr Absolom emporte sich (Eoban)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Max Loy
        4:21
      20. Hans Sachs: Ihr habet mir, dem schlichten Mann (Sachs)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
        4:28
      21. Hans Sachs: DialogueAlbert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
        0:29
      22. Hans Sachs: Seht dorthin, ihr Burger (Steffen)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
        3:19
      23. Hans Sachs: DialogueAlbert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
        1:23
      24. Hans Sachs: So ist's, von mir ist das Gedicht (Eoban)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
        2:51
      25. Hans Sachs: Ewig wurde ich freuen (Eoban)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
        0:39
      26. Hans Sachs: Ewig wurd' ich freuen (Sachs)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
        2:57
      27. Hans Sachs: Nicht Reichtum macht das Leben schon (Sachs)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
        3:16
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      About Albert Lortzing

      Albert Lortzing, a multifaceted German artist, left an indelible mark on the world of opera with his versatile talents as a composer, librettist, actor, and singer. Born in 1801, Lortzing's career spanned various artistic disciplines, making him a key figure in the development of the German Spieloper, a form akin to the French opéra comique. His works, which include a dozen notable stage productions, are celebrated for their wit, charm, and deep connection to German national heritage. Despite a life cut short at the age of fifty, Lortzing's compositions continue to captivate audiences with their timeless appeal. Among his notable works are "Regina" and "Undine," each offering a unique blend of drama and musical innovation. Lortzing's legacy endures, inspiring both performers and enthusiasts alike with his rich and diverse contributions to the operatic canon.

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