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      1. Albums
      2. lehar: die lustige witwe & strauss: waltzes - franz welser-möst

      Lehar: Die lustige Witwe & Strauss: Waltzes

      Franz Welser-MöstFranz Welser-Möst
      • 2008
      • 27 tracks
      • 2 uur, 20 min
      • requiem
      Lehar: Die lustige Witwe & Strauss: Waltzes - Franz Welser-Möst
      Lehar: Die lustige Witwe & Strauss: Waltzes - Franz Welser-Möst

      Album Details

      Immerse yourself in the enchanting world of operetta and waltzes with Franz Welser-Möst's captivating album, "Lehar: Die lustige Witwe & Strauss: Waltzes." Released on March 24, 2008, under the EMI Classics label, this exquisite collection offers a delightful blend of Franz Lehár's complete operetta "Die lustige Witwe" (The Merry Widow) and a selection of beloved waltzes by Johann Strauss II.

      Franz Welser-Möst, the renowned conductor, leads the London Philharmonic Orchestra through a mesmerizing journey of classical music, showcasing his exceptional artistry and the orchestra's virtuosity. The album spans a total of 27 tracks, with a runtime of 2 hours and 20 minutes, providing a comprehensive and immersive listening experience.

      "Die lustige Witwe," a timeless classic, is brought to life with vibrant performances by a stellar cast, including Felicity Lott, Rudolf Schasching, and Thomas Hampson. The operetta's witty libretto and memorable melodies are beautifully complemented by the orchestra's rich, nuanced playing. From the lively "Damenwahl" to the romantic "Lippen schweigen," each track is a testament to the enduring appeal of Lehár's masterpiece.

      The second half of the album features a selection of Johann Strauss II's most famous waltzes, including "Künstlerleben," "Rosen aus dem Süden," and "An der schönen, blauen Donau." These enchanting compositions, performed with precision and passion by the London Philharmonic Orchestra, evoke the elegance and charm of the Viennese ballroom, transporting the listener to a bygone era of sophistication and grace.

      Whether you're a seasoned classical music enthusiast or a newcomer to the genre, Franz Welser-Möst's "Lehar: Die lustige Witwe & Strauss: Waltzes" promises an unforgettable musical experience. With its exquisite performances, rich orchestration, and timeless compositions, this album is a celebration of the enduring power of classical music.

      March 24, 2008(C) 2008 EMI Records Ltd.(P) as shown. The copyright in this sound recording is owned by EMI Records Ltd. This compilation (P) 2008 by EMI Records Ltd.

      Tracks

      1. Die Lustige Witwe (complete), ACT 1: Introdktion - Verehrteste Damen und HerrenElzbieta Szmytka, Glyndebourne Chorus, Kurt Azesberger, Rudolf Schasching, London Philharmonic Orchestra, Dirk Bogarde, Robert Poulton, Felicity Lott, John Aler, Thomas Hampson, Franz Welser-Möst
        2:55
      2. Die Lustige Witwe (complete), ACT 1: So kommen Sie!...Ich bin eine anständ'ge Frau (Valencienne, Camille)Franz Welser-Möst, Dirk Bogarde, Robert Poulton, John Aler, Thomas Hampson, Kurt Azesberger, London Philharmonic Orchestra, Elzbieta Szmytka, Felicity Lott, Glyndebourne Chorus, Rudolf Schasching
        4:12
      3. Die Lustige Witwe (complete), ACT 1: Bitte, meine Herr'n...Hab' in Paris mich noch nicht, ganz so acclimatisiertRobert Poulton, Franz Welser-Möst, Dirk Bogarde, John Aler, Thomas Hampson, London Philharmonic Orchestra, Elzbieta Szmytka, Rudolf Schasching, Glyndebourne Chorus, Kurt Azesberger, Felicity Lott
        3:42
      4. Die Lustige Witwe (complete), ACT 1: O Vaterland...Da geh' ich zu Maxim (Entrance song: Danilo)Elzbieta Szmytka, Glyndebourne Chorus, Rudolf Schasching, Kurt Azesberger, Thomas Hampson, John Aler, London Philharmonic Orchestra, Robert Poulton, Franz Welser-Möst, Felicity Lott, Dirk Bogarde
        2:38
      5. Die Lustige Witwe (complete), ACT 1: Ja was? ein trautes Zimmerlein (Zauber der Häuslichkeit (Val, Cam)Franz Welser-Möst, John Aler, Glyndebourne Chorus, Kurt Azesberger, Thomas Hampson, Robert Poulton, London Philharmonic Orchestra, Dirk Bogarde, Elzbieta Szmytka, Rudolf Schasching, Felicity Lott
        2:49
      6. Die Lustige Witwe (complete), ACT 1: Damenwahl!...Es gibt keine gorss're BeleidigungKurt Azesberger, Rudolf Schasching, Elzbieta Szmytka, Glyndebourne Chorus, London Philharmonic Orchestra, John Aler, Thomas Hampson, Felicity Lott, Dirk Bogarde, Robert Poulton, Franz Welser-Möst
        2:51
      7. Die Lustige Witwe (complete), ACT 1: Oh Kommet doch, oh kommt, Ihr Ballsirenen...Wie die Blumen im Lenze erbluh'nJohn Aler, Dirk Bogarde, Thomas Hampson, Glyndebourne Chorus, Rudolf Schasching, London Philharmonic Orchestra, Kurt Azesberger, Elzbieta Szmytka, Franz Welser-Möst, Robert Poulton, Felicity Lott
        2:47
      8. Die Lustige Witwe (complete), ACT 1: Der junge Mann tenzt PolkaRudolf Schasching, Dirk Bogarde, Kurt Azesberger, Robert Poulton, Glyndebourne Chorus, Elzbieta Szmytka, John Aler, Thomas Hampson, London Philharmonic Orchestra, Franz Welser-Möst, Felicity Lott
        4:44
      9. Die Lustige Witwe (complete), ACT 2: Intoduktion, Tanz und Vilja-Lied: Ich bitte, hier jetzt zu verweilen..Mi velimo dase...Nun lasst uns aber wie daheim...Es lebt'eine ViljaDirk Bogarde, Robert Poulton, John Aler, Thomas Hampson, Elzbieta Szmytka, London Philharmonic Orchestra, Rudolf Schasching, Glyndebourne Chorus, Kurt Azesberger, Felicity Lott, Franz Welser-Möst
        10:13
      10. Die Lustige Witwe (complete), ACT 2: Heia, Mädel, aufgeschaut...Dummer, dummer Reitersmann (Hanna, Danilo)Felicity Lott, Rudolf Schasching, Kurt Azesberger, Dirk Bogarde, Elzbieta Szmytka, Glyndebourne Chorus, Franz Welser-Möst, Robert Poulton, John Aler, London Philharmonic Orchestra, Thomas Hampson
        3:16
      11. Die Lustige Witwe (complete), ACT 2: Wie die Weiber...Ja, das Studium de Weiber ist schwerKurt Azesberger, John Aler, Thomas Hampson, London Philharmonic Orchestra, Elzbieta Szmytka, Rudolf Schasching, Franz Welser-Möst, Glyndebourne Chorus, Dirk Bogarde, Felicity Lott, Robert Poulton
        6:02
      12. Die Lustige Witwe (complete), ACT 2: Mein Freund, Vernunft!...Wie eine Rosenknospe (Valencienne, Camille)Robert Poulton, Franz Welser-Möst, Thomas Hampson, Dirk Bogarde, John Aler, London Philharmonic Orchestra, Elzbieta Szmytka, Glyndebourne Chorus, Kurt Azesberger, Rudolf Schasching, Felicity Lott
        6:24
      13. Die Lustige Witwe (complete), ACT 2: Ha! Ha! Wir fragen was man von uns will?!...Wie eine RosenknospeFelicity Lott, Franz Welser-Möst, Rudolf Schasching, Glyndebourne Chorus, Kurt Azesberger, Thomas Hampson, Robert Poulton, London Philharmonic Orchestra, John Aler, Elzbieta Szmytka, Dirk Bogarde
        3:20
      14. Die Lustige Witwe (complete), ACT 2: Den Herrschaften hab'ich was zu erzahlen!...Die Ehe ist fur mich privatThomas Hampson, Glyndebourne Chorus, Robert Poulton, Elzbieta Szmytka, Franz Welser-Möst, Rudolf Schasching, London Philharmonic Orchestra, John Aler, Felicity Lott, Dirk Bogarde, Kurt Azesberger
        2:41
      15. Die Lustige Witwe (complete), ACT 2: Ganz nach Pariser Art!Felicity Lott, Rudolf Schasching, Glyndebourne Chorus, Kurt Azesberger, London Philharmonic Orchestra, Thomas Hampson, Elzbieta Szmytka, Robert Poulton, John Aler, Dirk Bogarde, Franz Welser-Möst
        2:30
      16. Die Lustige Witwe (complete), ACT 2: Es waren zwei konigskinder...Ich gehe zu MaximDirk Bogarde, Robert Poulton, Elzbieta Szmytka, London Philharmonic Orchestra, Kurt Azesberger, Glyndebourne Chorus, Rudolf Schasching, Thomas Hampson, John Aler, Felicity Lott, Franz Welser-Möst
        3:42
      17. Die Lustige Witwe (complete), ACT 3: Tanz SzeneFelicity Lott, Dirk Bogarde, Franz Welser-Möst, Kurt Azesberger, Robert Poulton, John Aler, London Philharmonic Orchestra, Elzbieta Szmytka, Rudolf Schasching, Glyndebourne Chorus, Thomas Hampson
        0:53
      18. Die Lustige Witwe (complete), ACT 3: Ja, wir sind es, die Grisetten (Valencienne, Grisettes)Kurt Azesberger, Glyndebourne Chorus, Rudolf Schasching, Robert Poulton, Elzbieta Szmytka, Thomas Hampson, John Aler, London Philharmonic Orchestra, Franz Welser-Möst, Dirk Bogarde, Felicity Lott
        3:25
      19. Die Lustige Witwe (complete), ACT 3: Lippen schweigen (Hanna, Danilo)Thomas Hampson, Elzbieta Szmytka, Glyndebourne Chorus, Rudolf Schasching, Kurt Azesberger, London Philharmonic Orchestra, John Aler, Franz Welser-Möst, Felicity Lott, Robert Poulton, Dirk Bogarde
        3:36
      20. Die Lustige Witwe (complete), ACT 3: Ja, das Stadium der Weiber ist schwerzThomas Hampson, London Philharmonic Orchestra, Glyndebourne Chorus, Kurt Azesberger, Elzbieta Szmytka, Rudolf Schasching, Franz Welser-Möst, Dirk Bogarde, John Aler, Robert Poulton, Felicity Lott
        1:20
      21. Künstlerleben - Walzer Op. 316Franz Welser-Möst, London Philharmonic Orchestra
        9:27
      22. Rosen aus dem Süden - Walzer Op. 388London Philharmonic Orchestra, Franz Welser-Möst
        9:00
      23. Der Zigeunerbaron: OvertureFranz Welser-Möst
        7:16
      24. G'schichten aus dem Wienerwald - Walzer Op. 325London Philharmonic Orchestra, Franz Welser-Möst
        12:09
      25. Kaiserwalzer Op. 437London Philharmonic Orchestra, Franz Welser-Möst
        10:35
      26. Die Fledermaus: OvertureFranz Welser-Möst
        7:53
      27. An der schönen, blauen Donau - Walzer Op. 314Franz Welser-Möst, London Philharmonic Orchestra
        9:38
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      About Franz Welser-Möst

      Franz Welser-Möst is an Austrian conductor renowned for his distinctive sound culture and exceptional leadership. As the Music Director of the Cleveland Orchestra for over two decades, he has shaped one of the world's most celebrated symphony orchestras. His tenure has been marked by critical acclaim and a deep commitment to musical excellence. Welser-Möst's influence extends beyond Cleveland; he holds the prestigious Eric Ericson Honorary Chair with the Royal Philharmonic and has been a guiding force for orchestras worldwide. His interpretations of classical masterpieces, including requiems and works by Mozart, are celebrated for their depth and emotional resonance. With a career spanning decades, Franz Welser-Möst continues to captivate audiences and inspire musicians with his artistry and vision.

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