Live At The Hi Hat Volume 2

Dive into the vibrant world of bebop and cool jazz with Sonny Stitt's "Live At The Hi Hat Volume 2," a captivating live album recorded in Boston on February 11, 1954. This collection of 15 tracks showcases Stitt's mastery of the alto, tenor, and baritone saxophones, accompanied by Dean Earl on piano, Bernie Griggs on bass, and Marquis Foster on drums. The album is a testament to Stitt's virtuosity and the dynamic energy of live jazz performances.

"Live At The Hi Hat Volume 2" features a mix of previously unissued tracks and selections that were initially released on the Phoenix Jazz LP 15. The album opens with the lively "S.O.S. (Colombus Avenue Rhythm)" and continues with standout performances like "Rockin' at the Hi Hat" and "Indiana - Second Version." Each track is a testament to Stitt's improvisational skills and his ability to engage with the audience, making this album a true gem for jazz enthusiasts.

The album spans a variety of genres within the jazz spectrum, including bebop, hard bop, and cool jazz, providing a rich and diverse listening experience. Whether you're a longtime fan of Sonny Stitt or new to his music, "Live At The Hi Hat Volume 2" offers a compelling journey through the golden age of jazz. The album's duration of 1 hour and 4 minutes ensures that you'll be immersed in the rich sounds and rhythms of this iconic live performance.

Sonny Stitt, born Edward Stitt in Boston and raised in Michigan, was a pioneering American jazz saxophonist renowned for his warm, distinctive tone and his mastery of the bebop and hard bop idioms. Nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, Stitt was known for his relentless touring and his preference for working with different musicians, rather than forming a permanent band. Initially, Stitt's style was compared to that of Charlie Parker, but he soon developed his own unique sound, particularly on the tenor saxophone. His extensive discography, featuring over 100 albums, showcases his versatility and innovation. Stitt's career spanned several decades, from establishing himself on the American jazz scene in the 1960s to making a significant impact on the UK jazz funk scene in the mid-1970s. He was also known for his sax duels with contemporaries like Dexter Gordon and Gene Ammons, further cementing his status as one of the finest bebop saxophonists of his era.

Live At The Hi Hat Volume 2

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